[contextly_auto_sidebar id="CAxR2RewOYpbx08DLip9Jb3pvG0eQ2Sw"] THE Scottish novelist Val McDermid, who has sold 10 million books, says she wouldn't have a career in today's relentless marketplace. One of the things the Internet and the superstar economy have done is to shrink our already shrunken attention spans further, and that's doubly true in the culture industries. Crime writer … [Read more...]
Working for Free, Pro and Con
[contextly_auto_sidebar id="3yEpOmVWqQdiM8tHRZQ892WnlfCfPiSE"] AMAZINGLY, there are still gurus urging creatives that working for free -- for for-profit companies -- is a good "branding" move. An article in the Financial Times describes some who believe in the great opportunities of the digital age, and says that asking for -- and receiving -- free labor has continues to increase. But as … [Read more...]
“The Disruption Machine” and the Arts
[contextly_auto_sidebar id="R3zLDzzRclVKKTROWNxF41CXdu70ZMpQ"] Jill Lepore's New Yorker article, "The Disruption Machine," which looks at one of the key fallacies of the digital crowd, has become much discussed. Her challenge to a theory that describes how newer, smaller companies destroy old ones may not seem to relate to the world of arts and culture. But these things are intimately … [Read more...]
Eric Fischl and Steve Martin
[contextly_auto_sidebar id="Z2ToD122mPHrUfvrPjk39l1JB9c1LnKn"] THE artist and comedian will speak tonight at the Broad Stage in Santa Monica, part of what's shaping up to a strong series called The Un-Private Collection. Fischl's memoir, Bad Boy: My Life on and Off the Canvas, is fascinating not only about the path of an artist, but about the strange cultural spot we find ourselves now. Here's … [Read more...]
“American Top 40,” Poptimism and Winner-Take-All
[contextly_auto_sidebar id="plD2J41Igr64VnQSKm3MiH74DQcHRIgZ"] IS it possible to hate Casey Kasem? Probably not. His show was a lot of fun, and he was the voice of Shaggy. But his death is being received in an odd way that's unfair to him and wrong about the way culture, popularity and economics work. In short, he's being drafted into a war in which he never fought. My new story in Salon … [Read more...]
The False Promise of Digital Publishing
[contextly_auto_sidebar id="qUIajYbX9hto2gQVHqpXSXAzUoXDE0A8"] WHAT does it mean to be a digital bestseller? We continue to hear that removing the middleman and getting rid of the expenses of print will be good for readers and writers. The experience of Tony Horwitz, a first-rate writer of narrative nonfiction like Confederates in the Attic, shows it doesn't always work out that way. He calls … [Read more...]
Songwriters Struggle in the Digital Age
[contextly_auto_sidebar id="xeTmAux4K4TAnAkSYsPJtKcQYgjbcieM"] TWO more musicians have expressed their frustrations with the post-label era of music distribution, which many technologists tell us is the best of all possible worlds. The first is the estimable eclecticist Van Dyke Parks, who writes in the Daily Beast about "How Songwriters Are Getting Screwed in the Digital Age." (I know Van … [Read more...]
The Internet and the Future with Jaron Lanier
[contextly_auto_sidebar id="00XQfisENTTZHblrkmxnirfcWjtcoQHV"] THE technologist and Internet skeptic Jaron Lanier is someone I speak to every few months whether I need to or not -- he's got some of the sharpest sense of how digital technology has reshaped life for the creative class and the larger middle class it sits inside. It helps that he's also an experimental/classical musician who … [Read more...]
Are Human Tastemakers Waging a Comeback?
[contextly_auto_sidebar id="Y8fDWKTQR4PySZdf0pqVQLolQa6bMrQS"] THE phrase "we love you people" may have a new resonance: Apple's purchase of Beats may mean Silicon Valley may be turning toward actual people as "curators" over the faceless algorithms it's been using. Years into a process by which your bookstore or record store clerk found himself made obsolete by an Amazon recommendation, this … [Read more...]
Jaron Lanier on Moore’s Law
[contextly_auto_sidebar id="aip73amsvg3xUNYYXf6tSsLWbr1Rp29w"] I'M going back to the work of the dreadlocked writer/musician/digital skeptic this week because of a conversation that will appear soon. He's got a great few lines near the beginning of Who Owns the Future? -- recently out in paperback -- that sums up Moore's Law, as well as what's called Baumol's Curse, about as succinctly as I can … [Read more...]