[contextly_auto_sidebar id="xOdJRgN2pWgbTiyFwQwSUxKpJatgoqCK"] THESE posts have become fairly grim lately, so I'm pleased to be able to offer some unqualified praise. Eric Dolphy's LP Out to Lunch now marks its 50th anniversary, and the record remains both radical and, I think, oddly accessible. Dolphy is perhaps my favorite avant-garde jazz player. Kevin Whitehead says on NPR: 1964 was a … [Read more...]
Week in Review: The Life and Death of Cities, More on NEA
[contextly_auto_sidebar id="PafOG3MPyZj6bmDJpEFc7L4n3rZYgP8V"] ONE of the topics that's fascinated me for decades, as I've moved from Baltimore to New London, Conn., to Los Angeles -- and in visits to Mexico City, Berkeley, Manchester, and Rome -- is how cities work, and how they stop working. No one has the entire answer to this, but one thing we can all pretty well conclude by now is that … [Read more...]
New NEA Chair and More on Starving Artists
[contextly_auto_sidebar id="0LTdLuqZwPqtzeNA2d7ehmGpnFkQovIb"] AT long last, we have a National Endowment for the Arts chair. The president has nominated Jane Chu, who runs Kansas City’s Kauffman Center for the Performing Arts. Chu and has also been a performing pianist; she seems to be well-liked among people I know, considered “low key,” and capable. (This story, from Chu's hometown paper, … [Read more...]
The Glories of Van Dyke Parks
[contextly_auto_sidebar id="ct3qiObIO1GjbjGS8WTsakgdEZd3a77u"] ONE of the great characters -- and great talents -- of Southern California, Van Dyke Parks, has experienced a renaissance lately. First known for his work with the Beach Boys and for his pop-baroque Song Cycle, Parks is an ornery Southerner with a big heart, an abiding love for music, and some serious frustrations with recent … [Read more...]
LA Phil Goes to Scandinavia
[contextly_auto_sidebar id="8kEqCdbcCqQwhdKRJpToOBscTE4zIEM7"] ON Saturday night, I caught an all-Scandinavian Los Angeles Philharmonic concert that included a West Coast premiere of an Anders Hillborg piece and violinist Hilary Hahn playing a Nielsen concerto. The whole concert was strong -- I was amazed at the sounds Hahn was able to coax out of her violin -- but Hillborg's King Tide was so … [Read more...]
Week in Review: Obama on Art vs Factories, and More
[contextly_auto_sidebar id="UzOdqTdRr0f4bA3skq8em9vtTLiLXNnZ"] WHAT seems to have been a throwaway line on the impracticality of the "art history major" by President Obama is stirring up art-world folk. I first read about it in this Hyperallergic post, "Obama Loves Art History But Thinks It's (Economically) Useless," which describes him praising skilled manufacturing jobs over, you know, artsy … [Read more...]
Disappearing Into "Invisible Cities"
THERE’s a phrase of John Cage’s I think about once in a while, despite having radically mixed feelings about the man and his work. “Theater exists all around us,” he once wrote, “and it is the purpose of formal theaterto remind us this is so.” This notion came alive for me the other night as I caught one of the last performances of Invisible Cities, the wild-ass, Calvino-inspired opera that … [Read more...]
After Ojai
YOUR humble blogger spent the weekend at the Ojai Music Festival. Here are a few quick impressions.There are not many ideas we like better than a classical music festival, dedicated mostly to contemporary work, and held almost entirely outside in a verdant valley. This year, the existing Ojai template was sweetened further by a concentration on West Coast composers, especially Henry Cowell – along … [Read more...]
West Coast Minimalism at Ojai
ONE of the best things about spring in Southern California is the Ojai Music Festival, which turns the little valley town in Ventura county into the site of a risk-taking weekend of classical music with an emphasis on chamber music and contemporary work. Since its founding in the ‘40s, everyone from Stravinsky to Eric Dolphy (!!) has performed there. It kicks off Thursday.This year’s music … [Read more...]
Chamber Group Salastina Society
THE other evening I saw a sextet performance of Transfigured Night. To say that I have mixed feelings about its composer, Arnold Schoenberg, is about the only way I can put it: The dude wrote some lovely and powerful music, but also left the state of western classical music, especially in the academy, a smoking ruin for about two generations after his 120-stone and serial systems. He was clearly a … [Read more...]