SALON is running a series on labor unions in the 21st century. My contribution is a piece asking if struggling artists, musicians, authors, scribes, etc. can make use of a union or collective to negotiate these strange times.I spoke to a number of folks -- a laid-off journalist, a music historian, screenwriter who helped lead the Hollywood writers strike, cultural observer Thomas Frank -- for this … [Read more...]
Modern Architecture in LA
WHEN people think about LA urbanism, they still invoke the same old cliches -- Woody Allen's line about the only "cultural advantage" being a right turn on red, the notorious "sprawl," and so on. They recite Getrude Stein's line about "no there there" (applied originally to another California city) as if the early town fathers just sort of forgot that part.So it was refreshing to hear from two … [Read more...]
British History and Texas Music
A SHORT, insightful new book about the making of the modern world – told in microcosm – has just come from the pen of a noted indie rocker.Here at The Misread City, we’ve been impressed with the melancholy genius of Matt Kadane since the first record, What Fun Life Was, from his old band, Dallas slowcore quartet Bedhead. Like the group that followed, The New Year, Bedhead was defined by melodic … [Read more...]
Tom Stoppard and "Parade’s End"
THIS week on HBO, Americans can catch up with a literary adaptation that hit hard in the UK last year: Parade's End. Godlike playwright Tom Stoppard adapted this series of four short novels by the underrated Ford Madox Ford -- published in the '20s and set around World War I.Yours truly had a story today on the miniseries and the process of adapting a very long and difficult text. It meant, among … [Read more...]
Jim Gavin’s Los Angeles Stories
IT'S not often that a book of short stories as good as Jim Gavin's Middle Men rolls across our desk -- rarer still when a book of any kind captures Los Angeles, especially its overlooked, non-mythic aspects, quite so intelligently.And don't take our word for it: The galleys of Middle Men come with so many raves from execs, editors, and publicists at Simon & Schuster than I can picture dewy office … [Read more...]
Return of the Shoegazers
FOR a few thousand of us, last week marked one of the musical events of the decade. After more than 20 years of near-silence, My Bloody Valentine released a new, noisy, hazy, dreamy new album. I spent part of 1990 in England, where the shoegaze revolution was roaring full force, and passed much of the '90s sulking through record stores trying to find out of print EPs and import singles by this … [Read more...]
Benjamin Nugent’s "Good Kids"
EVERY once in a while, something – a book, a short New York Times story, an n+1 essay – appears by a mysterious character named Benjamin Nugent, and damn if every time it isn't funny, smart and insightful.Now Nugent – who I’ve interviewed over the years on Elliott Smith, songcraft, and the history of nerd-dom – has a new novel called Good Kids. All I can tell you so far is that its opening … [Read more...]
Farewell to a Los Angeles Chronicler
SOMETIME during that hazy, gray zone around Christmas and New Year’s Day, one of LA’s finest scribes left town, maybe for good. I’m talking about former Village Voice/LA Weekly/Los Angeles magazine writer and editor RJ Smith. He’s also the author of two acclaimed books, The Great Black Way: LA in the 1940s and the Lost African-American Renaissance and last year’s The One: The Life and Music of … [Read more...]
The New York Literary Life
A few years ago -- before the crash, back when everything seemed to me moving forward more or less fine -- I went to New York to interview three youngish writers with first novels due. I asked:Is it possible to lead a dedicated literary life in the billionaire-filled, media-crazed New York of today? To be heedless of the material world as you burrow into novels and ideas the way the old Partisan … [Read more...]
The End of Jazz?
THIS year -- soon drawing to a close -- has gotten me thinking about the American songbook in a major way. Part of this is because of the publication of Ted Gioia's wonderful The Jazz Standards -- which has shown up on a number of year's best lists, and through which I have whiled away many hours.Another is the notorious Atlantic article, "The End of Jazz," which is both a review of the book and a … [Read more...]