THE young organist Cameron Carpenter is a thinker, a talker, a rebel and a nearly androgynous figure in white jeans -- I think of him as a cross between '50s Glenn Gould and '70s David Bowie. He makes other classical iconoclasts I know -- Jeremy, for instance -- seem middle of the road.I spoke to Carpenter for the Los Angeles Times Influences column, which I am taking over for a while. When I told … [Read more...]