From the outside, The Astaire Building, the early-‘90s structure on the Sony lot where Michael De Luca Productions is housed, is about as rock ‘n’ roll as the dancer which lends the edifice its name.But De Luca’s office – which includes the usual neat stacks of scripts on the desk, scattering of books, and LCD television – shows that something a little more personal is at work here. The … [Read more...]