NOT long ago the LA Times put together a Sunday package on the best films about Los Angeles. I was lucky enough to draw “Repo Man,” a movie I watched so many times, with two different posses of high school friends, that the film’s dialogue became a kind of subcultural code.
The film is being screened tonight at New York’s Lincoln Center, in an honor we would not have expected as we shouted lines back to the TV screen while drinking pilfered beer back in the ’80s.
And of course I was pleased to see “Repo Man” screened at the Guadalajara International Book Fair a few weeks ago as a canonical LA film — alongside more obvious choices like “Chinatown” and “LA Confidential.” (The latter was the number one movie in the Times piece, by the way.)
Returning to the film as a nearly 40-year-old adult, I was struck by both how well the film had stood up and by the sense of lost promise of its director and stars. (Alex Cox, who now lives in Oregon, like a lot of people who burn out on LA, released a memoir in 2008.) Much of the soundtrack — Circle Jerks, Plugz, Black Flag doing “TV Party” — still sounds excellent to my ears. This movie captured something — culturally, and in terms of the talent assembled — that didn’t last long. But it’s now a rich and complex part of LA history.
Here is my little note on the film.
Milton says
Harry Dean Stanton’s greatest role! (“Regular people, I %$#@&ing hate ’em.”)
Scott Timberg says
Indeed re Harry Dean — this role captured all his weirdness. Though I also love him in Paris, Texas.
Ray R. says
“Repo Man’s got all night, every night.”
Great film.
Scott Timberg says
I’m waiting for someone to offer the “white, suburban punk” line or the “plate of shrimp” monologue.
Eric J. Lawrence says
I’ve always thought having the repo guys be named after American beers was a nice touch.
Rodak says
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Rodak says
(sorry, had to fix a typo)
You fail to mention that the title track is performed by Iggy Pop, (a.k.a. Jim Osterberg), who was my classmate at Ann Arbor High School, ‘way back in the day.
C’mon! Let’s hear it for Iggy!
This is a truly great soundtrack recording.