“The drawings picture the East Wing volume extending well into the White House lawn. At roughly 90,000 square feet, its footprint is more than twice the size of the previous East Wing building, which is now fully demolished. … The documentation includes site plans, building plans, elevations, landscape drawings and renders.” - Dezeen
Because people keep knocking it off — most recently, this past weekend, when police found the four-inch marble fragment from the left tusk on the pavement nearby. - AP
“The V&A has acquired a reconstructed early webpage and the first video ever uploaded to the platform by co-founder Jawed Karim,” a V&A spokesperson said. - CNN
The celebrated visual artist Judy Chicago has walked away from a major commission at Google’s headquarters project in the Loop, comparing an aspect of working with the tech giant as “a nightmare.” - Chicago Sun-Times
The job — to create a painting 50,000 square meters large, roughly the size of nine football fields, in the Saudi capital, Riyadh — has gone to New York-based artist Domingo Zapata, who is reportedly getting an “unlimited budget.” - Page Six
“Which museum in the world, with this level of attendance,” said Louvre general administrator Kim Pham, “would not at certain moments have some issues of fraud?” (He would not, however, name another museum with a similar problem.) - AP
The great Brazilian modernist, best-known for the futuristic government buildings in Brasilia, had recently turned 103 when he drew the first sketch for what’s now called the Niemeyer Sphere. When he died almost a year later, he hadn’t finalized the design, but there were enough sketches and specifications to complete it. - The Guardian
“When curators withhold information about the works and the artists, they are reinforcing their own curatorial approach, which is a contradiction. Decontextualizing and dehistoricizing is practically a colonialist act.” - Hyperallergic
Postmodernism began as a critique of modernism's exhausted promises. By the late 1960s and early 1970s, many designers no longer treated modernism as radical or socially redemptive. Urban renewal projects accelerated the demolition of historic neighborhoods, and landmark preservation battles raised urgent questions about what the United States valued and, ultimately, protected. - Arch Daily
When officials at the Louvre in Paris suspected a couple of tour guides of reusing tickets in late 2024, they did not expect to learn that a broad scamming network had cost the museum nearly $12 million over a decade. - The New York Times
When museums pivot from contemplation to consumption, even revolutionary icons get commodified. Tate's Kahlo experience trades artistic liberation for lifestyle branding—because apparently unibrows sell better with appetizers. – The Conversation
When your art hits too close to home, apparently even universities develop sudden institutional amnesia about academic freedom. Victor Quiñonez's immigrant-focused work got the silent treatment—no notice, no discussion, just gone. — Hyperallergic
As Middle Eastern buyers flex their newfound muscle, African dealers face the classic dilemma: chase the international money or build local infrastructure first? Turns out you can't auction your way out of everything. — Artnet
“The German art school turned political and cultural engine founded in 1919,” and its “principles included absolute equality between male and female participants — or they did at first, at any rate.” - Open Culture
The mayor’s office says Minneapolis is “actively working on next steps, including continued community engagement regarding both memorials.” - Minnesota Public Radio