"The Actors’ Gang Prison Project is a rehabilitation program that offers theater programming to 14 California state prisons, a reentry facility and an L.A. County probation camp" - and it's celebrating 40 years since its inaugural production. - Los Angeles Times
The reviews are in, and, like the book, the play sounds, er, challenging. But the show has been extended thanks to fans who attend "wearing A Little Life-themed sweatshirts and holding copies of the book aloft or cradling them like tiny babies." - LitHub
The show was meant to open on Broadway April 3. Producer Hunter Arnold "told the cast and crew — and soon after, the public — that a lead producer had decided not to 'fulfill their obligations to the production' because of personal reasons." - The New York Times
I feel that we’re in a kind of new and important phase where directors especially, who never get to hang out with each other, feel like we all are trying to build community in a way that I don’t feel was as present pre-pandemic. There’s dialogue happening, and the idea of competition just doesn’t feel like the right way....
The New York-based institution is the favored bank of many Broadway theaters, producers, and related businesses; when New York state regulators closed Signature last Sunday, there was genuine fear that those businesses could lose everything but the FDIC-insured $250,000. For now, though, they're okay. - Broadway News
The show, whose last working title was Square One, is now called Here We Are; it's based loosely on the Luís Buñuel films The Discreet Charm of the Bourgeoisie and The Exterminating Angel. The commercial Off-Broadway production, directed by Joe Mantello, opens at The Shed in September. - The New York Times
"When Mitsue Nakamura began, she knew of one other woman in the field, but this year, all four of her current apprentices, some of whom study for 10 years, are female. Some adhere to traditional archetypes and techniques, while others radically reinterpret them." - T — The New York Times Style Magazine
My sense of musical theater in America is that we may undervalue that the higher forms of the Broadway musical are every bit the equal in artistic quality of operas like “Don Giovanni.” - The New York Times
Arifa Akbar: "Crunching or chewing can be a distraction, especially in the confines of the older, tighter West End venues, but theatre is a group activity. … The group experience is what we come for – and that includes jostling in the foyer, coughing, rustling and, yes, eating or drinking." - The Guardian
“We have a history of performance art going back to the 1970s. These were often illegal actions in public spaces only seen by maybe ten friends, but they documented them.” Once the Soviet yoke was lifted, an explosion of creativity followed, giving rise to a dynamic and experimental art scene. - The Art Newspaper
"For the general public, street teams are often the first touchpoint to a theater production. ... They serve as extensions of a show's brand, contribute to the general Broadway education for potential theatergoers and provide feedback to producers and marketers about what they're hearing on the ground from target audiences." - Broadway News
"The National Theatre is cutting productions due to money troubles. … Accounts show the theatre's income for the year to March 2022 was £80.8 million, down from £100m pre-COVID. Audience levels were down by 20%, while the theatre only staged 464 performances, around half as many as normal." - London Evening Standard
Four years of being the "token able-bodied actor" in Canada's Roliing Thunder Theatre Company, which had three actors with cerebral palsy and one who was blind, left writer Larry Brown with memories and the skills to cope with his own life-changing diagnosis. - American Theatre
"The Atlanta Lyric Theatre has closed its doors after 42 years under the weight of financial strain … (due to) 'a significant drop in overall attendance in the wake of the pandemic.' Remaining shows of the 42nd season — including Pippin, The Best of Broadway and the Cabaret series — have been cancelled." - ArtsATL
Gov. Healey’s proposal describes the live theater tax credit as a “pilot program” designed to support productions costing at least $100,000 that are headed to Broadway, off-Broadway or a national tour. The Massachusetts Office of Business Development would be able to grant up to $5 million a year to qualifying productions. - WBUR
