Larissa FastHorse (The Thanksgiving Play), Mary Katheryn Nagle (Manahatta), and Madeline Sayet (Where We Belong) are three writers at the center of what they hope isn't just a wave. "I hope it’s not a moment," says FastHorse. "I hope it’s the beginning of an era." - AP
Tarell Alvin McCraney (who wrote Moonlight) calls it "your friendly neighborhood playhouse": "I really want to make sure L.A. artists or artists who call L.A. home feel like they have a place." - Yahoo! (TheWrap)
The League of Live Stream Theater, the nonprofit organization dedicated to bringing live performances to audiences around the world via livestream, can play a vital role in expanding access to high-caliber work of an adventurous spirit. - Los Angeles Times
"Although set at the start of the 20th century, play producer Mika Kaartinen says the theme of searching for a better life resonates just as strongly today." - CBC
Part I, in which "a Lakota playwright, 7 Indigenous actors, and an L.A.-based ensemble survive a pandemic, cross thousands of prairie miles, and confront centuries of history to make a play." - American Theatre
Hana S. Sharif: "The institutions that will survive and thrive in the next 10-to-15 years are the ones that are able to be adaptive, to be nimble, to reimagine, to hold on to the core while building a bridge to the future. ... So that’s my work, right?" - MSN (The Washington Post)
The study "measured psychopathological traits of almost 200 magicians and … concluded that magicians scored significantly lower than other types of creatives and 'normal' folk. Despite their job involving the illusion of delving into mystery, magicians were less likely to have unusual experiences such as hallucinations or cognitive disorganisation." - The Guardian
"Comedy has been the rare field where square jaws and chiseled features can count against you," writes Jason Zinoman. "The assumption in stand-up has long been that it’s better to be relatable or ridiculous than ravishing." This just might now be changing. - The New York Times
"Manuel Oliver donned a paper mask of the face of Joaquin, who was a 17-year-old senior when he was killed. He grabbed a hammer and turned to a life-size portrait of Joaquin and methodically banged it four times — once for each bullet that had struck him." - The New York Times
Paula Tomei is SCR’s first and only managing director, and she steered the Tony-winning institution through many years of growth, transformation and challenges. During Tomei’s time at SCR, the company has presented 435 plays, 149 of which have been world premieres commissioned and produced with SCR's support. - CultureOC
"The school board in Sherman voted unanimously Monday to reinstate the original show and cast after a meeting in which dozens criticized them and spoke in support the 17-year-old transgender boy who’d lost his role in the production because of a new policy." - AP
"For this work, Smith’s decision to blend her contemporary interviews with historical accounts of Maryland in the mid-1860s is apt. The echoes of history reverberate loudly, revealing the power of historical trauma to shape behavior in the present day." - The Atlantic
At Santa Monica College, "the campus police chief told if protesters breached backstage during a performance, they could grab fire extinguishers to defend themselves." - Los Angeles Times
