And that doesn’t mean only Marlon Brando and Vivien Leigh, though their shadows are the longest. Ben Brantley revisits some of the other prominent interpreters of the lead roles in A Streetcar Named Desire, from Faye Dunaway and Jon Voight to Gillian Anderson and Ben Foster. - The New York Times
“For the first time in five years, Minnesota’s largest theater will produce a work in its Dowling Studio, activating its ninth-floor third stage that has been dark for professional shows since the coronavirus shutdown.” - The Minnesota Star Tribune
The agreement will be closely scrutinized by New York’s other Off Broadway theaters because the union, the International Alliance of Theatrical Stage Employees, has undertaken a major drive to organize those stage crews. - The New York Times
“(The) much-honored Atlantic Theater Company and the International Alliance of Theatrical Stage Employees have reached a tentative agreement that could see the Atlantic become the first-ever not-for-profit theater company producing solely Off-Broadway shows to have such a union agreement.” - Deadline
“People are much more selective now. In general, they see fewer productions each year and are more picky about what they’re seeing. And that’s true across the country. It’s been a wake-up call for us (about) what people really want to see.” - CultureOC
“As Peña and Dring committed to having the actors wrestle, and doing so smoothly and within budget, they hired two fighting directors — one as an intimacy director and another as a sumo consultant — to ensure safety, accuracy and precision.” - The New York Times
Because so many men are fighting against the Russian invasion, "We only had the female part of the troupe left. So we thought, ‘Well, if men played women in Shakespeare’s times, why not give it a try?’” - Seattle Times (AP)
“‘We’re sort of really trying to ride a fine line of when we talk about the play and how we talk about the play,’ said Karla Hartley, the producing artistic director. ... 'So we don’t sort of draw the ire of certain people in the state government.’” - The New York Times
“The news is mixed, however. While artists may now apply for funding without attesting to the new ‘gender ideology’ requirement, the NEA has not agreed to remove its new eligibility criteria” - but the ACLU lawsuit continues. - American Theatre
The stage version of the now-cult classic movie had very successful runs in London and Los Angeles before it came to Broadway — and somehow nosedived, just a year before midnight screenings of The Rocky Horror Picture Show made the film the phenomenon it has been for fifty years now. - The New York Times
Dreaming Emmett, about the murder of Emmett Till, ran in Albany for four weeks in 1986 and then vanished; rumors had it that Morrison herself collected every script and other record of the play and destroyed them. It turns out that’s not what happened at all. - New York Magazine
Baltimore Center Stage, Maryland’s state theater, says it will refuse to comply with the NEA’s new guidelines — which state that applicants “will not operate any programs promoting ‘diversity, equity, and inclusion’” or “gender ideology” — at the cost of its own potential federal funding in the future. - Baltimore Banner
Lead producer Jeffrey Seller: “Political disagreement and debate are vital expressions of democracy. These basic concepts of freedom are at the very heart of Hamilton. However, some institutions are sacred and should be protected from politics. The Kennedy Center is one such institution.” - Variety
Garai received nods as best supporting actress (play) for both The Years and Giant, which led the dramas with five nominations each. A revival of Fiddler on the Roof scored 13 nominations. Staunton received her 14th Olivier nom for Hello, Dolly!; Oscar-winner Brody and Tony- and Emmy-winner Lithgow got acting nods. - The Guardian
The piece, titled Theater of the Mind and based on current research in neuroscience, will be housed in a 19,000-square-foot space inside the Reid Murdoch Building on LaSalle Street for an indefinite run. (And what was the previous David Byrne immersive theater piece? Here Lies Love, the Imelda Marcos disco musical.) - Axios
