Old platforms have pivoted, new ones have emerged. And now any fan, with just a few smartphone taps, can arrange a video message, a live chat or even a private coaching session with a favorite star. - The New York Times
"Quietly simmering frustrations erupted publicly last week, when more than 2,500 union members signed a letter, circulated by a Broadway performer and signed by Tony winners and Tony nominees, plaintively asking, 'When are we going to talk about the details of getting back to work?'" - The New York Times
Laura Collins-Hughes: Alexis, when you saw the invitation, what went through your mind?Alexis Soloski: Panic, basically. … I won't be vaccinated for months and I don't feel ready to make this moral/professional/hygienic calculus. You?" - The New York Times
And they're not shy about asking the union to move up the timeline - please. "We feel unheard, we feel left out, and we feel way farther behind than any other industry when it comes to putting in place practical protocols that would get us back to work." - The New York Times
Jessie Buckley is playing Juliet, and Josh O'Connor is playing Romeo, but there's no audience - and there's a huge audience. "When news first broke that Buckley and O’Connor would appear together in a contemporary version of Romeo & Juliet, there was huge excitement among theatregoers. The idea was for a short autumn run at the Lyttleton theatre, in...
"In 1960 Peter Hall created a theatrical revolution. He turned a summer Shakespeare festival in Stratford-on-Avon into a year-round enterprise based on a permanent ensemble, a second home in London and a mix of classical and contemporary work. But it wasn't until 20 March 1961 that the whole enterprise was given the name we know today. … Sixty years...
If so, it's got nothing to do with illness or quarantine as subject matter; it's that the lockdown pushed everyone — audiences, colleagues, and (crucially) gatekeepers such as casting agents and bookers — online, where barriers to entry are low and the democratizing effect has been sizable. - The Guardian
Three years after Chris Dercon ended his brief, dissension-plagued tenure at the theatre, his successor as artistic director, Klaus Dörr, quit after it became public that 10 women at the Volksbühne had made formal complaints to the Berlin city government about Dörr's alleged sexual harassment of younger actresses and humiliation of older ones. - The New York Times
Ivo van Hove at the Internationaal Theater Amsterdam, Stéphane Braunschweig at the Odéon in Paris, Thomas Ostermeier at the Schaubühne in Berlin, Kajsa Giertz at the Helsingborg (Sweden) City Theatre, and Saheem Ali and Shanta Thake at the Public Theater in New York talk about government support, programming while their buildings are closed, and reopening plans. - The Observer...
Theatres have collectively reported losses of nearly £200 million following a year of closure, according to a survey which also reveals that a quarter of freelancers have gone out of business or ceased trading because of the pandemic. - The Stage
Helen Shaw: "The pandemic has been a period of getting a lot of 'little did I know' stuff out into the open, including (but hardly limited to) the troubling ethics of the industry and the intense vulnerability of those who make a living in it. … I celebrate that our theaters closed, because it's one of the few ways...
We mourn together for our lost months and years. "Every day the theatre is dark, an opportunity for transformation is lost—yes, for the performers, remaking themselves so completely that, on the best of days, they lack any tether to the real world. But just as importantly, for the audiences who find that bearing witness to those performances, has remade...
With Chita Rivera, André De Shields, and an array of singers and dancers, the pop-up on the anniversary of Broadway's shutdown gave paying work to performers who haven't seen much of it in a year. And it was hopeful: "Although they aren’t likely to perform inside theaters again until after Labor Day, the message of the show was that...
The guidelines are stringent - each county must cycle completely out of "colors" of COVID-19 infections before indoor theatre can open, and they have to cycle way lower rates before outdoor theatre can open at a low capacity, with reservations and assigned seating, and only with people from within 120 miles of the theatre. It's weirdly different from movie...
Rob Weinert-Kendt: "So what happened — what changed — in this past 12 months, and how will this lost, frantic year be remembered? I asked dozens of theatre workers from all over the U.S. to answer those questions. Their responses are a panorama of grief, gratitude, frustration, affirmation, resolutions and questions." - American Theatre
