Gus Casely-Hayford has a vision for the new V&A East. "The space itself will be accessible in every possible way. We’ll build around it digital technologies, so you can both engage with the collection while you’re there and leave something of yourself behind, like comments. So it becomes not just a repository of objects, but of people’s thoughts and...
James Ransome just won the Gold Award. He's "well-known and loved for his illustrations, especially for his many children's books. But at age 60 he recently earned an MFA, and is developing a parallel career as a painter. His Gold Award was for Who should own Black Art -- a painting and book jacket — and his acceptance speech acknowledged some...
Julie Mehretu, who has a solo show opening at the Whitney: "There is a deep consideration of who you show and who comes to the museum and how do you shift that. There is a lot that has to be challenged." - The New York Times
And the confrontations - and revelations about who on MoMA's board and who on MoMA PS1's board are implicated in "security firms" in Iraq, not to mention ties to Jeffrey Epstein - are ongoing. Iraqi American art scholar Rijin Sahakian: "The denial of the artists’ right to peacefully protest through their work — on an active war actively accumulating...
Van Gogh died in 1890. By 1909, Anna, the oldest Van Gogh sister, "wrote of selling a picture that he had given Willemien, enabling her to pay for medical costs: 'I remember when Wil got the painting from Vincent, but what a figure! Who would have thought that Vincent would contribute to Wil’s upkeep in this way?'" - The...
Louis Grachos had a two-year stint, including a year of pandemic shutdown marred by controversy surrounding the museum's response to George Floyd's killing and by the deaccessioning and sale of a massive Helen Frankenthaler painting. Grachos is returning to New Mexico, where he'll be ED of "the contemporary arts organization SITE Sante Fe, which he led from 1996 to...
The debate has grown heated in recent weeks, pitting museum against museum, and forcing the association — which serves as the industry’s referee and moral watchdog — to postpone talks about extending the change indefinitely. - The New York Times
"Following court filing in New York, the attorneys general from 23 states issued a statement calling for amendments to the plan, which they say does not offer sufficient concessions — including one that would protect non-profits that opt to remove the Sackler name from their spaces, regardless of gift agreements." - Artnet
"When Inuit enter the building, we want them to feel like this is a space for them, that the artwork to be curated for them and that they are the intended audience of the work, and up until now that hasn't necessarily been the case." - CBC
An antiques enthusiast came across the Ming Dynasty-era piece and thought it could be something special when browsing a yard sale in the New Haven area last year, according to Sotheby’s. The buyer later emailed information and photos to Sotheby’s asking for an evaluation. - HuffPost
"Douglas Baxter and Susan Dunne, who have worked at the dealership for decades, are leaving the gallery" in a restructuring of top management. "Their exits coincide with news that Pace has concluded its legal investigation into misconduct allegations facing the two gallery presidents." - Artnet
"The Council of State ruled that the Culture Ministry was correct in cancelling the concession it had given to the Dignitatis Humanae Institute," a conservative think tank whose stated mission is "supporting Christians in public life, … response to increasing efforts to silence the Christian voice in the public square." Bannon was leading an effort to establish a...
The two-month-long Coachella Valley biennial known as Desert X will not include a relocated Judy Chicago piece, the artist has told The Times, and the cancellation of the work is threatening a smoke sculpture planned for San Francisco’s de Young museum in mid-October. - Los Angeles Times
We seem to have an insatiable appetite for finding "masterpieces" and consequently may readily believe in "expert" judgment. But what is the value of expert opinion in the art world, anyway? And does it matter which expert’s view it is? - The Art Newspaper
