The newly discovered work, called Untitled (Virginia Summer) and dated ca. 1946-47, was found when the Arshile Gorky Foundation sent out The Limit (1947) for routine conservation. - Artnet
A robot artist made it to an exhibit at Egypt’s pyramids after its British maker said airport security held his creation for 10 days on suspicion it could be part of an espionage plot. - Washington Post
James Rondeau, the Institute’s director, said that the docents program had long been viewed as logistically unsustainable, and that the Institute had stopped adding new volunteers 12 years ago. - The New York Times
Richard Hambleton painted his dark silhouette figures around the Lower East Side in the 1980s, becoming "the godfather of street art." The artist known as Nullbureau has lately been painting fresh copies of Hambleton's Shadowmen around New York, and some Hambleton devotees are outraged. - The New York Times
The layout of the Metaverse website, similar in format to NFT-specific platforms such as OpenSea and Nifty Gateway, is designed to display the NFTs so that viewers can easily see the transaction history of any piece. - ARTnews
Why? Because capitalism has gone bananas. So now there are 10,000 bananas (real ones) piled around Charging Bull, with a seven-foot statue of the late Harambe the gorilla a few feet away. As with Fearless Girl, this is a marketing stunt. - Artnet
"Rebranded simply as MUNCH, it will open on 22 October following a decade of development drama, political U-turns and staggering logistical challenges. The result is one of the largest single-artist museums in the world." - The Art Newspaper
Why? Because Facebook, Instagram and TikTok keep taking down their nude artworks — Peter Paul Rubens, Egon Schiele, even the Venus of Willendorf — for violating obscenity rules. - ARTnews
With technology that creates fantastical game worlds readily available, its creators could’ve set it on Tatooine if they wanted to, or at least the moon. Instead, its aesthetic might best be described as Marfa Modernism. Lots of open space and clean lines. - Wired
“It was like finding the Holy Grail. William Edmondson worked in Nashville, so who would ever dream that a piece would be in St. Louis?” - The New York Times
One irony of contemporary art that critiques or transcends the institution is just how central the institution remains to it. Indeed, the complexity of the art ecosystem as a reflection of global power is at the heart of Forensic Architecture’s origin story. - The New York Times
When the artists go out, they find more than their favorite cafés: "Walking is their research. They photograph graffiti, look out for curious new images of street life, which make their way into their montage prints: canisters of clubbers’ laughing gas; women in burqas." - The Observer (UK)
"People in power have always had a way of working nuance to their advantage. If consent is also nuanced, are we ready to admit that creativity and power go hand in hand?" - Hyperallergic
