What is narrative art? Or, to be more precise, what is visual narrative art, since stories without pictures—as in novels, plays, and operas—don’t fit the museum’s definition of its role? - LA Review of Books
Our institutions insist on enforcing chrononormativity. They set age caps, define categories vaguely, and reward those who stay closest to the script. My experience with the Van Lier studio residency is a case in point. - Hyperallergic
The four-story former warehouse, built in the 1870s in the Red Hook neighborhood, was home to the 400-member Brooklyn Waterfront Artists Coalition as well as artists’ studios, woodshops, furniture makers, and small businesses. - Hyperallergic
It is one of the strangest cultural complexes to be built anywhere in recent years. On an unpromising site no larger than a football pitch, wedged between two highways, a beguiling sequence of spaces take visitors on a journey of discovery deep into the ground. It is part barn, part cave and part rolling meadow. - The Guardian
“SOM's all-encompassing makeover of the 1.6 million-square-foot building involved returning to the original blueprints and faithfully restoring details that had been gradually altered over the years.” - Dezeen
"If we want a museum that will collect and display the most daring and challenging artists of our time, then we will have to fight for that. If we want a museum that is a home for artists, scholars, curators and visitors from around the world, then we will have to speak out loudly for that.”
Gaudí’s structure is a head-spinning mixture of morphing geometrical forms, many inspired by nature. Its conical Art Nouveau pinnacles have the lumpy beauty of sandcastles. Building such an unusual church has been a famously slow project, even in a country where, to American eyes, many things move without haste. - The New Yorker
Some estimate that the city’s subterranean history could stretch back 1 million years, with early human settlement from the Lantian Man and walled settlements already visible during the Yangshao period 7,000 years ago. - Artnet
Trump’s March executive order directing the Interior Department to eliminate information that reflects a “corrosive ideology” that disparages historic Americans. National Park Service officials are broadly interpreting that directive to apply to information on racism, sexism, slavery, gay rights or persecution of Indigenous people. - Washington Post
“Fine particulate matter and nitrogen dioxide in the capital’s air are accelerating the decay of the sandstone fort, built by Mughal emperor Shah Jahan and recognised by UNESCO as a World Heritage Site. Researchers … found black crusts up to half a millimetre thick on some walls.” - The Independent (UK)
“For the past decade, visitors to the Louvre could rent a Nintendo 3DS console for personalized tours, audio commentary and additional information about more than 700 artworks at the famed Paris museum. Now, the Louvre is getting rid of the handheld gadgets” — because Nintendo has stopped making them. - Smithsonian Magazine
“The Trump administration has ordered the removal of signs and exhibits related to slavery at multiple national parks, according to four people familiar with the matter, including a historic photograph of a formerly enslaved man showing scars on his back.” - The Washington Post
They are "an estimated $400 million trove amassed by Leonard Lauder, chairman emeritus of the Estée Lauder, and an estimated $80 million collection from the Chicago billionaires behind the Pritzker Architecture Prize." - The Wall Street Journal
Photos and video show the museum’s courtyard littered with rubble; while doors and windows were blown out, the building is standing. The museum reopened two years ago after a decade-long closure due to the Yemeni civil war. Israel has been in conflict with the country’s Houthi rebels since the Gaza war began. - ARTnews
Herzog & de Meuron has designed a deliberately “irrational” exhibition space, set largely below the Parkway and sheathed in reflecting steel, so that the building vanishes into air (as architects like to say), mirroring the gardens around it rather than asserting its own profile. - The New Yorker
