As the initial shock of the pandemic gave way to a reëvaluation of racial and other societal arrangements, Jeremy Harris became a kind of spokesman for the long-standing and suddenly stark unrest felt by his fellow-artists. It was a moment well suited to Harris’s natural, if somewhat paradoxical, penchant for institutional critique. - The New Yorker
"Dad grew up in deepest Georgia, and had cause to be irate about the conditions there," (his daughter) recalled. "He tried to write a play that was full of anger and righteousness, but it just didn't work until he began to look at it and laugh.'" - The New York Times
New legislation has banned the use of obscenity in literary texts, theatre and cinema. They’ve also censored blasphemy, forbidden the promotion of “non-traditional” (a euphemism for LGBTQ+) family values to anyone under 18, outlawed any public expression of disrespect towards people or symbols representing the authorities and forbidden the representation of historical events. - The Conversation
"Crowded Fire is taking what might be its boldest step yet by dissolving its traditional hierarchical management in favor of a seven-person shared model where all have 'leader' in their titles. Mina Morita, (outgoing) artistic director, … was adamant about building a more sustainable workplace for her team." - MSN (San Francisco Chronicle)
“I’ll give you a scoop: I don’t think I’m writing another history musical ever f - - - - - g again. You think I can top this?” said Miranda, visiting to promote the return of his worldwide smash and the aforementioned untoppable “Hamilton.” - Chicago Sun-Times
The company's co-founders fled the Lukashenko regime in 2011, settling in London and leading clandestine rehearsals in Minsk via Skype. Now that the rest of the company has left Belarus, they're working out of Poland's national opera house with other exiled Belarusian and Ukrainian artists. - The New York Times
Given the atomization of American culture, the communities will not present a single show — in fact, many of them are not staging shows at all — but they will each come up with ways to express something that connects notions of home with culture and with health on July 27, 2024. - The New York Times
We quit on our work much more readily than our work quits on us. We walk away, we claim defeat, we belittle our inadequate attempts—and in many cases, we blame our own play for this turn of events! As though our play teased, tricked, or betrayed us. It didn’t. - American Theatre
"'Tragedy,' in drama, is concerned with suffering, but there's more to it than that. ... Individuals inherit fallout from events in the remote past, through no fault of their own. The next move is the test: What do you do with the bad hand you've been dealt?" - The New York Times Magazine
"An ensemble member of Chicago's Steppenwolf Theatre Company," Tarell Alvin McCraney "is professor of playwriting at the David Geffen School of Drama at Yale University and has earned a reputation as a passionate mentor. He will continue to teach at Yale while leading the Geffen Playhouse." - Yahoo! (Los Angeles Times)
Though the musical recounts, in reverse, the dissolution of a close personal and professional friendship, the work of re-creating the central characters has brought Daniel Radcliffe, Lindsay Mendez, and Jonathan Groff into a very tight (and platonic) relationship of their own. - The New York Times
A young Knoxville man named John takes a reporter through his preparations to perform — as Anastasia, his drag persona — in a sort of educational performance for clergy members and community leaders in Chattanooga, another part of the effort to combat Tennessee's new anti-drag law. - The Nation
In August, the state's flagship university made headlines by deciding to eliminate all foreign language instruction. The puppetry major in the theater and dance department has been targeted as well but got a reprieve. Reporter Emma Pettit watches the students and professor at work. - The Chronicle of Higher Education
