"The folks behind Encore Monthly, a brand new magazine about theatre that just published its first issue …, think the time is ripe to provide theatregoers, deprived as we are of theatre we can witness in person, to read about it, and they say they're equipped to hang on until it comes raging back." In a Q&A, founding editor-in-chief...
Disney bought the rights to the specially shot and edited footage of the Broadway production and planned to release it in movie theaters — until the pandemic changed everything and the show was put on Disney+ instead. That's similar enough to other movies from 2020 that the Globes consider Hamilton eligible; SAG, oddly, puts it in the TV movie...
"While there have been times during the past year when theatre and all who work in it have felt helpless, unloved and ignored, there is also plenty of evidence that it does matter and can make itself matter – not just to its own community but beyond. When theatre doesn’t just think of itself, when it thinks beyond the...
"Jared Mezzocchi has been systematically exploring what Zoom and the editing program Isadora can offer theatre practitioners during the pandemic. He has been working in the field for over a decade and has explored it from multiple points of view — designer, director, playwright, artistic director. … We Zoomed in November to talk about the production, how to reverse-engineer...
"Time will tell if theater grantmakers adopt the coalition’s demands en masse, and some of the demands have yet to make it into grantmakers’ toolboxes in a meaningful way. But at the very least, We See You has done a huge service for funders by creating a checklist of familiar, provocative, and disruptive action items." - Inside Philanthropy
At a running time of 51 minutes, and with perhaps only half the numbers required for a full adaptation of the 2007 animated Oscar-winner, this “Ratatouille” is a mere appetizer. But with a winning Tituss Burgess as the human embodiment of Remy, the Parisian rodent who can stir up a mean beef bourguignon, it is a promising first course....
The teen actors couldn't perform outside because it was too cold, and they couldn't film because their school went virtual partway through the term. So voice recording and mixing, original music writing, sound creation, and general learning about radio drama it was. One senior actress: "You really have to concentrate on how you use different pitches and tones to...
Hurray for the Save Our Stages money, but theatres need a lot more: "a new Federal Theatre Project (FTP), like the Depression-era government agency that directly employed artists to produce new work." Save not just the stages, but all of the workers of the stage as well. - The Undefeated
As with every other kind of theatre, Jewish theaters and playwrights, actors and tech people, had a lot to figure out. The Jewish Playwriting Contest completely reimagined what it was asking, and to whom it was advertising - and got a huge bump in engagement. "It actually ended up being a really successful year for us." - Forward
