"There has been a fear that the large-scale redundancies during the pandemic – an estimated 40% of theatre workers lost their jobs – could be followed by a reopening packed with 'safe' work. Instead, 'bold' is the adjective being used to describe much of what is to come. … The National Theatre's deputy artistic director … says the public...
You can imagine my astonishment when, early one morning, my calculations revealed that within Les Miserables, the principal characters of Fantine, Eponine, Gavrosche and Valjean all died on or very close to a golden ratio point. Further analysis revealed that major changes in the story line (matching to within less than 1%) coincided with all 16 golden ratio points....
An errant sentence in a New York Times article (since reworded) led to a lot of participation from actors via social media. They're fed up with the sizeism and lack of body diversity on Broadway - and everywhere else in theatre. "The infamous ideology of a 'Broadway body' — a term that assumes a stage performer’s castability is specifically...
"Ticket-buyers are being told they will be required to wear face masks (although it's not clear how changing advice from the Centers for Disease Control and Prevention might affect that expectation). Theaters will have upgraded HVAC systems with virus-trapping filters. Most ticketing will be digital. And theaters are reserving the right to impose a variety of safety protocols" —...
Jose Solís: "Theater in my hometown? 'A lot has changed since you've been gone,' said Inma López, a producer and ensemble member at Casa del Teatro Memorias. … Theater in Tegucigalpa went from the didacticism of political plays that toured colleges and high schools in the 1980s, to becoming an essential part of city life." - The New York...
"'The whole process here is to recreate the experience for the audience,' said Falls. 'The audience chooses which performance they want to see, they buy their ticket, they're instructed to get there early to make sure that the technology is working and at 7:30 in the evening, we're all set to go live.'" - Yahoo! (Chicago Tribune)
Charles McNulty: "I prefer to experience plays the way I experience films at the movie theater — uninterrupted. At night when I awake momentarily from dreaming, I can rarely, if ever, restart the same dream when I fall back to sleep. The spell is broken. … Playwrights do the dreamwork for us, but our absorption is required. And unless...
"What's it actually like for the theatermakers who are starting work again after 15 months? Has the pandemic shaped the way they think about theater? We visited four" — a director, a producer, an actor and a costumer — "to find out." - The New York Times
In a survey conducted by the Federation of Scottish Theatre (FST), 96% of members responded that it is not economically viable for them to reopen under the current restrictions. - The Guardian
"Before we get to the logistics of writing, staging and filming a musical" — one with five songwriting teams, four directors plus a supervisor, a passel of actors, and creators Jodi Picoult and Timothy Allen McDonald — "in the midst of a pandemic, let's address the elephant in the Zoom: Why would anyone want to watch a 90-minute theatrical...
In 2000, Lloyd Webber purchased the building, which he calls “objectively marvellous.” For the past two years, with Stephen Thurley’s help, he has been restoring it to its Georgian grandeur, a sixty-million-pound undertaking. There’d been some wear and tear since 1812. “The architecture had been greatly compromised,” Lloyd Webber said. - The New Yorker
Livestreaming adds an additional layer of technical complexity and cost but doesn’t necessarily improve the audience’s experience of the play itself. Pre-recording allows the various elements of the production – editing, sound, etc – to be fine-tuned in advance. But then why not go the whole hog and just release an actual film? - Irish Times
“Our motto is ‘big, cheap theater.’ ” “I’d rather make a glorious failure than an apologetic win.” “We’re the cockroach of the arts — we may be ugly, but we’re really hard to kill.” - Seattle Times
The pandemic forced Cirque to shutter 44 shows all over the world. Now, performers are getting ready - as ready as they can, within their apartments - to return to Las Vegas this summer and London in January. But: "At a time when the pandemic is still raging and uncertainty remains about people’s willingness to return to large theater...
But nothing can replace the live experience. "Call it immediacy or authenticity, unpredictability or uniqueness, but it’s part of the reason people pay more to attend a single concert than they will to purchase the entire recorded works of the same musician." Live streaming theatre, though, is tricky. - Irish Times