He was a guitar-playing folklorist who had run the Country Music Foundation in Nashville for 26 years, when President Clinton nominated him to chair the NEA in 1998. Congressional Republicans had repeatedly cut the agency’s budget following controversies over grantees; Ivey won the lawmakers over, and the NEA grew again. - The New York Times
A "free spirit and nonconformist, often impetuous, the passionate lover of the 19th century left his mark on the Parisian museum from 2008 to 2017 with bold exhibitions." - Le Monde
Franz's “vibrant portrayal of Linda Loman, the wife of the piteous title character in the 1999 Broadway revival of Arthur Miller’s Death of a Salesman, earned her a Tony Award — and high praise from the playwright.” - The New York Times
In Britain, she was told she’d never succeed because of her race. So she started theatre companies in Jamaica, and also in London. “In her focus on all-Black casts and re-workings of classics, … Ms. Brewster’s motivation was always artistic, she said.” - The New York Times
“So we have to be a bit careful with that word, right? Because I do think words are important. And that word has been overused and applied to all sorts of things.” Q: “Which type of feminist are you?” “The kind that’s interested in equality under the law.” - AP
“Amid (Trump-era) turbulence, Nora Daley — who generally prefers to avoid the spotlight — has quietly built a reputation as one of the city’s most effective cultural brokers. … In recent years, that has meant retooling the state’s cultural arm, the Illinois Arts Council, where she led a full overhaul of grantmaking as board chair.” - WBEZ (Chicago)
A Golden Globe and Independent Spirit Award winner and Oscar nominee for the 1987 film Anna, in which she plays a great Czechoslovak actress trapped in New York’s avant-garde scene, she had over 260 roles in a decades-long career, from Andy Warhol to The Sting to 2006’s Factory Girl. - The Hollywood Reporter
“Parker leveraged his extensive experience in woodworking and guitar repair, along with his maverick streak, to build groundbreaking guitars that went on to be displayed at the Metropolitan Museum of Art in New York and the Smithsonian Institution in Washington.” - The New York Times
Tindall’s The Fields Beneath: The History of One London Village “(1977) was a wonderfully discursive portrait of a community that Mary Shelley had described as an 'odious swamp’” - and it has never been out of print. - The New York Times
She began her carer in theatre and TV and first became widely known as troublemaking parlour maid Sarah on Upstairs, Downstairs. Her turn as the lonely housewife talking to the wall in the one-woman play Shirley Valentine won her an Olivier, a Tony, and, for the film adaptation, an Oscar nomination. - The Hollywood Reporter
By telling a straightforward tale about her life in which she is the unquestionable hero, Atwood leaves little space for truly literary tensions but plenty of space for gossipy ones. - The Walrus
“It was tough on me, but I’m not going to answer any questions about it because I dealt with it. It nearly broke me, and that’s all I’m going to say. You probably know my heart, so you probably know. … Anybody that knows me knows how I believe.” - The Hollywood Reporter
She received nominations for Best Supporting Actress for Alice Doesn’t Live Here Anymore, Wild at Heart, and Rambling Rose; she performed in the latter two (and several other films) alongside her daughter, Laura Dern. Ladd appeared in a dozen or so other movies as well as scores of television shows. - The Hollywood Reporter
Wicomb, who was born just after apartheid was formalized, said, “I was transported from the vulgarity of apartheid by books — books opened up different worlds, and brought freedom from an oppressive social order.” - The New York Times
