Spoiler alert: “We are still calling it a love story – a great one! The greatest! It’s being released the day before Valentine’s Day! – when what actually happens is that Cathy rejects Heathcliff because she’s a snob, and he turns into a psychopath.” - The Guardian (UK)
Nataki Garrett Myers, former artistic director of Oregon Shakes: “Neutrality is an illusion. What the article actually offers is a case study in how comfort becomes policy — aesthetic, institutional, and ideological. That comfort has a look. It has a voice. And it has a conspicuous absence.” - Be A Ladder Leader
If you must blame anyone, blame the Boomers, and Gen-X. “One lesson of 2025 may be that only younger people – children in particular – can save cinemas from imminent annihilation.” - Irish Times
“In 1964 Mr. Graffman canceled a booking in Jackson, Miss., after learning that the house would be segregated, leading other prominent classical artists to publicly announce that they would no longer perform in segregated halls.” - The New York Times
Choosing only one post from these annual critic chats is a challenge, but this 10th in the series features the weirdly, deeply American Roofman (though for the sake of improving both brain and watchlist, read through the entire discussion). - Slate
“Does the Sad Art Dad regret his choices? Is making great art—which, in these films, has a capacious, allegorical quality—worth ruining your relationship with your kids?” - The Atlantic
Reading is down “thanks in large part to the number of digital distractions competing for our limited attention.” Ironically, these podcasts might help fix that. - The New York Times
“What Reiner’s vastly differing films all share is the generous and empathetic heart of their director, a deep sense of humanity, and a relentless curiosity about and love of people, in all their imperfections and quirks.” - Los Angeles Review of Books
Bardot “shot to international fame in 1956 with And God Created Woman” and stayed famous as a “sex kitten” for two decades. Then she retired and became a far-right activist in France, her statements resulting “in a string of convictions for inciting racial hatred.” - The Guardian (UK)
“For some fiber artists, craft is inherently political. ‘Creating in a time of destruction and chaos, that is resistance in and of itself,’ said Downey. … But she thinks one of the other successes of craftivism is that “‘it centers joy’” - The Guardian (UK)
More than 150,000 were taken, and never returned, often turned into ammunition or taken to a Glockenfriedhof, or bell cemetery. The sliver of silver lining: “A postwar ‘bell quality race’ ... led to major advances in campanology.” - The New York Times
“The entire tapestry of this film is musicalized — from the emphatic breathing, chest thumping and floor stomping that make up the worshipers’ rituals, to the songs, inspired by Shaker traditionals and performed by star Amanda Seyfried and the cast.” - Los Angeles Times (Yahoo)
