“Yes, casting directors are finding the right person to carry the weight of the movie, but they are also responsible for nearly every face you see onscreen, creating the whole human environment of the film. Perhaps the casting award is most akin to the one honoring production design.” - The New York Times
Mehdi Mahmoudian, who wrote the screenplay for the Cannes-winning film alongside director Jafar Panahi, has been released on bail after 17 days. He was among a group of people arrested for signing a statement condemning Ayatollah Ali Khamenei for ordering the violent crackdown on protesters last month. - The Hollywood Reporter
He is charged with two counts of simple battery following incidents in the midnight hours of Tuesday morning. This is, of course, by no means his first run-in with law enforcement. - AP
The great Brazilian modernist, best-known for the futuristic government buildings in Brasilia, had recently turned 103 when he drew the first sketch for what’s now called the Niemeyer Sphere. When he died almost a year later, he hadn’t finalized the design, but there were enough sketches and specifications to complete it. - The Guardian
Colbert said that CBS lawyers had told him “in no uncertain terms” that an interview he had planned for Monday’s show with State Representative James Talarico of Texas would not air on the show, even though the lawmaker was already in Mr. Colbert’s studio. - The New York Times
When in 2010, Durham University got back the Folio which had been stolen in 1998, the book’s leather cover, boards and end papers were gone, as were an engraving, a eulogy by Ben Jonson, and the final page of Cymbeline. The volume has never been repaired, and there are good reasons why. - BBC (Yahoo!)
Michael Silverblatt, the longtime host of the KCRW radio show "Bookworm" — known for interviews of authors so in depth that they sometimes left his subjects astounded at his breadth of knowledge of their work — has died. - Los Angeles Times (Yahoo)
A comprehensive review of national data shows a steady decline in arts subject enrolments at senior secondary level and a parallel contraction of creative arts degree courses in higher education since 2018. - Limelight
Despite years of Eat-the-Rich–type discourse, we seem to struggle with how money and power operate without falling into either conspiratorial exaggeration (the fantasy of Satan-worshipping elites ritualistically drinking baby blood is centuries old) or fawning admiration for the taste and sophistication of the rich and famous. - The American Scholar
In Kramer/Fauci, director Daniel Fish stages a transcript of the 1993 C-SPAN debate between Larry Kramer, the legendarily combative writer and AIDS activist, and the more mild-mannered Dr. Anthony Fauci, then the director of the National Institute of Allergy and Infectious Diseases. - The New York Times
When we speak of dignity, worth, or the respect owed to persons, we are not engaging in idle abstraction. These concepts do real work. They justify constraints on what the powerful may do to the vulnerable. - 3 Quarks Daily
People have relished music for so long that we have evidence, from forty thousand years ago, of humans making a flute-like instrument out of a vulture bone. We feel that even wordless music reflects our moods. - The New Yorker
In the past thirty or so years, the academy has replaced the church as the center of the liberal moral imagination, providing the sense of a community bound by ethics, a firmament of texts and knowledge that should inform action, and a meeting space for like-minded people. - The New Yorker
Train Dreams, Clint Bentley’s feature about an isolated logger in the early-20th-century Pacific Northwest, led the film categories with three wins. In the television categories, Adolescence, a British crime drama about a 13-year-old boy accused of stabbing a classmate to death, took four of the six prizes. - The Hollywood Reporter
“When curators withhold information about the works and the artists, they are reinforcing their own curatorial approach, which is a contradiction. Decontextualizing and dehistoricizing is practically a colonialist act.” - Hyperallergic
