Instead of addressing the criticism, the BBC was silent for seven days. In the vacuum, a wave of headlines became a flood of unchallenged claims that eventually pulled in the White House, with press secretary Karoline Leavitt declaring the BBC “total, 100 percent fake news.” - The New York Times
A "free spirit and nonconformist, often impetuous, the passionate lover of the 19th century left his mark on the Parisian museum from 2008 to 2017 with bold exhibitions." - Le Monde
Three record companies—Universal Music Group, Sony Music Entertainment, and Warner Music Group—control more than 80 percent of all recorded music released through a recognized label. And they do so with a collective iron fist, jealously guarding access to their vast catalogs, whether through album sales, streaming platforms, radio airplay, or commercial licensing. - n+one
Imagine a painter still layering colors on a canvas while a stranger posts, “This looks messy and unfinished!” That’s what happens when someone reviews a preview. The damage lingers, and the artistry suffers. - The Broadway Maven
This month, an A.I. country song called “Walk My Walk” hit No. 1 on Billboard’s Country Digital Song Sales chart, and passed three million streams on Spotify; the performer behind it is a square-jawed digital avatar named Breaking Rust. - The New Yorker
Dynamic pricing is common, and as one performing arts critic pointed out, it “can shift in both directions, with prices increasing when tickets start selling out at popular shows but also decreasing where demand is slower.” - BBC
“Personal data isn’t just a record of who we are. It’s our actions, transactions, locations, conversations, preferences, inferences, and vulnerabilities. It’s our identities, our intimate selves, our hopes and dreams, and our fears and flaws.” - Fast Company
“If you press your ear to the plays of the 20th century, they’ll tell you secrets of human acts gone by and strategies to keep on. Among bloody slings and arrows of inhumane humanity are extraordinary scenes, real and imagined, of survival.” - American Theatre
“While city officials celebrate Madrid’s popularity as a film and television set, residents of the most in-demand neighborhoods are not particularly thrilled to find their streets constantly crowded with cameras, cables, coat racks and people running around with spotlights and microphones in their hands.” - El País English
The museum director: “In many ways I do feel the timing of our opening now is ideal. … We’re opening in a moment that's very much like the moment when the museum was founded.” - Gothamist
“As a sports obsessive and avid theatergoer, I’ve always found the communal experiences staggeringly similar. Either way, we root and cheer and gasp in unison. Worship-worthy idols emerge — and nothing beats seeing them ply their trade in person.” - Washington Post (Yahoo)
Franz's “vibrant portrayal of Linda Loman, the wife of the piteous title character in the 1999 Broadway revival of Arthur Miller’s Death of a Salesman, earned her a Tony Award — and high praise from the playwright.” - The New York Times
“As with most things in life, when expertise is devalued, it’s easier to pass trash off as treasure. AutoTune and AI are enabling people who lack musical talent to game the system — like audio catfish.” - Los Angeles Times (Yahoo)
“In an increasingly polarized political and media landscape, the broadcaster has struggled to navigate its public interest remit and has proved inept at learning the lessons when it fails.” - The New York Times
