“Edwards rose to prominence in 1963 with the first works of what would become his most notable series, ‘Lynch Fragments.’ … He combined fragments of found and recycled steel and welded them into forms of chains, sharp tools, barbed wire and other metal objects.” - Los Angeles Times (MSN)
"Sister Margaret-Angela saw their involvement in Call the Midwife as something that would endure. ‘We've bought all the DVDs so it'll be in our archives,’ she said. ‘It's part of the community history now.’” - BBC
Also, what’s that board going to look like once the president gets finished with it? “Smithsonian officials declined to comment on the appointment process, and offered no explanation for the delays.” - The New York Times
“Solutions like Proudly Human and Not by AI aim to be broader, covering published text, visual art, videography, and music, but the verification processes being used by these services can be questionable.” (Archive Today version here.) - The Verge
“Dalí prescribes this very method, deeming zinc white the color with which ‘you will achieve the most absolute whites in your picture.’ But chemically speaking, this approach causes problems.” - Artnet
“The president uses verbs to evade responsibility and even proclaim a new form of leadership. Perhaps surprisingly, this is true even when Mr. Trump is proudly, if also prematurely, declaiming military successes.” - The New York Times
PSU’s “dance program had once been a cornerstone of Portland’s artistic community, even as it struggled against decades of intermittent support, administrative turnover, and shifting school priorities.” - Oregon ArtsWatch
“According to producing artistic director Rachel May, Synchronicity’s programming, partnerships, and community impact have never been stronger, and the theatre’s leadership is actively engaged in a search for a new theatrical home.” - American Theatre
“As they shot the finale, Einbinder wept often. Even Smart, a tough cookie, misted up a few times. The creators’ eyes stayed mostly dry.” - The New York Times
“Mario has always belonged to an older generation of comedy. … Charlie Chaplin built a legacy on the notion that a body can be battered by the world and still rise back up, like Mario, hat intact.” - Washington Post (MSN)
“The role of the critic isn’t to summarise or repackage art, but to actively participate in a conversation about it,” and using AI isn’t going to help with that. - The Conversation
“The claim, registered in a New York lawsuit filed in 2015, has long been disputed by the Nahmad family, a prominent dynasty of art dealers that wields enormous power in the international art market.” But a federal judge (finally) ruled for the claimants. - The New York Times
“At a time when women did not yet have the right to vote, but were playing in women's leagues and filling the stands at occasional Ladies Days, ‘Take Me Out’ celebrates a fictional young woman's deep and abiding passion for baseball.” - NPR
