The problem isn't Apple vs. Android, say the Wired folks. It's that we're addicted to our phones - and missing chats, aka discussions, with humans in our non-phone lives. - Wired
"The French architects Anne Lacaton and Jean-Philippe Vassal are famous for their belief in keeping existing buildings whenever possible, no matter how unpromising or unloved they may be." - The Guardian (UK)
Why was Fini, who was part of the first major surrealist exhibitions, ignored for so long? André Breton, of course. He "would not have a woman be a Surrealist. In his view, women were muses." - NPR
Does France regret not submitting this one for an Oscar? It definitely should. Anatomy (the Palme d'Or winner) just won the European Film Awards, and Justine Triet won the best director award. - Variety
"It was embarrassing to want excitement, but never more than when looking at a Ruisdael did I realize how wholly I was a creature of the age of entertainment." - The Guardian (UK)
The movie - C'è ancora domani, or There's Always Tomorrow - is the first film directed by comedian Paola Cortellesi, and it's about a surefire winner at the box office: Domestic abuse. - The New York Times
But that's just inaccurate, and misses the point. "There are plenty of people, elected and non-elected, who are far more deserving of our ire when it comes to the arts right now." - The Observer (UK)
"It includes bans on biometric systems that identify people using sensitive characteristics such as sexual orientation and race, and the indiscriminate scraping of faces from the internet," plus some copyright protections as well. - Wired
Actress Uhm Jung-hwa says there's a shift from the 1990s, when women characters were focused on finding husbands: "Now we can see many strong female characters boldly embracing life on their own terms." - BBC
There are so many potential bottlenecks for the speed of something we rely on: "Each part of the network (such as switches, routers, modems, etc.) has its own limit on how much data it can handle." Can this change? - The Verge
