In 2022, less than half a percent of books even cleared 100,000. But this is the financial model on which the publishing industry operates: a small number of titles generate sufficient profit to keep the lights on, offsetting the vast majority of the rest. - The Walrus
"Performing has always been my most challenging point. I didn’t live for the show — I lived for class, for rehearsal, being in new choreography, teaching. My 'why' is so much more clear now. I don’t want the authenticity of my art to be muddied by anything ego-driven." - Dance Magazine
Poets should not be threatened by the fact that every person with internet access can now create the poetic equivalent of hotel art. Although it involves technique, poetry is not a technical problem. - The Walrus
"It’s a gentle, enjoyably melancholy story, twee but not damnably so — but something else stands out. Though set in the near-future, Her captures Obama-era techno-optimism better than any other movie. It’s a time capsule, preserving dreams about the future that appear more naive the further we get from the 2010s." - Wired
"This is not a program of audience integration (the management cannot be so unobservant as to suppose that will happen, except at the outermost fringe), but of audience fragmentation, in perfect synchronization with the oft-remarked silo-ing of group identities in our society as a whole." - Conrad L. Osborne
"Audience numbers still aren't back to where they were in 2019. Emergency state and federal funding has nearly evaporated, and (expected) annual arts funding … wasn’t approved by the Oregon Legislature. All this has forced arts groups to put capital improvement projects on hold or scale back their seasons." - The Oregonian
The discourse about critics in the theatre has been so mindlessly hostile for so long that most of the time, the sensible thing for people in the press to do is ignore it. The lack of respect for criticism is deeply embedded in too many theatres that were built in part on press attention. - American Theatre
A German Jew named Curt Bloch spent two years, with two other people, living in a little crawl space in the Dutch city of Enschede. Along with food, his protectors brought him the materials to produce 95 issues of an original publication he called The Underwater Cabaret. - The New York Times
Shows about struggling, intrepid women are doing well. So are zombies, devils, and serial killers. Spanish-language series are major hits, and, as writer Lili Loofbourow put it, "We knew K-dramas were a phenomenon, but this is ridiculous." What aren't doing as well as expected? Comedy specials. - The Washington Post (MSN)
"The 60-year-old (artist) was recently in Australia ... and was on her way back to the UK via Thailand when she fell ill. 'Not cancer but horrible complications with my intestines brought on by an infection, scar tissue and made a million times worse by flying,' she wrote." - The Guardian
The city's Coney Island amusement park, opened in 1886, had fallen out of public favor in the past few years. The Cincinnati Symphony's subsidiary, Music & Event Management Inc. (MEMI), has purchased the site to build a $118 million outdoor amphitheater for touring popular acts as well as orchestra concerts. - WCPO (Cincinnati)
"It’s hard to mint a new movie star these days, (so) people in Hollywood were high on Jonathan Majors, … (and) this was supposed to be the year that would turn him into an A-lister." Instead, his career collapsed within minutes of his conviction for assaulting his now-ex-girlfriend. - The New York Times
The German-born Schmidt, widely admired for his stewardship of the Uffizi in Florence, acquired Italian citizenship last month; he'll be replacing French national Sylvain Bellenger at the Capodimonte in Naples. The other nine new directors are Italian-born museum professionals. - Artnet
"David Landay, the only one of the 1982 show’s four writers who is alive, added a prologue and revised the plot so that the women foil the kidnapping attempt" - but the heirs of the other 1982 writers aren't on board. - The New York Times
Long before generative AI became widely available, people were making “cheapfakes” or “shallowfakes.” It can be as simple as mislabeling images, videos, or audio clips to imply they’re from a different time or location, or editing a piece of media to make it look like something happened that didn’t. - Wired
