“Madonna and Child by Antonio Solario was taken in 1973 from the civic museum in Belluno in northern Italy. Sometime later it was bought by Baron de Dozsa and taken to his Tudor manor house in eastern England. … It is now in the possession of Barbara de Dozsa, the late baron’s ex-wife.” - AP
Workers expressed fear that the cuts will threaten a collection of precious art housed in federal buildings across the country, including Alexander Calder’s 1974 “Flamingo” at the John C. Kluczynski Federal Building in Chicago and Michael Lantz’s 1942 “Man Controlling Trade” outside the Federal Trade Commission building in D.C. - Washington Post
New York would be the company’s largest investment in a single location, requiring tens of millions of dollars and collaboration between nearly 500 artists and designers to fill a nearly 50,000-square-foot venue. - The New York Times
Nope, no studio is using AI to re-create Blanc’s rendition of the wascally wabbit, dastardly duck, put-upon pig and their Looney Tunes confrères. Why use AI when we’ve got Eric Bauza, whose gifts ae nearly as amazing as Blanc’s were? - The New York Times
According to survey results, Canadians already see “local news” outlets as a first resort in wildfires or a public health crisis. 79 per cent also regard large, trusted media outlets like the CBC/Radio-Canada as equally or more important in the age of social media. - Toronto Star
Unveiled in February, this year’s CFD will distribute a new record of $59.3 million—north of $1 million more than the previous record—in grants to over a thousand non-profits across the boroughs. Recipients span a wide breadth of cultural, arts, and historical organizations, from marquee NPOs to smaller, more specialized outfits. - BKMag
The Milwaukee Art Museum, Milwaukee Symphony Orchestra and Milwaukee Repertory Theater each received a gift of $5 million from philanthropists Ellen and Joe Checota, the institutions announced Monday. - WPR
Yes, there have certainly been cases of what one might describe as method acting, but being intoxicated on set is never good for actors who want to control their own performances, and these days especially it’s frowned on. Here’s how some actors handle the challenges of playing a character who’s sozzled. - The Guardian
Four works at The National Gallery - Alexandros Soutsos Museum in Athens were vandalised earlier this week, allegedly by a Greek member of parliament who described the contemporary pieces as “blasphemous” to Christianity. - The Art Newspaper
For most poets, pandemics could provide a context for poems, but rarely became a focus. A tome of significant poems about pandemics would only be achievable with considerable barrel-scraping – perhaps excluding poetry about AIDS, which of course devastated some communities significantly more than others. - The Conversation
The need for responsible AI approaches is becoming increasingly urgent as artists deal with serious concerns regarding copyright infringement and job security. In the UK, the creative industries are worth £126 billion, employing 2.4 million people in 2022. - The Conversation
“The essence of drag is its exaggeration of gender stereotypes in a theatrical style that gives the performer permission to say outrageous, often offensive things. ... That is also the definition of Trump’s style: … performing with hypermasculine bravado in a space where one can’t quite take him seriously.” - The Washington Post (MSN)
Armed with a warrant, Fort Worth police reportedly seized five photos from the exhibit and put them under lock and key—all because a few Republican officials and pearl-clutching Christian activists had taken offense. - The New Republic
That it’s experimenting with writing could suggest OpenAI feels its latest generation of models vastly improve on the wordsmithing front. Historically, AI hasn’t proven to be an especially talented essayist. - TechCrunch
“Over the decades, Chicago’s lasting footprint on Broadway has helped make Fosse’s style of dance instantly recognizable. With its sly head tilts, specific hand gestures, turned-in feet, and pinpoint isolations, the choreography emits a sexy coolness that is frequently emulated, both on Broadway and well beyond.” - Dance Magazine
