Over the months, as the learning language model is trained on bits of the language — such as an old-age French nursery rhyme — it brings centuries-old dialect closer into the digital age. - The New York Times
“These writers aren’t on a sociological mission. They’re not trafficking in grievance or appealing to a particular political base. They let their plays do the talking. And they’ve been trying to have a conversation that isn’t hijacked by the most doctrinaire voices in the room.” - Los Angeles Times (MSN)
“My reading journey began with a story that stretched more than 5,000 miles away, from Denmark to Alabama. While my siblings searched for new books, I always checked out the same one: The Marsh Crone’s Brew.” - LitHub
"With DC’s slate wiped clean, the studio had the chance to swing bigger with a woman-led movie than it ever has before — to make something so confident and audacious that, by the nature of its existence alone, it could be unimpeachable in a sea of superhero sameness.” - Salon
One actor: “We're used to it at this point, you know, people just munching away on popcorn, ripping open candy in very tense moments. … If something is making you want to talk to us, we're not afraid of it. We've got it under control up here.” - CBC
Dharug artist Billy Bain: “You know, the beach was and still is an Aboriginal space, but in popular culture it has been represented as a very white space.” Bain has set out to change that. - The Guardian (UK)
First, Tina Fey wrote Liz Lemon, whose character was “heteropessimistic.” But in Four Seasons, she writes (and plays) a member of "an emotionally grounded romance that captures both the rewards of a successful, decades-long marriage and the challenges of maintaining one.” - The New Yorker
In the UK, "The Culture, Media and Sport Committee released guidelines earlier this year setting out ways for disabled people to feel more included at live music events.” - BBC
“A horror film builds a safe enclosure where we can rehearse terror, chaos and helplessness with no adverse consequences. … But the body can’t always tell the rehearsal from the real thing.” - The Guardian (UK)
The MELS post-production studio “is closing a Quebec facility that houses one of North America's only laboratories capable of developing film for professional productions.” - CBC
To be fair, a lot of good movies and shows come out in the latter, awards-chasing half of the year, but still, here are "subtle, surreal moments that highlight a character’s fears and insecurities.” - The New York Times
“What can a novel about contemporary domestic life possibly add to our knowledge? If familiarity breeds contempt, what could be more familiar than the home, with its sisyphean routines and demands?” Just ask Ducks, Newburyport. - The Guardian (UK)
“‘It’s as if Edward Hopper had taken up songwriting,’ the comic artist Chris Ware wrote in The Believer magazine in 2009. ‘For lack of a better word, it’s poetry.’” - The New York Times
"Because the cape and costumes were so rough, and the weather, the hair would start to get tangled a lot. … I was in every single take behind Hugh, brushing out, re-braiding to hold it in place to keep some of the texture - Variety
Uman: “I love working on the floor. I start with a mood, a color, and I determine the size of the canvas or linen. … I always wanted the color to go straight onto the canvas, and that will probably be a problem for restorers in the future.” - The New York Times
