The rise of chatbot marketing is happening as A.I. tools like ChatGPT, Claude and Gemini hit mass adoption. OpenAI has said that 800 million people use ChatGPT weekly, while Google says its Gemini chatbot has more than 750 million monthly users. - The New York Times
Graduates of the country’s El Sistema program can be found on concert stages and in top-flight orchestras all over the world; conductor Giancarlo Guerrero suggests that perhaps musicians are Venezuela’s top export. But with political uncertainty there and Trump’s visa restrictions in the US, will the talent keep pouring out? - WBEZ (Chicago)
The first and only museum dedicated to the US constitution has been plunged into turmoil over the sudden departure of its president, a legal scholar widely respected for his commitment to non-partisanship. - The Guardian
In the first third of 2026, we’ll see 11 plays and only six musicals on Broadway. And many of the musicals that will open share a certain downtown sensibility instead of, say, a stately Sondheim import or Disneyfied cheer. - The New York Times
Afghanistan’s National Television, a broadcaster controlled by the Taliban, reported on Tuesday that morality police in Parwan had gathered the instruments over the past year from the provincial centre and surrounding districts. The report said a Taliban committee later set the items on fire. - Afghanistan International
“To begin with, a Book of the Dead is a misnomer, applied by 19th-century Western scholars. A more accurate translation of the title would be ‘Spells of Coming Forth by Day.’ Unlike obituaries, they aren’t biographies. They aren’t even books. And, they’re not of the dead. They’re for the dead.” - The New York Times
“Department M, a production company founded two years ago by Mike Larocca and Michael Schaefer, is in talks to acquire a significant stake in Neon, the Oscar-winning studio behind Parasite and Anora.” - Variety
On top of a career designing sets and lights for more than 50 Broadway productions and over 30 George Balanchine ballets, he became, in 1967, the founding artistic director of the National Theater of the Deaf, which combined spoken dialogue and sign language to create, in effect, a new genre. - The New York Times
“Bay Fang, RFA’s president and chief executive, wrote in a post on LinkedIn on Wednesday: ‘We are proud to have resumed broadcasting to audiences in China in Mandarin, Tibetan, and Uyghur, providing some of the world’s only independent reporting on these regions in the local languages.’” - The Guardian
“The Pennsylvania Council on the Arts is rebranding its granting operation as a new entity called Pennsylvania Creative Industries. The new granting guidelines are in line with a new strategic plan that leans more heavily into creative entrepreneurship and economic development.” Arts organizations in the state are concerned. - WHYY (Philadelphia)
“Classical California has launched a unified statewide brand, consolidating KUSC, KDFC and nine additional stations under a single identity. The move follows the unification of on-air programming between the University of Southern California’s KUSC Los Angeles (91.5) and KDFC San Francisco (90.3) in October.” - Inside Radio
“For more than four decades, he was a central figure in European opera, admired not for flamboyance but for integrity, stylistic intelligence, and a distinctive vocal timbre that combined gravity with warmth.” - Moto Perpetuo
The Irish Times (like most outlets) always depended on advertising to fund its operations. This year, thanks to the strategy followed by its leaders (and the fact that it’s owned by a trust rather than an asset management firm), the paper’s 150,000 print and digital subscribers cover the newsroom’s expenses. - Press Gazette (UK)
Recent USPS service problems aren’t exclusive to newspapers. But for a business where timeliness is baked into the value proposition, they can be uniquely damaging, leading subscribers to cancel and even, in some cases, threatening advertising revenue. - NiemanLab
Creative coordinator Sammi Cannold: “I think what would surprise people most is how mathematical it is. From the outside, it looks like pure spectacle and emotion. But behind the scenes, it’s geometry, timecode, safety protocols, wind calculations, the positioning of 35 cameras, traffic flow for hundreds of performers, etc.” - Playbill
