After the financial hit the organizers took in 2020 and 2021, they sold a controlling interest to Penske Media — which, after last year’s event, fired the chief programming officer and other staffers, losing a lot of institutional knowledge. Now many observers are wondering if SXSW can survive at all. - Texas Monthly
“(The) chart is set to launch later this year in the UK, offering a monthly rundown of the most popular titles on (the) social media platform. The ranking will combine verified retail sales data with social media engagement. … The charts were first trialled in Germany and are being expanded to the UK.” - The Guardian
“’Playwrights Horizons regrets that Mr. Lynch felt excluded because of his race,’ the theater said in the six-sentence statement issued by both parties. The statement did not specify whether the theater paid any money to Mr. Lynch, but said (the parties) 'have agreed to resolve the matter out of court.’” - The New York Times
The 1990 theft of 13 artworks, collectively worth over $500 million, from Boston’s Isabella Stewart Gardner Museum has never been solved. Former FBI agent Geoffrey Kelly says the “whodunit” part of the crime is solved and he has a probable motive, but that probably nobody now alive knows the artworks’ whereabouts. - CBS News
For its entire history, Britain’s public broadcaster has had to have its charter renewed by Parliament every ten years; in effect, the BBC must renegotiate its existence every decade. Culture Secretary Lisa Nandy has promised “to future-proof this vital institution … (against) the ongoing, exhausting culture wars.” - The Guardian
“It’s one of the most mythic icons in American letters — and now the most valuable. The 120-foot-long scroll on which Jack Kerouac hammered out the 1957 Beat Generation classic On the Road has realized an astounding $12.1 million at auction, setting a record for a literary manuscript.” - Artnet
In the letter, the senators note that the GSA has posted 46 buildings that have been identified for “accelerated disposal,” a process that expedites the sale of the properties, which are home to numerous artworks. - ARTnews
Indhu Rubasingham remembers the long lines when she brought Bollywood legend Shabana Azmi to the NT in 2000. “You can put people on this stage and that means something to different communities. It is like a beacon, and it opens its doors for different audiences depending on what you put on the stage.” - Variety
Audiobooks offer significant benefits, primarily increasing reading accessibility, enabling multitasking during daily chores or commutes, and boosting comprehension for auditory learners. - Good E-Reader
In the “humanities” – most scholars see AI as a unique threat, one that extends far beyond cheating on homework and casts doubt on the future of higher education itself in a fast-approaching machine-dominated future. - The Guardian
Britannica, which owns Merriam-Webster, retains the copyright to nearly 100,000 online articles, which have been scraped and used to train OpenAI’s LLMs without permission, the publisher alleges in the lawsuit. - TechCrunch
“It’s a subject I’m anxious to change. I don’t feel symbolic. I feel actual. I feel like I’m a working writer trying to make his work.” The comments come almost four years after the knife attack that wounded his liver, intestines, and right eye. - The Guardian
So what does “getting learning right” look like in the age of generative AI? It involves a lot of experimentation and leaning in with students as a co-learner when I don’t have all of the answers, while remaining staunchly committed to sharing my expertise in writing, critical thinking and learning. - The Conversation
With AI, students can generate code that looks polished and sophisticated in seconds. But the ability to produce a solution has become decoupled from the ability to explain it. When asked to reason about performance, memory behavior or design trade-offs, many students struggle in ways that were less visible before. - InsideHigherEd
“Sydney Symphony Orchestra has removed the $8.95 (Aus) booking fee on all tickets to its performances purchased from it directly, arguing the impost disproportionately impacted students and other lower-price ticket buyers.” - Australian Financial Review