Lamplighters Music Theatre, the Bay Area’s Gilbert and Sullivan specialists, has called off its spring 2026 production of Patience. Company leaders blame not only the rising costs and shrinking audiences many organizations have experienced post-pandemic, but also the expenses caused by the personnel law AB5. - San Francisco Chronicle (Yahoo!)
The job — to create a painting 50,000 square meters large, roughly the size of nine football fields, in the Saudi capital, Riyadh — has gone to New York-based artist Domingo Zapata, who is reportedly getting an “unlimited budget.” - Page Six
“Which museum in the world, with this level of attendance,” said Louvre general administrator Kim Pham, “would not at certain moments have some issues of fraud?” (He would not, however, name another museum with a similar problem.) - AP
“Yes, casting directors are finding the right person to carry the weight of the movie, but they are also responsible for nearly every face you see onscreen, creating the whole human environment of the film. Perhaps the casting award is most akin to the one honoring production design.” - The New York Times
Mehdi Mahmoudian, who wrote the screenplay for the Cannes-winning film alongside director Jafar Panahi, has been released on bail after 17 days. He was among a group of people arrested for signing a statement condemning Ayatollah Ali Khamenei for ordering the violent crackdown on protesters last month. - The Hollywood Reporter
He is charged with two counts of simple battery following incidents in the midnight hours of Tuesday morning. This is, of course, by no means his first run-in with law enforcement. - AP
The great Brazilian modernist, best-known for the futuristic government buildings in Brasilia, had recently turned 103 when he drew the first sketch for what’s now called the Niemeyer Sphere. When he died almost a year later, he hadn’t finalized the design, but there were enough sketches and specifications to complete it. - The Guardian
Colbert said that CBS lawyers had told him “in no uncertain terms” that an interview he had planned for Monday’s show with State Representative James Talarico of Texas would not air on the show, even though the lawmaker was already in Mr. Colbert’s studio. - The New York Times
When in 2010, Durham University got back the Folio which had been stolen in 1998, the book’s leather cover, boards and end papers were gone, as were an engraving, a eulogy by Ben Jonson, and the final page of Cymbeline. The volume has never been repaired, and there are good reasons why. - BBC (Yahoo!)
Michael Silverblatt, the longtime host of the KCRW radio show "Bookworm" — known for interviews of authors so in depth that they sometimes left his subjects astounded at his breadth of knowledge of their work — has died. - Los Angeles Times (Yahoo)
A comprehensive review of national data shows a steady decline in arts subject enrolments at senior secondary level and a parallel contraction of creative arts degree courses in higher education since 2018. - Limelight
Despite years of Eat-the-Rich–type discourse, we seem to struggle with how money and power operate without falling into either conspiratorial exaggeration (the fantasy of Satan-worshipping elites ritualistically drinking baby blood is centuries old) or fawning admiration for the taste and sophistication of the rich and famous. - The American Scholar
In Kramer/Fauci, director Daniel Fish stages a transcript of the 1993 C-SPAN debate between Larry Kramer, the legendarily combative writer and AIDS activist, and the more mild-mannered Dr. Anthony Fauci, then the director of the National Institute of Allergy and Infectious Diseases. - The New York Times
When we speak of dignity, worth, or the respect owed to persons, we are not engaging in idle abstraction. These concepts do real work. They justify constraints on what the powerful may do to the vulnerable. - 3 Quarks Daily
People have relished music for so long that we have evidence, from forty thousand years ago, of humans making a flute-like instrument out of a vulture bone. We feel that even wordless music reflects our moods. - The New Yorker