In ink-on-dead-trees print, sure. But a large majority of the newspaper’s readers consume the Times online or on an app, where the difference between the magazine’s articles and those of the regular newspaper is barely visible. - New York Magazine (MSN)
The town whose bombing the painting depicts is in the Basque region, and politicians there want to borrow Picasso’s canvas and display it in the Guggenheim Bilbao to commemorate the atrocity's 90th anniversary. Meanwhile, Madrid's president insists that Guernica remain where it is now, the Reina Sofía Museum. - The Guardian
“Evan Yionoulis, who has been dean and director of The Juilliard School’s drama division since 2018, will take over the post at Yale starting July 1. She succeeds James Bundy, who has been in the role for close to 25 years and announced his retirement last year.” - The Hollywood Reporter
The Colombian-German conductor, who turns 30 next week, is a former Dudamel Fellow at the Phil and currently assistant conductor at the Boston Symphony; she begins this fall as chief conductor of the Ulster Orchestra and artist-in-residence at the Beethoven-Haus Bonn. - Los Angeles Times (Yahoo!)
Less than two weeks after summarily firing director Markus Hinterhäuser, the festival’s board has named Karin Bergmann, most recently director of the Salzkammergut Festwochen Gmunden and previously chief of Vienna’s Burgtheater, to lead the festival for the 2026 and 2027 seasons. - Moto Perpetuo
The annex, being built for Project Domani, the museum’s expansion of its collection into 20th- and 21st-century art (which has traditionally been left to the Tate Galleries), will be designed by Kengo Kuma, architect of the V&A Museum’s branch in Dundee and of Tokyo’s Olympic Stadium. - The Guardian
“Why me? I wondered. I had finished my three-year term as the first vice chair of the New Yorker Union the week prior. Condé Nast had violated our collective bargaining agreement and broken labor law dozens of times, but it had never attempted something as reckless as illegally firing union leaders.” - The Nation
Stories like Shy Girl and The New York Times’ profile of AI romance author Coral Hart, who boasted of using AI to write and self-publish 200 hundred books across 21 pen names, demonstrate that theoretical disputes did not prepare us to be confronted with the reality of AI. - The Conversation
“Nearly 50 years since that first performance in 1978, Meryl Tankard is getting the Kontakthof band back together. Now a choreographer, she has assembled nine of the dancers (including herself) and adapted the piece to synchronise with black-and-white footage of their younger selves projected onto a giant screen behind them.” - The Times (UK)
A combination of technological, economic, political, and cultural forces, at work both within and without the university, had by the early 2020s effectively pummeled the tradition of universitarian humanism into unconsciousness. - Chronicle of Higher Education
I think Duchamp got at something vital about Western culture over the previous 400 years: that an object didn’t count as “art” because of its beauty, its subject matter or its greatness, but because of how it asked us to use it. - The New York Times
Titled “New York Real Estate and the Ruin of American Art” and published by October, Kline’s essay is a despairing portrait of the city’s art scene. It functions both as an elegy for a lost New York art world of the 2010s and as a blistering critique of all the privilege required to find success here. - ARTnews
“The choir is part of a wellness program at (a D.C.) hospital that uses music to stimulate neurologic change in the brain and help patients with speech, movement, coordination and mood.” - The Washington Post (MSN)
For almost three decades, the ambitious, history-centered company had to make do with the second-floor of a 110-year-old church building in Lake View — along with dodgy electrical wiring, no elevator, toilets that didn’t always work and no central air conditioning. - WBEZ
“Many cities are facing affordability crises, lack of access to physical space for creative work, and tighter budgets. It’s more important than ever to have leaders who can engage planning and policy systems and ensure the creative sector is at the table.” - WBUR
