When museum staff are preparing for a show, they need maquettes, like an actor's stand-in, to represent the works themselves. But they can't be replicas. They're "'really just trying to evoke the salient features, the sculptural qualities' of the original pieces. Their utility stems from their simplicity." - The New York Times
One reason we tolerate an even more frayed social safety net for artists than we do for everyone else: “The allure of artistic work often obscures — from arts workers themselves and the public at large — the working conditions that arts workers face,” according to the report, noting that organizations frequently ask arts workers to work for nominal...
It is an investment in the future. We have been stepping up our education programs for kids and youth quite a lot. We continued doing that throughout the lockdown and I think that this differentiates us from many other museums that cut down on those departments, and especially on educational freelancers who were supposed to be giving seminars and...
The Real Music Wages Database is an anonymous, crowd-sourced list of real wage transactions reported by musicians. We track how much someone has been paid, who paid them, and how many hours of work it involved. The more entries are added to the spreadsheet, the more discernable a true economic snapshot of the new music industry is visible. -...
Why would anyone buy a piece of art just to burn it? Understanding the answer requires us to delve into the tricky world of blockchain or “NFT” art. It blends the niche subculture of cryptocurrencies with long running philosophical questions about the nature of art. No wonder people have difficulty explaining it all. - The Conversation
At first glance, the notion that controversial statues should be explained and contextualised seems like a step in the right direction. However, for many activists and museum workers, this new law might feel like a step backwards. The emphasis of this law is clearly on the museum’s “duty to the nation to conserve and preserve our heritage,” but with...
Parents at elite private schools sometimes grumble about taking nothing from public schools yet having to support them via their tax dollars. But the reverse proposition is a more compelling argument. Why should public-school parents—why should anyone—be expected to support private schools? Exeter has 1,100 students and a $1.3 billion endowment. Andover, which has 1,150 students, is on track...
A hard-R-rated primer to what gets said in the language of Molière when one is really f***ing p****d off, what you can use to affectionately tease your buddy in Bordeaux and what not to say unless you want to make an enemy for life. (And gosh, you can click here for a guide to what it's safe to say...
Verdi’s 1871 tragedy, a love story set in a time of war between ancient Egypt and Ethiopia, is often given the treatment of a “Cleopatra”-like costume drama. But de Beer, who will become the director of the Vienna Volksoper next year, has offered a version so unusual that its Aida, the soprano Sondra Radvanovsky, pleaded on Instagram before opening...
" began writing and performing comedy while a student at Cambridge University, traveling in the same circles as future members of the Monty Python troupe. In 1964 he and his performing partner, Nick Ullett, took their stage act to the United States, and from there he fashioned a steady if peripatetic career doing stand-up comedy, writing and editing for...
There has long been a debate about the ethics of translation, about how to translate not just the words but the spirit of the original, too. Today’s identity controversies, however, are not just about issues of formal translation but also about the kinds of informal translation in which we engage every day. - The Guardian
"Clearly, the 'every track play pays the same' model (known in the jargon as 'platform-centric') has the potential to seriously damage classical music and any other minority genre or one not thought appropriate for background listening. An alternative payment model has been proposed and has been trialled by French platform Deezer: the 'user-centric' model." - Bachtrack
The inscription has always been visible to the naked eye, but the infrared images helped to more clearly distinguish the writing from its background. Comparing it with the artist’s handwriting then clearly proved Munch’s authorship. - Scientific American
"Sixteen b-boys and 16 b-girls will compete in Paris, chosen through qualifying events organized by WDSF on five continents. There will be no numbered scoring. Instead, the competition will be structured in battle format, true to b-boy/b-girl culture: tournament-style, one-versus-one. The winner of one battle moves on to face the next challenger, and the winner of that battle moves...
With donated land, instruments and crowd-sourced funding, Mahani Teave, along with her partner Enrique Icka, a construction engineer, broke ground on their Toki School of Music in 2014. From the start, they envisioned a sustainable, yet stylish building – "an earth ship in the shape of an eight-petaled flower." - NPR
