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M+, Hong Kong’s Long-Delayed Contemporary Art Museum, At Last Has An Opening Date

It's been 18 years since the project was first proposed, and there have been messy conflicts over costs and content (notably over the inclusion of dissident artist Ai Weiwei), but the official opening date is set: November 12. - South China Morning Post (Hong Kong)

Cellist Sebastian Hess Dead At 50 Of Brain Aneurysm

A student of William Pleeth and Mstislav Rostropovich, he made his solo debut at 18 with Bernstein and the New York Philharmonic and developed an extensive international career and a wide-ranging discography. - The Strad

The Unusual History Of Free Jazz

Given the revolutionary nature of the music, it’s no surprise that many in the field greeted it with such disdain. - The Guardian

New Movie Museum Shows LACMA Made A Mistake Selling Old Department Store

Christopher Knight: "Although the department store would not have made good art museum exhibition space, it is now very easy to see how well it would work for virtually every other art museum function." - Los Angeles Times

Two Huge Tom Cruise Movies Are On Hold. Will Hollywood Survive?

Suddenly, the unthinkable had happened: Tom Cruise seemingly now had nothing to do. - Deadline

Where We Are Now In Teaching Machines To Learn

High hopes for the imminent arrival of general AI have been there from the very beginning, and the successes of machine learning keep them high. - The New Atlantis

Australian Court Rules Media Can Be Sued For Comments On Posts

It comes after a former teenage prisoner sued media companies over Facebook comments posted below articles about his mistreatment in detention. - BBC

Do Big Film Festivals Still Matter?

These days it pays to look at things from a sober perspective, but let’s face it: glitz can be fun. - Toronto Star

What’s The Latest Dangerous Distraction For Drivers? Infotainment Screens On Their Dashboards

"With American traffic fatalities recently hitting a 15-year high, an infotainment arms race seems like the last thing we need right now. The car industry is poised to give us one anyway." And the systems are more or less unregulated. - Slate

Of Writing And The Usefulness Of Cliches

It was only with the emergence of an artistic movement, beginning around the mid-18th century, that probable language came to be regarded less as the building blocks of composition and more as the too-familiar, the outworn, the boring. - Aeon

Katherine Dunham Was More Than A Choreographer And Ethnographer. She Was An Entrepreneur.

Her Ballet Nègre in Chicago, founded in 1930, was only the second ballet company of any kind in America. Her revues Tropics and Le Jazz "Hot" became Broadway hits. Katherine Dunham Dance Company toured the world and supported a school — and she handled the finances herself. - Forbes

How Expertise Is Being Redefined

I believe there exists a modicum of groupthink in an established expert community; solidarity in opinions may be seen as desirable among some in the scientific community, sometimes at the expense of intellectual debates and scientific discourse. - Future

How On Earth Did Experimental Downtown Drama Land On Broadway?

"An unusually large proportion of the 10 plays opening this fall are what one producer calls ‘formally inventive’ and others might label downtown, avant-garde, or (that dread word) challenging." Jesse Green considers three of them: Is This a Room?, Dana H., and Pass Over. - The New York Times

Rethinking The Idea Of Theatre As Public Space

In a world dominated by Netflix, Google, Facebook, Apple, and Twitter, the idea of using theatre to drive change and inform our political life may seem naïve, even quaint. But theatre offers something none of these platforms can: space. - American Theatre

A Choreographer’s Podcast Examines How The Hell You Can Eke Out A Living In Dance In This Country

Miguel Gutierrez's Are You for Sale? explores "the ethical entanglements between art and money": the convoluted systems of philanthropy and grant applications, the good and bad points of state funding, "these horrible, infantilizing roles that the economic conditions of making work impose onto us." - The New York Times

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