Jessie Sima always loved to doodle horses, or one might honor that art with the word sketch, even. In eighth grade, another kid told Sima, "Someday you’re going to make children’s books." Now they have two horse-related books on the bestseller list. - The New York Times
Haley Lu Richardson was a dancer when she and her mom moved from Phoenix to L.A. Her success has been a slow burn. "I’d rather be doing a smaller independent film with people that I really feel like I can collaborate with and I really trust." - The Guardian (UK)
Sonia Boyce "greets the trophy with a mix of gratitude and circumspection. 'It seems almost ridiculous that it takes into the 21st century for a Black British female artist to be invited to do Venice.'" - The New York Times
"Much like the painstaking process of recording cassettes for one another in the pre-playlist age, editing an anthology is intimate, a gesture towards the reader. And just as you never used to be able to put absolutely every tune you wanted to on tape, the same goes for anthologies." - The Guardian (UK)
Its interim CEO wants to bid on it, and there may be one other bidder. "The HFPA’s move comes after more than a year of turmoil for the nearly 80-year-old press organization," including the group refusal of publicists to let their clients go to the (untelevised) Golden Globes. - Variety
Nina Yoshida Nelsen took stock of her career after the Atlanta shootings. "She had performed in Giacomo Puccini’s Madama Butterfly more than 150 times, but had been cast in non-Asian roles just three times." Now she's working to change those numbers. - Time
In a real shocker that literally everyone predicted, rap/folk Kalush Orchestra won, with a song (originally written for the frontman's mother) that includes lyrics like "I’ll always find my way home, even if the roads are destroyed." - The New York Times
Look at 2007's Knocked Up. It's "a self-consciously edgy movie that declines, again and again, to say the word abortion out loud. It has much to say about Roe’s looming tragedy—precisely because, so often, it opts to say nothing at all." - The Atlantic
That "opens up the potential to order a whole new raft of unscripted series to use the technology, bringing it in to line with the linear networks, which often air live specials for big competition series such as ABC’s American Idol and Dancing with the Stars." - Deadline
Berganza won fame in Rossini and Mozart, and of course in Carmen, but her "vast repertoire as a recitalist included German lieder, French and Italian art songs and, most notably, Spanish music — zarzuelas, arias and Gypsy ballads — which she consistently championed." - The New York Times
And glimpses of it in Imelda Marcos' apartment after Ferdinand Marcos Jr.'s (shocking, for those who remember the 1980s) presidential win "has added to fears the family will use its now-increased power to brazenly further stifle efforts to recover ill-gotten wealth." - The Guardian (UK)
Canada’s tidy, modest institutions have lowered the ceiling on its creative professions. There’s also something very stay-in-your-lane about the presumption that a Canadian artist will never get big enough to be one of them. They’d sooner call you dead. So much for assimilation! - The Walrus
In 2018, the facility — a former curling rink-turned-theatre — underwent a $72-million demolition and reconstruction, a project completed in 2020. However, as a result of the COVID-19 pandemic's health and safety measures, the theatre's reopening was delayed until this week. - CBC
