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Now 25 Years Old: How Guggenheim Bilbao Changed The Museum World

In the book Design and Crime, Hal Foster wrote that Gehry’s spaces “trump” the post-war art they were intended to hold, using its scale “as a pretext to inflate the contemporary museum into a gigantic spectacle-space that can swallow any art, let alone any viewer, whole”. - The Art Newspaper

Remembering Theatre Critic Dan Sullivan

For his generation of critics, reviews were not a freelance assignment but a beat, as regular as a sports columnist, whom such critics often resembled. Reporting what was on view was the first obligation. Verbs needed to be strong. Prepositions should not end paragraphs. Nouns were your friend. - American Theatre

Report: Audience, Funding, For Public Media Have Been Steadily Growing

According to an analysis performed by one of our authors, total direct revenue for the largest 123 news-focused public radio licensees has grown steadily, from roughly $678 million in FY2009 to just under $1 billion in FY2020. - Current

Major New Contemporary Art Museum Planned For Amsterdam

Beatrix Ruf told The Art Newspaper that the Hartwig Art Foundation's museum will "change the shape of contemporary art not just for the city, but the Netherlands too". - The Art Newspaper

The BBC Turns 100. Now Its Five Biggest Challenges

Great institutions, like great literature, are often born from existential angst, as urgent responses to the prevailing horrors of their era. As with TS Eliot's The Waste Land, released in 1922, so with the BBC. - BBC

Derek Jacobi, At 84, Thinks He’ll Never Do Live Theatre Again, Either

"It's not stage fright exactly. But I'm not comfortable like I used to be. And it's far easier to do telly and films. They throw money at you for very little, and you get to do it until you do it right." - The Guardian

By The Numbers: American Orchestra Programs Are Getting Dramatically More Diverse

The latest Orchestra Repertoire Report shows a 638% increase in music by women at our symphony halls in the past six years. The numbers for women composers of color — which started at next to nothing — is up a whopping 1425%. - NPR

When “Sesame Street” Came To Post-Soviet Russia

The idea and hope behind Ulitsa Sezam, which debuted in 1996, five years after the USSR came apart, was to help its young audience learn the values of a free-market, democratic society. The translation from American to Russian culture and mindset, however, was far from smooth. - Smithsonian Magazine

Playbill Gets A New Editor-In-Chief

Diep Tran will lead a largely new editorial team at Playbill. - Playbill

The Neon Lights That Made Hong Kong Hong Kong Are Fading Away

"Once ubiquitous in Hong Kong, the signs ... have been steadily removed in the last few decades. The recent dismantling of some of the largest remaining ones, however, is rekindling interest in the local art form." - Bloomberg CityLab

Are The Oscars As We Knew Them, Doomed?

The more important factor in the dwindling of the Academy Awards viewership is that the Academy has been hurting itself by doing its job: honoring the best movies each year. “Best” is famously a matter of taste, but most observers would agree that it doesn’t mean “most successful financially.” - The Daily Beast

She’s The Edinburgh International Festival’s First Woman Director. What Are Nicola Benedetti’s Plans?

She's made her career as a classical violinist, but the EIF includes dance, theatre, and popular music as well.  "'Well, classical music does count for a pretty large percentage of the offering,' she counters, before saying that she's been deluged with offers of help in the other areas." - The Guardian

The Artist Who Travels America “Improving” Bad Hotel Art

At first, Mr. Powell says, the artistic mischief was a joke, a test of whether anyone would notice and a strike against the ubiquitous prints he saw at hotel chains. Now, it is part of his brand and his business. - The Wall Street Journal

U.S. Ballet Companies Are — Gradually — Performing More Works By Female Choreographers

Dance Data Project's latest report says that in "ballet and classically inspired companies" the vast majority of the repertoire was created by male choreographers, but that the ratio has changed from nearly ¾-¼ to more like ⅔-⅓ — with near parity for mixed bills of new works. - Dance Data Project

Are Great Works Of Art Properly Protected From Demonstrators’ Soup-Throwing And Super-Gluing?

A leading expert on museum security answers questions about which artworks are and aren't protected by glass (and why), the tensions between protecting the art and letting the public see it, and what he wishes the demonstrators would understand. - The Atlantic

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