"An ambitious £288m concert hall that was supposed to be 'the Tate Modern of classical music' has been scrapped by the City of London Corporation, which said the impact of the COVID-19 pandemic made the plan impossible to complete." The recently-announced departure from London of the project's highest-profile advocate, Simon Rattle, probably made this decision inevitable. - The Guardian
Martin Kettle: "Justifying the cost, the priority, the location and the uses to which the hall would be put were all delicate tasks in any case. It was hard not to see it as an elite project, only distantly connected with wider public need at a time when funding was being squeezed." Then came Brexit, followed by COVID. "It...
More than a year after it began its search for a new president and chief executive, the Boston Symphony Orchestra is expected to announce on Thursday that it has found a new leader on the opposite coast: Gail Samuel, president of the Hollywood Bowl and chief operating officer of the Los Angeles Philharmonic. - Los Angeles Times
"In picking , the orchestra looked west, to one of the most successful American orchestras of recent years" — the Los Angeles Philharmonic, where she is COO — "for its choice to succeed Mark Volpe, who led the Boston Symphony for 23 years. Samuel will be responsible for steering the organization out of one of its most dire crises,...
Says managing director Sarah Hopwood, "We are determined to present a festival this summer in whatever form is possible. We consider this essential to protect the livelihoods of our staff and freelance artists we employ and to continue to engage with our audience." Audiences will be limited to 50% of capacity, and other COVID safety measures will be in...
His city—our cities—aren’t empty now. They’re just pretty much shut down. There’s a social media campaign attached to the Jazz & Heritage Foundation’s new outreach efforts, asking for posts in response to the question, “Have you ever been saved by a song?” Our answer is and will be, yes. - The Daily Beast
These days, Bang is a sprawling artistic conglomerate, with an annual budget of $2 million to $2.5 million, a dedicated record label, a virtuoso chamber ensemble (the Bang on a Can All-Stars) to carry its branding internationally, an active commissioning program, a summer residency and a distinctive performance format — the new-music marathon concert — that is practically a...
"Called E.N.O. Breathe and developed by the English National Opera in collaboration with a London hospital, the six-week program offers patients customized vocal lessons: clinically proven recovery exercises, but reworked by professional singing tutors and delivered online." - The New York Times
The company's first staged presentation, set for April and May, will be a 90-minute English-language adaptation of Rossini's Barber of Seville on an outdoor stage (repurposing what would have been the set for this season's opener, Fidelio) before an audience parked in cars in Marin County. The other big event will be free streams of San Francisco Opera's sold-out...
“There is a certain visceral quality about being in the same location together and experiencing art. I’m giddy with anticipation at the thought of reconnecting with that important part of our lives.” - San Francisco Chronicle
A change of name it all started to click. After adopting the pseudonym Arthur Parker her pieces were getting the airplay she had struggled to achieve as a woman. - The Times (UK)
According to Eric Ries, author of The Lean Startup, there are ten different kinds of pivots. At least six out of them are relevant to classical music. - Ludwig Van
"If, like me, you happened to watch the documentary mere hours after hearing that statement, the Glastonbury scene took on a whole different kind of emotional meaning. All of a sudden, it wasn’t so much, “I can’t wait to get back to that,” as, “is that now gone forever?” - Chicago Tribune
He was longtime critic for New York Magazine. Peter was best known as an authority on opera — his 1997 book The American Opera Singer is an essential work — but he covered every form of music-making with expertise and panache. - The Rest is Noise
With the previous artistic director, Alexander Neef (who was shared with the Canadian Opera Co.), having left for the Paris Opera, Santa Fe decided to combine his position with that of director of artistic administration and call the resulting job "chief artistic officer." The company has now filled that job with David Lomelí, a former tenor who also has...
