The problem: during the period between the board closing the San Antonio Symphony and the musicians forming the new San Antonio Philharmonic, a stopgap organization was created to provide pit musicians for the opera and ballet. It's that last organization that's been funded in the next county budget. - San Antonio Report
In terms of the music-making, Justin Davidson observes, Blanchett and filmmaker Todd Field do very well. But Lydia Tár's awful behavior? She could've gotten away with much of it decades ago, but not now. And, alas, no female conductor has yet had the opportunity for anything like Tár's career. - Vulture
"Organizations are now accepting the fact that they will need an online presence, but ... they (also) want to be able to focus on their live performance activities. Where will that leave the internet initiatives created during the shutdown? Will they flourish or be starved of resources?" - San Francisco Classical Voice
Spotify metrics we studied — including acousticness, danceability, duration, energy, explicitness, instrumentalness, liveness, speechiness (a measure of the presence of spoken words in a song), tempo and release year — were not strong predictors of the song’s popularity. - The Conversation
Rivka Galchen looks into the development of acoustical engineering as a craft (which goes all the way back to Chichén Itzá and Hagia Sophia) and how Christopher Blair and Paul Scarbrough of the firm Akustiks approached the challenge of a venue that had seemed acoustically cursed. - The New Yorker
Amidst the misery of the pandemic’s peak, there were hopes that the effective shutdown of the touring industry would allow for the music business itself to work out the myriad issues that musicians face while trying to make a living on the road. That obviously didn’t happen. - New York Magazine
Justin Davidson: "I’m not ready to declare the hall a flop or a triumph. Acoustics are not a separate entity from the music that gets played there." - Vulture
It all started with tours: "In the early 1800s, opera companies and their star singers traveled from Italy to perform across the country. 'It was like a parade, people would welcome them in the streets of Mexico City.'" Then radio hit. - NPR
Geffen Hall (previously known as Avery Fisher Hall) was an acoustic disaster from the jump. But while "the hall was no Carnegie or the Musikverein in Vienna ... the badness of the acoustics was often overstated. On a given night, a concert there could be terrific." - The New York Times
Lina Gónzalez-Granados was 5 "when she joined a 'tuna' — a musical group traditionally made up of college students who ... stand in a semi-circle wielding Spanish guitars of various sizes and shapes and singing ballads." That was her first lesson in the physical nature of music. - Los Angeles Times
For one thing, "New York has yet to see tourism fully rebound, and attendance at many performing arts organizations has lagged. The reconfigured hall is seen as an opportunity to try to lure old concertgoers back, and to bring new audiences in." - The New York Times
Greek-Russian conductor Teodor Currentzis was a polarizing figure even before the Russian invasion of Ukraine. Some considered him classical music’s biggest charlatan. Others thought he was the only one who could save the field. But that discussion always focused more on his appearance than on music. - Van
Midwest states hosted 27 percent of U.S. orchestra performances, even though they were home to only 19 percent of concerts overall. The Midwest doesn’t necessarily have more orchestras than the rest of the country, but it does seem to have bigger and more active ones. - Washington Post
