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MUSIC

Barry Koskie’s Dream Place At The Komische Oper Berlin

"Success for me isn’t that we can sell out 92 percent of the house, it’s that we can sell out a run of Schoenberg’s Moses und Aron. That’s success in an audience. Our audience is loyal. They come back. They are stimulated and entertained at the same time." - Van Magazine

How An American Saxophonist Tricked The KGB

Merryl Goldberg hand-encoded names, addresses, and other details of the Phantom Orchestra, a group of Jewish refuseniks and Christian activists trying to help Jews and others escape the USSR, in composition notebooks - hidden from the prying eyes of Soviet officials. - Wired

Minnesota Public Radio Gets $56 Million To Expand Classical Music Programming

The largest donation in MPR's history, the anonymous gift, to be placed in a separate endowment, will be divided between new media technology and enhanced content.  MPR produces and distributes such programs as Performance Today, SymphonyCast, and Pipedreams to public radio stations across the US. - Inside Radio

26-Year-Old Klaus Mäkelä Named Chief Conductor Of Amsterdam’s Royal Concertgebouw Orchestra

The young Finn won't have the full job title until 2027, though he'll be "artistic partner" of the orchestra — widely considered one of the world's best — starting this August. The RCO post has been empty since Daniele Gatti was fired in 2018 over charges of sexual misconduct. - Gramophone

Solving At Least One Stradivarius Mystery Via The Science Of Tree Rings

Did Antonio Stradivari apprentice with Nicola Amati? Science says maybe! - The New York Times

The How, When, And Why Of Eye Contact Among Musicians

Conductors Leonard Slatkin and Paul McCreesh, members of the Guarneri and Zehetmair Quartets, and two orchestra principals talk about when and at whom to look, what eye contact does and doesn't communicate, and how it may differ between orchestras, choirs, and chamber musicians. - BBC Music Magazine

La Scala Works To Get Younger People To The Opera — And Then Keep Them Coming

Alongside free performances in Milan neighborhoods and cheaper tickets for young adults and families with children, the house has started discounts for people in their 30s.  Says superintendent Dominique Meyer, "It is not as if one's salary suddenly becomes three times as big when you turn 30." - The New York Times

Why Do Critics Keep Describing Early Music Performances As “Crisp”?

English-language writers seem to use the word over and over (as praise), though critics in other languages don't use equivalents. (Croustillant or croquant? Non.) Certainly nothing like the word appears in old treatises. Baroque violinist and musicologist Addi Liu considers what crisp does and doesn't really mean. - Early Music America

How Things Fell Apart At Santa Fe Pro Musica

It all seemed promising two years ago, when pianist Anne-Marie McDermott was hired as artistic director to replace the orchestra/concert presenter's retiring co-founders. Now McDermott has resigned, key staffers have been fired or fled, and the organization's largest donor has walked away in disgust. - Santa Fe New Mexican

This 23-Year-Old Might Just Become The World’s Greatest French Horn Player

Nathaniel Silberschlag, who became the Cleveland Orchestra's principal hornist at age 21, astounds even jaded professional orchestra musicians. His teacher, Met Opera principal hornist Julie Landsman, calls him "brilliant, motivated, personable and talented beyond belief" and told Franz Welser-Möst that he's "the biggest talent I've ever seen." - The New York Times

The Computers Shaping Our Music

My contention is not that the quality of music decreased, but that the changing consumption method devalues each moment of recorded sound. The immense quantity of music now available makes the pool larger, and thus the individuals (songs/tracks/works) inherently have less value. - NewMusicBox

It’s Her Biggest Hit: Mariah Carey Being Sued Over “All I Want For Christmas”

The 53-year-old US singer and her co-writer Walter Afanasieff are named in a lawsuit brought by the songwriter Andy Stone claiming that Carey and her collaborators “knowingly, wilfully, and intentionally engaged in a campaign” to infringe Stone’s copyright for the song. - The Guardian

Assessing Osmo Vanska’s Impact On The Minnesota Orchestra

One of the reasons for Vänskä’s success in Minnesota has been that right from the start he gave the orchestra what it wanted: discipline and hard work. - MinnPost

How Geoff Dyer Fell In Love With The Blues

Listening to Kimbrough and Burnside I feel that, at last, in my early sixties, I’ve entered a corner of that foreign field, that vast and crowded zone of meaning. - The Spectator

Inside The American Modern Opera Company

“There was a very particular profile that we were looking for in the artists, which is people who are virtuosos in their area and therefore are appreciated by institutions, but sometimes chafe at the limitations.” - The New York Times

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