The heart of the case before the jury involves accusations that Live Nation has pressured artists to use the company’s promotions arm to play at its amphitheaters, and has also forced venues — sometimes with threats — to sign exclusive deals with Ticketmaster or risk losing access to Live Nation’s popular tours. - The New York Times
He realised how powerful music could be in spreading his new doctrine, that it could “incite people to do good and to teach them”. He’s one of several figures to whom the phrase: “Why should the devil have all the best tunes?” has been credited. He almost certainly didn’t say it, but he should have. - The Guardian
“The Dallas Symphony Orchestra is adding $50 million to its endowment fund, thanks to donors matching a $25 million challenge grant from the O'Donnell Foundation. … The DSO's O'Donnell match comes three months after the Dallas Opera completed its own $25 million challenge from the Dallas foundation.” - The Dallas Morning News (MSN)
While the company isn't back to the schedule it had before COVID, there will be six full productions plus one opera-in-concert, longer runs, a Haydn oratorio, and the return of the summer Broadway musical (this year, Guys and Dolls). Soprano Radvanovsky has signed on for a five-year term as artistic advisor. - Chicago Tribune
You can make a solid argument that, except for the particular music being sung (and, today, the inclusion of girls and women), the practice of cathedral choral music is largely unchanged from the days of Elizabeth I. But declining church attendance and financial support are taking a toll. - AP
Research on cultural ecosystems suggests that institutional collaboration is crucial to sustain vibrant arts production. This is especially the case as music and the arts face increasing pressure from shifting funding models and post-pandemic austerity. - The Conversation
A chance encounter fifty years ago "helped fuel a lifelong quest: mapping a musical route that mirrored the trans-Atlantic slave trade and birthed nearly all of the popular music that we now take for granted, including rock ’n’ roll and hip-hop." - The New York Times
For a jury that has spent weeks listening to experts debate market definitions, vertical integration and other fine points of antitrust law, the testimony about Irvine’s failed amphitheater, and other disputes, has provided a perspective on how all the abstractions play out in real life for taxpayers, industry insiders and concertgoers. - The New York Times
The Colombian-German conductor, who turns 30 next week, is a former Dudamel Fellow at the Phil and currently assistant conductor at the Boston Symphony; she begins this fall as chief conductor of the Ulster Orchestra and artist-in-residence at the Beethoven-Haus Bonn. - Los Angeles Times (Yahoo!)
Less than two weeks after summarily firing director Markus Hinterhäuser, the festival’s board has named Karin Bergmann, most recently director of the Salzkammergut Festwochen Gmunden and previously chief of Vienna’s Burgtheater, to lead the festival for the 2026 and 2027 seasons. - Moto Perpetuo
“The choir is part of a wellness program at (a D.C.) hospital that uses music to stimulate neurologic change in the brain and help patients with speech, movement, coordination and mood.” - The Washington Post (MSN)
“Students will sit in on Opera Philadelphia rehearsals and attend master classes by opera artists, and emerging vocalists will have the opportunity to audition as cover artists (understudies) for small or non-singing roles in Opera Philadelphia productions.” - The Philadelphia Inquirer (MSN)
Independent venue closures, social media algorithms, streaming royalties and the rise of generative AI have contributed to a wider ecosystem that artists say is becoming increasingly difficult for working musicians to weather — and which they say makes the sustainability of touring more crucial than ever. - NPR
“At a time when women did not yet have the right to vote, but were playing in women's leagues and filling the stands at occasional Ladies Days, ‘Take Me Out’ celebrates a fictional young woman's deep and abiding passion for baseball.” - NPR
Next month the hipster harpsichordist is doing the cycle three different ways: the usual manner, for solo keyboard; arranged for strings, flute and continuo (the scoring of Bach’s Musical Offering; and as a new composition, UNDR for piano, percussion and electronics. He explains here in a Q&A. - Bachtrack
