Julie Salamon's book stunned the country - especially Hollywood. It "portrayed the world of big-budget studio filmmaking as a high-stakes battle, in which three mercurial factions — the artists, the executives and the audience — are ever at odds with themselves and each other." - The New York Times
Not likely, but for the below-the-line workers (props, costumes, camera people, etc.), "after months of protracted negotiations with the major studios, 13 IATSE Hollywood locals have been preparing members for a possible strike authorization vote."- Los Angeles Times
Online festival screenings have attracted large and enthusiastic new audiences for independent and artist-led film. The hybrid edition of Sundance 2021 reached an audience 2.7 times larger than the 2020 edition in Utah, with over 600,000 audience views. - Hyperallergic
After working as an international correspondent starting in 2004, she became host of the Sunday morning flagship in 2017. She made the announcement on Twitter, saying, "Like much of the US, I need a break!" - Current
"With American traffic fatalities recently hitting a 15-year high, an infotainment arms race seems like the last thing we need right now. The car industry is poised to give us one anyway." And the systems are more or less unregulated. - Slate
Unlike the then-popular CSI-style investigative American cop show, The Wire embraces the cold-hearted nature of ancient Greek tragedy. - The Conversation
"By all accounts, it was a minor miracle that Adult Swim ever made it off the drawing board. … It seems right that one of modern TV's most consistent generators of bizarro humor — and cult followings — had origins that were, themselves, pretty freewheeling." - The New York Times
"After spending more time in development hell than any other project in Hollywood, the museum was plagued by more production and budgetary setbacks than Apocalypse Now." Yet, argues Mary McNamara, the delays have allowed the museum to offer things it couldn't have otherwise. - Los Angeles Times
The result is a film industry in a fog, in many cases unable to even ascertain whether a movie is a hit or a miss. How do you assign value if you don’t know? - The New York Times
Was it the beginning of something or a continuation? You can divide most of the anniversary specials between those that focus closely on the day that the towers fell and those that pull back, way back, to look at what emerged from the dust. - The New York Times