Billed as Oxford’s largest and most programmatically ambitious academic project, the Schwarzman Centre yokes together seven humanities faculties, along with a 500-seat concert hall, a 250-seat theatre, a black-box immersive performance space, a white-box exhibition gallery, a dance studio, a cinema and a museum to house the Bate Collection of historic musical instruments. - The Guardian
What of misinformation that has taken hold, and how can it be debunked? If the misinformation is not going to be widely shared, the best thing to do can simply be to ignore it. Otherwise, however, it is best to get in first, provided our own presentation is clear and sticky. - 3 Quarks Daily
“Every day, patrons are being sold what they believe are valid tickets, when, in reality, they are only paying for a chance that someone may be able to secure a seat,” said John Mangum, Lyric’s general director, who was also joined by leaders of The Auditorium and Harris Theater. - WBEZ
Organizations that design their entire experience for reflection, response, and real conversation are doing something quietly radical. Not just presenting art, but shaping the conditions that allow it to actually change us. - Seattle Times
“(Mayor Michelle Wu’s) approximately 27% cut leaves the city’s budget for arts and culture with a total of $3,365,057 for fiscal year 2027. While still above pre-pandemic levels, even when adjusted for inflation, this is one of the largest cuts to any city department’s budget.” - Boston Art Review
“’We’ve not identified a way to make (the tax) not annoying,’ said Council President Jamie Dunphy, the architect of the new policy. ‘But we’ve found ways to make it less annoying.’” The proposed change: fewer people paying more money. - Oregon Public Broadcasting
“The defunding of arts and humanities programming across the state has left leaders skeptical as to whether government funding can be a reliable source in the future.” - Crain’s Chicago Business
“Ó Ceallacháin says many artists with disabilities feel as though they need to “]exist between ‘professional enough’ to be a ‘real’ artist for the Department of Culture and ‘disabled enough’ to receive support from the Department of Social Protection.” - Irish Times
And ‘unease’ is too kind a way to put it: “Everything left unsaid still lingers between the lines, sandwiched between the formidable melodies of his greatest hits, like toxic ooze leaking out from the middle of two slices of Wonderbread.” - Salon
Talk about the baby and the bathwater: "History needs stewards. The people of the Internet Archive do an outstanding job of preserving irreplaceable work and making it available to journalists and researchers.” - Nieman Lab
“At its core, Artists Count consists of a $1.3 million fund, available to active artists in both San Diego and Tijuana. In addition, a companion study will focus on communities with the least access to resources, examining ‘the realities, challenges, and economic impact of working artists’ on both sides of the border.” - SanDiegoRed
He complained that the 2,030-foor by 167-foot pool, which was built in 1922 between the Lincoln Memorial and Washington Monument, “never looked great” because the stone on the bottom of the pool was “not really meant to be a stone that's underwater for that much of a period of time.” - The Independent
But with the boom came backlash: the suspicion that biennales were above all an excuse for a tote-bag-wearing international art crowd to descend on a city for a few weeks, leaving behind a large carbon footprint but little meaningful engagement with the local population. - The Guardian
