We have embodied elements of resistance—resisting what a “dancer” looks like, what a dance “should” look like. And perhaps most importantly, we have resisted the isolation and fear of this pandemic. - Zocalo
The 36-year-old soloist has just released a memoir that includes some very candid, and none too flattering, depictions of company life. "The brave thing," she says, "is going to be walking into the rehearsal studio Aug. 3." - The New York Times
The kinetic, flamboyant, arm-waving dance style was born in the Black and Latino gay nightclubs of L.A., spread via the TV show Soul Train, faded away after the 1980s, and found a long-term home in East Asia. - The Guardian
"The more we see diverse body types on stage, the more people understand that dance as an expressive art form can have this wide range. It doesn't have to be a narrow version of what a sylph is like." - The Guardian
Royal Ballet choreographer Wayne McGregor is out to change how we all see, and feel, dance, especially after living through the pandemic. - The Observer (UK)
I was really inspired by all the young people I saw demanding change, whether in how they were taught dance history, the shoes they were given the option to wear in class, who got hired or admitted into ballet schools and the teachers they would be learning from. - Pointe Magazine
Ari Honarvar, who as a teen danced secretly to get herself through life in post-revolution Iran, writes about how she now leads communal dancing as therapy for Central American asylum-seekers marooned in Tijuana. - Slate
Kevin McKenzie has been with American Ballet Theatre since 1979. "If you do only the classics, you are a museum, so we tried to find choreographers who stretched the limits of the rules. The contemporary works needed to break all the rules." - Seven Days
Dionne Figgins, a former Dance Theater of Harlem lead and Broadway performer, will be the new artistic director of the free-of-charge ballet education program, which grew out of Feld's professional ballet company in the 1970s. - The New York Times
Looking beyond the National Ballet, unless one imagines someone like choreographer Crystal Pite wanting to run a big company, there are no obvious standout candidates in Canada. - Toronto Star
"Nine years ago, Del Mak decided he was done performing for artists like Beyoncé, Lady Gaga and One Direction. 'I'd done everything I wanted to, and I was tired of the rat race,' he says. 'My body was starting to hurt.' The next obvious step? Choreography." - Dance Magazine
