Davi Ramos grew up in a Rio favela and didn’t start ballet lessons until he was 12. Only two years later, he competed in Youth America Grand Prix and, subsequently, the Prix de Lausanne; he studied in London and apprenticed in Amsterdam before coming to Melbourne, drawn by AD David Hallberg. - Dance Australia
The “Dancehouse” will be part of the WestK Performing Arts Centre, opening next year in the West Kowloon Cultural District. The theater will be the new home of Hong Kong Ballet, which will be able to increase the length of its season. - South China Morning Post (Hong Kong)
The first dance created by the former New York City Ballet principal and Broadway star looks at the young man to whom Shakespeare addressed over 100 sonnets. The piece, Lord Chamberlain’s Men, imagines that he was an actor in the playwright’s company — and an inspiration for Romeo and Juliet. - The New York Times
The kids have Ideas, too, like their dream roles: “I kind of want to be a rat. … I think a rat just is fun because it makes you laugh a lot.” - Boston Globe
Nicholas Dragga, currently executive director of Pittsburgh Ballet Theater, will take the same job at the Fort Worth-based company as of January 1. He succeeds Vanessa Logan, who stepped down in June 2025 to become managing director of Goodspeed Musicals in Connecticut. - Fort Worth Report
“During Angelini’s (31-year) tenure as artistic director, Tulsa Ballet has grown from a well-regarded regional troupe — best known for its efforts to preserve the Ballet Russe traditions championed by its founders, Roman Jasinski and Moscelyne Larkin — into a versatile dance company that many critics consider among the best in the United States.” - Tulsa Flyer
For four weeks, MoMA is turning its large second-floor atrium over to choreographer Sarah Michelson, who has made a piece titled “nowhere.” “At the forefront of ‘nowhere’”, writes Gia Kourlas, “is a question that only seems simple: What is a dance?” - The New York Times
The Ratmanskys’ arrival coincided with one of the worst periods of the war, a time of constant attacks on the capital that sent them and others scurrying to bomb shelters multiple times a day. “It is difficult in every sense,” Tatiana said, “mental, physical.” - The New York Times
Architecture critic Inga Saffron observes that, if the company wants to be welcoming to the community and engage potential new fans, their new headquarters does exactly the wrong thing. - The Philadelphia Inquirer (MSN)
“Physical bodies and physical space. As an art form, dance requires little else, but in New York, the latter is especially hard to come by — even for the oldest dance troupe in the country.” No longer. - The New York Times
Brazilian dancer Nayara Lopes of Philadelphia Ballet spent this past season with FNB in Helsinki. In February, she was rehearsing the role of Cupid in Don Quixote when she was asked to wear white makeup for the staging. (As one might expect, she is now back in Philadelphia.) - Dance Magazine
“Nairobi’s street acrobats first began appearing in 2020 during the COVID-19 pandemic, and they have since become normalized at traffic stops in and around the city, with acrobats taking advantage of gridlocks to perform in exchange for cash tips. It is how they earn a living.” - AP
“Located on a prominent site in Rotterdam’s historic docklands, … Danshuis will be the largest centre in Europe dedicated to the production and development of dance under one roof. Open to all ages and levels of experience, it will provide facilities for both professional and amateur dance-making.” - Gramilano
“Why do you keep adding professionally trained dancers to the cast?” tweeted one fan in response to the news that the next crop of celebrity competitors — Jenna Dewan, Julia Stiles, and Harry Shum Jr. — have all at some point danced for their livelihood. - The Independent (UK)
Guillem Alonso and his colleagues trained a new generation of tap dancers, and that generation, in turn, developed its own styles, pedagogies, and companies. They’re still developing them, as are their students. The result is a hotbed of creativity. - San Francisco Classical Voice
