“In its first official season, starting May 2 in New York City, the International Dance League is offering contracts to top-level dance teams and presenting huge arena competitions. ... It’s calling the format ‘the MMA of dance.’ And the dance community is reacting with both excitement and skepticism.” - Dance Magazine
“Rafael Bonachela will step down in the middle of 2028, marking 20 years at SDC. Under his leadership, the company has emerged as a significant player on the global dance stage and established extensive training programs for young dancers.” - The Sydney Morning Herald
"If I’m just talking about the work, I would say we have a very clear movement approach that has developed over time, a shared language that includes a lot of different modern dance techniques, a language that has become unique to us." - LA Dance Chronicle
“Since 1980, Val Caniparoli” — for decades SFB’s principal character dancer — “has dedicated most of his energies to a much-lauded choreography career, and rather than slowing down, he's building momentum as he enters an exciting new phase.” - San Francisco Chronicle (Yahoo!)
“Once a week, about a dozen patients come to Ramos Mejía Hospital to dance — a session that uses the movements of tango to help address issues of balance, stiffness and coordination. The goal is to give them approaches to movement that they can use in their daily lives.” - The New York Times
Dance competitions offer significant business opportunities. Yet visible profitability can invariably lead to exploitation. Is there a danger that competitions are at risk of becoming an easy way to make a fast buck? - The Stage
The industry still has an obsession with “perfect” feet. High arches have traditionally been praised in ballet, and some dancers today use farches (fake arches), which give the illusion that your foot is more bendy than it is. - The Guardian
Port City Ballet Company in Halifax is currently in its first season, offering a full school program as well as professional performances (in the capital and throughout the province) and a living wage for Nova Scotia dancers at home. Founding artistic director Nova Johnstone talks about getting the company launched. (video) - CTV (Canada)
“The industry still has an obsession with ‘perfect’ feet. High arches have traditionally been praised in ballet, and some dancers today use farches (fake arches), which give the illusion that your foot is more bendy than it is, … (even though) flat-footed ballet professionals are out there and thriving.” - The Guardian
“Josiah Enriquez (Pojoaque and Isleta pueblos, Navajo Nation) has been distinguishing himself on what is widely considered to be the most prominent stage in competitive hoop dancing — the Heard Museum’s annual World Championship Hoop Dance Contest in Phoenix — winning his third consecutive world title in February.” - Santa Fe New Mexican
“Peninsula Lively Arts and its subsidiary Peninsula Ballet Theatre are closing after six decades teaching and performing dance in San Mateo County, leaving a gaping hole in the local dance scene.” - San Francisco Chronicle (MSN)
The company’s end wasn’t planned, but it became necessary when its artistic director and co-founder, Tina Finkelman Berkett, decided to step back from her role, citing fundraising fatigue and a desire for change. - Los Angeles Times
For two decades, NCI has offered four young choreographers the chance to spend three weeks creating works on professional dancers. In a Q&A, artistic director Molly Lynch talks about the initiative and why it is ending. - L.A. Dance Chronicle
