"Her centennial is this year — she died in 2013, at 88 — and she remains widely regarded as America’s first prima ballerina. … Her legacy rests ... in the 1940s, ’50s and ’60s — a series of revelations about what ballet could be and what a ballerina could look like." - The New York Times
"Rhythmic beats echoed through the Tunis Opera Theatre stage as dancers faced off at the first-ever edition in the Arab world of a street dance tournament originating in Paris. This year's Juste Debout is hosted in eight cities including London, New York, Beijing and Tokyo, as well as the Tunisian capital." - AFP (Barron's)
The metro Pittsburgh-born Graham spent her teenage years in Santa Barbara and saw her first dance performance — featuring her future teacher Ruth St. Denis — in Los Angeles in 1911. "She talked about how intoxicating the light in Santa Barbara was to her, and she would just run and spin." - Orange County Register (MSN)
Since its founding in 1996, the regranting program has played a crucial role, supporting the creation of new dance works, funding touring, and fostering relationships between artists and presenters. As the Mellon Foundation concludes the program's funding arc, NDP's final grant cycle will support works touring from 2026 through 2029. - Dance Magazine
Gretchen Wollert McLennon, a former student at the company's school who succeeded company founder Dororthy Gunther Pugh in 2020, will depart at the end of the current season. She saw Ballet Memphis through the pandemic and increased main-stage ticket sales year-over-year. - Memphis Flyer
Azara addresses a gap in the dance world: the need for spaces where people who have autism, A.D.H.D. or other conditions that fall under the broad term “neurodivergent” can freely experience the art form. - The New York Times
Several past studies and subsequent clinical experience have shown that dancing can help with the physical symptoms of the incurable neurological disorder. A new study indicates that dancing can also help alleviate the depression suffered by many Parkinson's patients. - The Washington Post (MSN)
Rowan Moore: “The last thing choreographers and dancers want, I’m told by people who know, are spaces that swoop and curve in imitation of human movement. They want right angles, straight lines, fixed points and level horizons against which to gauge their actions.” - The Observer (UK)
"It was practised and watched everywhere, including during religious rituals, on the theatrical stage and in private houses. It was the object of nuanced reflections on the part of Roman philosophers and poets. Careful study of their texts yields hints as to what they thought dance accomplished." - Aeon
The star dancer has resigned as artistic director of Columbia (SC) Classical Ballet, at whose school he first studied dance and which he helped recover from the city's 2015 floods. His decision came in the wake of an abrupt 50% cut in funding from the city of Columbia. - Free Times (Columbia, SC)
"This (550-seater) is the fourth Sadler’s Wells stage, after the original site, with its 1,500-capacity main stage and 180-seat Lilian Baylis studio, and the more populist Peacock theatre in London’s West End. It’ll mean a significant boost in the amount of dance on stage in London." - The Guardian
Just in the past year, two of the metro's major companies closed, as did the area's keystone performance space for dance. The dance scene is precarious and the current situation seems grim, but some see signs of hope. - The Minnesota Star Tribune
"The data shows that from 2023 to 2024, overall artistic director appointments decreased. However, female artistic director appointments decreased by 36%, compared to a 7% decrease for male appointments." - Dance Data Project
Sara Mearns, who dances with startling presence and in-the-moment authority, has been open about her struggles with mental health, but her public posts about her hearing — and how long it has been an issue — were a surprise. - The New York Times
Dancer Kelly Bartnik: “It changes you as a performer. … It changes you as a creator. It changes the quality of energetic exchange between performer and audience member.” - Dance Magazine
