“I feel as if I’m stretched a bit too far, but somehow in that stretch there’s a spark of creativity. There’s a place for outrage — sometimes outrage may be the most appropriate response to something happening in our world. But it’s more generative to approach these questions with curiosity and love.” - The Guardian
“Things gotta change, 100 percent,” Liu says. “I think the whole system’s got to scrap it and start over. The competition system and the setup just isn’t fit for consumption, honestly.” - The New York Times
“Calpulli Ocelocihuatl (is) one of roughly half-a-dozen Aztec dance groups active in San Jose. Other Aztec dance groups – some whose histories stretch back more than half a century — are also thriving along the West Coast, from Washington state down to Sacramento, Oakland, Salinas and San Diego.” - The Mercury News (San Jose)
Gentleman Jack, premiering this weekend at England’s Northern Ballet in Leeds, is Lopez Ochoa’s adaptation of a 2019 television series about Anne Lister, a 19th-century landowner considered to be one of the first modern lesbians known to us. - The New York Times
“Chris Fleming … marries the idiosyncrasies of his writing — one bit has him pretending to be a dirty cast-iron skillet — with a delivery that leans heavily on his training in classic modern dance. He is probably the only working funnyman who cites Isadora Duncan as an influence.” - The New York Times
Founding Artistic Director Cassa Pancho: “There was nowhere in this country for Black classical dancers to be hired. It was suggested to me that they go and dance with Dance Theatre of Harlem – as if every Black person trained in ballet can only go to one place!” - Bachtrack
The choreographer: “You fall in love with characters that you see live in the flesh, in front of your eyes. … But then when the camera brings you close to them, it creates a different kind of intimacy.” - The New York Times
A company representative wrote, “SF Ballet looks forward to performing for Washington, D.C. audiences in the future.” - San Francisco Chronicle (Yahoo)
“The night before we started filming, I was sleeping and, literally, the ghost of Ann Lee was over my bed with angels around and she said: ‘Go forth!’ Celia Rowlson-Hall laughs at herself for revealing this. “Was that my imagination allowing myself to go forth? Maybe, probably.” - The Guardian
The theatre presenting the controversial Falun Gong-associated troupe in the Gold Coast had to be evacuated; the venues where the group will perform in Sydney, Melbourne and Adelaide have received threats as well. Both Shen Yun and management at the theatres say they’re undaunted — and that ticket sales have picked up. - The Guardian
“The question of whether children should be encouraged to break out the grease paint has been pressing on parents and dance teachers alike. … Many are wondering whether it’s really appropriate to encourage preteens to master winged eyeliner before they’ve earned their pen licence.” Other teachers, however, have their reasons for requiring it. - The Guardian
On New Year’s Day 1889, a young Paiute man named Wovoka had a vision in which God taught him a ceremony. The Ghost Dance blended traditional teachings, earlier ritual dances, and Christian theology, promising peace and reunion with the dead, and it spread like brushfire through the Great Basin and Plains. - National Geographic
Until now, each Golden Lion has been won by a pathbreaking individual, from Merce Cunningham to Pina Bausch to William Forsythe to Sylvie Guillem to Lucinda Childs to Twyla Tharp. The 2026 Golden Lion has gone to Bangarra Dance Theatre, Australia’s pioneering indigenous dance company. - Limelight (Australia)
“When the mood and choreography strike, Kansas City Ballet Artistic Director Devon Carney invites a few folks to perform on stage as supernumeraries. That’s a fancy term for extras—usually peasants—who mill around and have deeply animated conversations with their supernumerary neighbors.” - KC Studio
“It seems we’re in a particularly fruitful era of artistic innovation in skating. What’s driving the current wave — and how might it shape the future of the sport? - Dance Magazine
