The Ratmanskys’ arrival coincided with one of the worst periods of the war, a time of constant attacks on the capital that sent them and others scurrying to bomb shelters multiple times a day. “It is difficult in every sense,” Tatiana said, “mental, physical.” - The New York Times
Architecture critic Inga Saffron observes that, if the company wants to be welcoming to the community and engage potential new fans, their new headquarters does exactly the wrong thing. - The Philadelphia Inquirer (MSN)
“Physical bodies and physical space. As an art form, dance requires little else, but in New York, the latter is especially hard to come by — even for the oldest dance troupe in the country.” No longer. - The New York Times
Brazilian dancer Nayara Lopes of Philadelphia Ballet spent this past season with FNB in Helsinki. In February, she was rehearsing the role of Cupid in Don Quixote when she was asked to wear white makeup for the staging. (As one might expect, she is now back in Philadelphia.) - Dance Magazine
“Nairobi’s street acrobats first began appearing in 2020 during the COVID-19 pandemic, and they have since become normalized at traffic stops in and around the city, with acrobats taking advantage of gridlocks to perform in exchange for cash tips. It is how they earn a living.” - AP
“Located on a prominent site in Rotterdam’s historic docklands, … Danshuis will be the largest centre in Europe dedicated to the production and development of dance under one roof. Open to all ages and levels of experience, it will provide facilities for both professional and amateur dance-making.” - Gramilano
“Why do you keep adding professionally trained dancers to the cast?” tweeted one fan in response to the news that the next crop of celebrity competitors — Jenna Dewan, Julia Stiles, and Harry Shum Jr. — have all at some point danced for their livelihood. - The Independent (UK)
Guillem Alonso and his colleagues trained a new generation of tap dancers, and that generation, in turn, developed its own styles, pedagogies, and companies. They’re still developing them, as are their students. The result is a hotbed of creativity. - San Francisco Classical Voice
In the wake of a beloved production manager’s death in a tragic accident last year, questions remain about how staff and interns manage the intense dance festival workload. - The New York Times
“Since joining the Joffrey in 2013, (Greg) Cameron has brought financial stability to the organization, eliminating a budget deficit and establishing its first-ever endowment, which has grown to approximately $30 million. During his tenure, the operating budget more than doubled from $13 million to about $33 million.” - WBEZ (Chicago)
This past May, Dance Place executive director André Mazelin abruptly fired artistic director Tariq O’Malley and eliminated his position. In July, at a town hall, former staffers, performers, and choreographers gave accounts of severe staffing, management, and interpersonal difficulties. (Mazelin himself resigned in August.) - Washington City Paper
The money was given by “an anonymous, long-time patron” of the organization who found themselves “inspired” by its transformation during Nissinen’s time there, according to the news release. - People
You get semi-improvised Bharatanatyam — normally a highly codified form — by three dancers basing their moves on a game of Ms. Pac-Man which they’re playing live onstage. - BBC (MSN)
“By the 1950s, Chandralekha was a legendary figure in (Bharatanatyam). However, she walked away from fame, rejecting the Brahminical and nationalist values that had come to shape it. ... When she returned to the stage in 1984, she brought with her a radically reimagined practice — sensual, iconoclastic and uncompromisingly feminist.” - Elle India
The 49-year-old native of Estonia danced with San Francisco Ballet for 18 years, retiring as a principal in 2023. He spent over a decade applying for artistic director positions; now that he has one, he’s excited about almost every aspect of it, even the fundraising. - Pointe Magazine
