“Anyone who spends even a day with a professional dancer or a ballet troupe could likely come away and already have the core of a body horror flick ready just from seeing all the injuries strapped up and ignored, or hearing the stories of cut-throat auditions.” - Far Out
For years, there has been too much ballet at Lincoln Center, which I say as someone who loves the form. Modern dance is part of the center’s history, too, and now it is finally being given a stage. - The New York Times
The Turkish metropolis has become one of the world’s major centers of tango, perhaps behind only Buenos Aires itself. This month Istanbul hosted La Turca Tango Marathon and Championship, a three-day festival and competition which saw 56 dancers from around Europe competing in six categories. - The New York Times
“To get a new major approved, faculty must demonstrate that there’s a genuine hunger for more dance on campus. They must lay out the benefits not only for future students, but also for the institution as a whole — its reputation and its bottom line.” Here’s how these four colleges did it. - Dance Magazine
She is creating a final solo work for herself — her first time onstage in 13 years — as a farewell, and she officially departs as artistic director of Lucy Guerin Inc at the end of this year. The company, based in Melbourne, has toured widely, from Paris to New York to Shanghai. - ArtsHub (Australia)
When Executive Director Josh Neckels received notification from the bank that the company had received a deposit, he nearly dismissed it as spam, but decided to call the bank to check. - Oregon Arts Watch
“O’Connor was 56 when she died and still making music – she had almost completed a new album. To be a middle-aged woman in the music industry is a rarity, but dance isn’t so different.” - The Guardian (UK)
A week after artistic director Tariq O’Meally was abruptly dismissed, an unsigned statement was released: “Dance Place has restructured its staffing model and is reimagining its approach to presentation programming in response to a dramatically contracting public funding environment and its commitment to operating with both efficiency and deeper community ownership.” - Dance Magazine
Choreographic researcher and artist Nazira Yerbolkyzy is among a new generation of practitioners working to reframe this relationship by exploring how traditional movement philosophies can be reinterpreted through contemporary choreography and movement analysis. - BroadwayWorld
The 40-year-old wasn’t happy when artistic director Susan Jaffe told him to make room for someone younger, but he’s philosophical: “I’ve been with ABT my entire life, and I feel very grateful. ... The idea of continuing to dance for the sake of dancing, that’s not what I (want) right now.” - The New York Times
“The amount of things that I didn’t get! … We will never get to fulfil the potential of what we want to achieve. There are so many versions of our life.” - The Saturday Paper (Australia)
Australian dance is undergoing a generational transfer of leadership. At the same time, First Nations choreography has never been more visible. Yet visibility and authority are not the same thing. - ArtsHub
In the years since American Dance Theater, the descendants of modern dance have performed at Lincoln Center with varying frequency. But the new festival counts as the center’s biggest commitment since the early years and part of the reason this year’s Summer for the City series is being called Summer of Dance. - The New York Times
“Ballet is an art form bound by tradition, with limited financial resources to support forward-thinking change. But that hasn’t stopped artists and artisans from trying. And recently, some manufacturers have made waves with nontraditional designs that incorporate very 21st-century technologies.” - Dance Magazine
“Of all the joy blooming throughout the Knicks championship run, the most visible has been the jubilant transfer of energy from body to body.” - The New York Times
