A bookstore owner writes, "Queer literature has become one of the growth engines of the publishing industry. L.G.B.T.Q. fiction has never been more visible, more varied or better promoted.” Happy Pride! - The New York Times
“‘In general, at the studios, they systematized the production design, so that it was fast,’ Kanjo said, describing the rigid process as militaristic. ‘Five artists at a time work day after day to get these things done.’” - Los Angeles Times (MSN)
“You’re one of one. … You’re unprecedented in the entire line of human history. Only you have your brain. Only you can think of what you can think of. Only you can tell a story in a particular way. Why would you cede that to a machine?” - The Guardian (UK)
“Why do these shows feel so minor this year? Are we in a limited-series slump, or are viewers looking for a different storytelling vehicle in 2026?” - Vulture
“While it should be noted that any number of TikTok and YouTube content creators will still get to see the film ahead of its release along with the press, the decision to not directly court their buzz has proved widely popular—not least with the film critics themselves.” - Wired
One man "retired a year ago from his ‘regular job’ at an alternative energy company and is reenacting full time these days, while the heightened interest lasts. He and his horse recently set a personal best with three separate events in one weekend.” - NPR
“Blyth was just 17 when she made Mildred Pierce, based on James M. Cain’s hard-boiled 1941 novel. She had begun her movie career in innocent-teen roles, and played sharply against type as the coddled, conceited Veda Pierce.” - The New York Times
"So much of our show is shot so quickly, but then we really get to slow down with these choreographed pieces of kitchen ballet, and that’s also when we feel really strong as a group of performers, where we’re incredibly reliant on one another.” - Los Angeles Times (MSN)
“An intense and impeccably dressed former social worker with hardscrabble West Virginia roots who was blessed with a silken baritone, Mr. Brown acknowledged that he made programming decisions ‘on the basis of one thing — will it help Black people?’” - The New York Times
Said one hastily removed artist, "They assured me many times — as recently as two days before the article in the New York Times came out — that there would be no public announcement. … It’s a callous breach of trust.” - Hyperallergic
OK, Hana Sharif resigned under great pressure. She wrote: “The board and I arrived at a crossroads — one defined not by a lack of shared love for this institution, but by differing visions for how Arena Stage should meet the future.” - The New York Times
