“Go-Go 50,” the upcoming mixed-bill program assembled to celebrate the anniversary, “exemplifies some of the company's hallmarks: a willingness to gamble on new work, an embrace of diverse repertoire, and an ability to capitalize on the culture and cachet of its hometown.” - The Washington Post (MSN)
Donors who have given artwork to the institution are trying to reclaim their gifts, fearing for their safety amid a renovation and in the wake of layoffs. They are not convinced that the leadership, largely appointed by Trump, values the artworks as part of the institution’s holdings. - ARTnews
“SAG-AFTRA's independent Verticals Agreement helped open the door for producers to hire union performers for the format's notoriously small-scale productions. They've also brought some structure and legitimacy to the medium. ... Bigger-name talent is now more open to verticals thanks to the protections the agreement brings.” - TheWrap (MSN)
The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. - Aeon
In the Folger’s newest exhibition To Hear Her Speak: Black Women and Shakespeare, curated by Akhimie, more than 400 years of Black women’s engagement with Shakespeare is collectively explored for the first time, illuminating the ways in which Black women have claimed and reimagined the works of Shakespeare through scholarship and craft. - The Guardian
The history play was published without a named author in 1596, and it was long believed that Shakespeare had written a few scenes. New analysis shows “beyond doubt” that he wrote “the lion’s share,” 23 segments of the script, while Christopher Marlowe wrote nine. - The Guardian
The ousters of two of the company’s top creative executives are a sign that the streaming giant’s leaders feel the service needs to overhaul its content offerings. - The Wall Street Journal
Many people assume that once something is published online, it will remain forever retrievable. The saying that “the internet never forgets” has produced a dangerously false sense of permanence. In reality, the internet forgets continuously. Websites are constantly revised, deleted, and abandoned altogether. - The Atlantic
Fifty years ago today, copyright law in America changed fundamentally. That change was an accidental disaster for both creators and the culture they create. - Lawrence Lessig
Much of the new work being done has a sense of mission — a feeling that, 45 years after the epidemic first broke out, something many gay people today are too young to remember — a struggle that changed our world cannot be permitted to recede into mere abstraction. - T — The New York Times Style Magazine
Taken together, the research is part of a shift in how researchers have come to consider one of antiquity’s great mysteries, awakening yet another fierce debate in academia over the effects of climate on civilizations, and why they fray. - Washington Post
In conversations with several people with intimate knowledge of Phillips, past and present, it appears Phillips has decided it doesn’t want to be the same company it spent the last decade trying to become. - ARTnews
Margaret Low joined NPR at age 23 as an overnight production assistant and rose to senior vice president for news, the network’s top editorial job. She then spent five years running The Atlantic’s live events division before becoming WBUR’s first CEO in January 2020 – “just in time for a global pandemic,” she said. - WBUR
“YouTube has weighed bundling the product in its ad-free YouTube Premium service, which starts at $15.99 a month and includes access to music and videos, the people said. Like other streaming platforms vying for consumers’ attention, YouTube has packaged offerings together to make lucrative subscriptions more appealing.” - The Wall Street Journal (MSN)
“The museum announced Tuesday that it's shipping 164 works to the Frank Gehry-designed Fondation Louis Vuitton in Paris for its most extensive exhibition ever mounted outside Los Angeles. The show will open April 21 and run through Aug. 30,” as the Broad finishes major construction on a new extension. - Los Angeles Times (Yahoo!)
