In the wake of a beloved production manager’s death in a tragic accident last year, questions remain about how staff and interns manage the intense dance festival workload. - The New York Times
Dubbing is important in Québec; “The characters spoke in regional Quebec accents, including joual, the colloquial dialect associated with working-class Montreal, while U.S. people and places were swapped out for local references.” - CBC
“'This has been the most complicated thing I’ve ever worked on,’ said the showrunner Graham Yost, who has also been an executive producer on Justified, The Americans and Slow Horses. But, he added, ‘It’s been the best experience I’ve ever had.’” - The New York Times
“Everyone experienced the attacks on 9/11 as this really, really intense television event, and bringing a piece of steel from the World Trade Center ... allowed people to lay hands on these artifacts and to really feel this kind of deep expression of complex and lingering grief.” - NPR
At least that was the experience of Maisie Williams - Arya Stark, to all of the many, many, many Game of Thrones watchers out there. - The Guardian (UK)
Landlines are making a slightly abashed return. “The phone itself is a sleek black with gold trim, and the cord connecting the receiver is all coiled up—just like the ones I grew up with back in the ’90s.” - Maclean's
Of course, “while the museum and the Walton family espouse natural connections between art, community and general well-being (see also recent major investments in healthcare), the urge to collect continues apace.” - KC Studio
“If it were not so tragic for Mexican art, the story would make an excellent detective novel. All the characters and ingredients are there.” - Le Monde English
It’s "a nearly three-hour barn burner, racing from event to event with whirlwind kinetic energy. … Nolan’s reluctance to take a pause should, actually, give us pause. After all, Homer’s poem doesn’t just involve a lot of waiting. It is a postwar tale about waiting.” - Boston Globe
"Among the French, the mood is anxious. The tapestry’s early life is shrouded in mystery, but it seems to have led a fameless existence in Bayeux for hundreds of years.” - The New Yorker