Matthew Belloni has become a narrator of the industry’s troubles during the most transformative period since the birth of television, brought on by the arrival of tech companies and the disappearance of the lucrative cable TV model, followed closely behind by theater audiences. - The New York Times
“Like many of my museum colleagues,” said Eliza Rathbone, chief curator emerita at the Phillips, “I’m deeply saddened and appalled that the Phillips Collection would so irreparably mar the vision of the founder by selling such carefully chosen works.” - Washington Post
Visitors to Washington have a new, free attraction: the Milken Center for Advancing the American Dream. After a $500 million renovation of two former banks across from the Treasury Department, the center opened in September to explore the past, present and future of this enduring but elusive aspiration. - Washington Post
There’s an extensive online discourse on the Baby Boomer generation’s penchant for ellipses. ‘OK . . .’ ‘Thanks . . .’ ‘See you next week . . .’ Sometimes they’re a playful way to build suspense, sometimes a form of passive aggression, and sometimes they relay an implication. - Granta
Instead of addressing the criticism, the BBC was silent for seven days. In the vacuum, a wave of headlines became a flood of unchallenged claims that eventually pulled in the White House, with press secretary Karoline Leavitt declaring the BBC “total, 100 percent fake news.” - The New York Times
A "free spirit and nonconformist, often impetuous, the passionate lover of the 19th century left his mark on the Parisian museum from 2008 to 2017 with bold exhibitions." - Le Monde
Three record companies—Universal Music Group, Sony Music Entertainment, and Warner Music Group—control more than 80 percent of all recorded music released through a recognized label. And they do so with a collective iron fist, jealously guarding access to their vast catalogs, whether through album sales, streaming platforms, radio airplay, or commercial licensing. - n+one
Imagine a painter still layering colors on a canvas while a stranger posts, “This looks messy and unfinished!” That’s what happens when someone reviews a preview. The damage lingers, and the artistry suffers. - The Broadway Maven
This month, an A.I. country song called “Walk My Walk” hit No. 1 on Billboard’s Country Digital Song Sales chart, and passed three million streams on Spotify; the performer behind it is a square-jawed digital avatar named Breaking Rust. - The New Yorker
Dynamic pricing is common, and as one performing arts critic pointed out, it “can shift in both directions, with prices increasing when tickets start selling out at popular shows but also decreasing where demand is slower.” - BBC
“Personal data isn’t just a record of who we are. It’s our actions, transactions, locations, conversations, preferences, inferences, and vulnerabilities. It’s our identities, our intimate selves, our hopes and dreams, and our fears and flaws.” - Fast Company
“If you press your ear to the plays of the 20th century, they’ll tell you secrets of human acts gone by and strategies to keep on. Among bloody slings and arrows of inhumane humanity are extraordinary scenes, real and imagined, of survival.” - American Theatre
“While city officials celebrate Madrid’s popularity as a film and television set, residents of the most in-demand neighborhoods are not particularly thrilled to find their streets constantly crowded with cameras, cables, coat racks and people running around with spotlights and microphones in their hands.” - El País English
The museum director: “In many ways I do feel the timing of our opening now is ideal. … We’re opening in a moment that's very much like the moment when the museum was founded.” - Gothamist
