“It doesn’t feel as though we have recovered any meaningful ground since the pandemic, and the fact that venues and their teams remain under such pressure is evident in terms of morale, energy, staff turnover and sector knowledge.” - The Stage
The idea of photographic memory is simple and powerful: Experience is captured objectively, stored completely and retrieved perfectly. See it once, keep it forever. There’s just one problem. There’s no scientific evidence it exists. - The Conversation
“I would be lying if I said … I didn’t grapple with making that decision. … I will say I do believe in accountability, and I think Scott has spoken about taking responsibility. ... I believe in second chances. I know other people don’t share that belief, and that’s their right.” - Variety
The SEC is proposing to change its rules, allowing for public companies to report financials semi-annually rather than quarterly. Will major studios buy in? - The Hollywood Reporter
We don’t value human creations solely for their beauty or their price tag. We also value them because they embody deliberate labour and expertise. - The Conversation
James Johnson began his tenure with the symphony in 2018 after serving as president and CEO of the Omaha Symphony Association. Since then, Johnson has overseen several changes in the Indianapolis orchestra. - Indianapolis Star
It’s George Balanchine’s company, after all, and he had a special gift for coordinating and synchronizing large casts. Peck particularly admires that achievement and was frustrated by how few choreographers today do the same. So, in her new Symphonie Espagnole, she’s deploying 40 dancers. - The New York Times
Five leading publishers and a best-selling author filed a class-action lawsuit against Meta and its founder, Mark Zuckerberg, on Tuesday, alleging that the tech giant violated copyright law by training its generative artificial intelligence platform on millions of illegally pirated books and articles. - Washington Post
“Fashion is art” was meant to encourage attendees to think about how every human body is a canvas, and about how making an item of clothing—the precision that goes into selecting textiles, creating shapes, and combining colors—requires the same kind of artistry deployed by the painters and sculptors featured throughout the museum. - The Atlantic
While it’s too early to tell which of the nominated shows will go on to have an international life, we can find some hints of the possibilities with a look at the title pages of their Playbills. - Jaques
“Traditionally one of the German capital’s top tourist attractions, (the Pergamon) will reopen next year after the first part of a painstaking restoration effort. ... The Pergamon Museum has been closed altogether since October 2023. The part of the building containing the Pergamon Altar has been closed for far longer, since 2014.” - AP
“With her dance partner and onetime husband, Juan Carlos Copes” — described as the Fred Astaire and Ginger Rogers of tango — “(she) formed a duo that, despite their often-painful personal relationship, helped spark a tango revival in Argentina that spread worldwide.” - The New York Times
“The Holocaust Museum LA, the first survivor-founded and oldest Holocaust museum in the United States, will reopen after a 10-month closure as part of the new Goldrich Cultural Center — a $70-million campus expansion set to debut June 14 in Pan Pacific Park (near downtown).” - Los Angeles Times (Yahoo!)
In mid-February, the precarious orchestra called off the remainder of this season and lost its music director. In what may be a surprising development, the SA Phil has just announced two performances of a program of Moncayo, Ravel and Tchaikovsky, scheduled for the last weekend of this month. - Texas Public Radio
“There weren’t any paintings or sculptures in Russia’s pale green building, which dates to before the Revolution. Instead, … the Toloka Ensemble, a folk group, sat below a bulbous flower arrangement and sang traditional songs to a cluster of reporters eager to witness the country’s controversial comeback at the Biennale.” - The New York Times
