“Announcing the clementines, artichokes and other goods on offer are cheerful, hand-painted signs in sun-bright lettering. Quotidian but also quintessential, the signs have become emblems of Naples’s vibrancy. … Pasquale De Stefano is, by consensus, the last living numeraio — or number painter — in Naples.” - The New York Times
An education spent in pursuit of material comfort and convenience is a recipe for unhappiness, an existence in thrall to the raw, hungry American mantra of success, “More! More!” - LA Review of Books
Gentleman Jack, premiering this weekend at England’s Northern Ballet in Leeds, is Lopez Ochoa’s adaptation of a 2019 television series about Anne Lister, a 19th-century landowner considered to be one of the first modern lesbians known to us. - The New York Times
Kids giggling at "six-seven" reveals the brutal math of digital culture: references expire faster than milk. What happens when shared cultural touchstones become as fleeting as TikTok trends? Generational gaps now measure in weeks, not decades. — Common Reader
Virtual landscapes are the new studio space as artists trade actual cameras for digital controllers. Who needs nature when you've got pixels? The art world's latest existential crisis: if a screenshot falls in cyberspace, does it make a sound? — The Conversation
Before ChatGPT made everyone panic about robot poets, writers were already grappling with authenticity's slippery slope. Ghostwriters, collaborators, editors—the literary world's dirty secret is that pure authorship was always a romantic fiction. — LitHub
Composer Laura Bowler wrote the piece, which sets excerpts from Nobel laureate Han Kang’s The White Book, following her mother’s death in an accident after recovering from leukemia. Despite the daunting circumstances and Hannigan’s description, the soprano says, “I don’t think I’ve ever been more calm for a world premiere.” - The Guardian
The carpetbaggers have packed their Hermès bags and fled back east. What remains? The unglamorous business of building a real art scene—one gallery lease and artist studio at a time. — Artnet
The high court declined to revisit whether algorithms can hold copyright, leaving AI creations in legal limbo. While tech bros rage and traditional artists breathe easier, the real question remains: who profits when creativity gets automated? — Artnet
Bethany Collins spent four months transcribing the 900-odd-page text. She finds many of Melville’s concerns relevant today: “following the lone madman who will take the whole ship down, … overconsumption, the pursuit of oil and an obsession with whiteness.” (Okay, the last one might be a stretch.) - T — The New York Times Magazine
The “constitutive” role of universities cannot merely be announced to like-minded audiences or extracted from sympathetic courts. - Chronicle of Higher Education
When the news and social media are flooded with opposing interpretations of events, outright lies, and about a zillion editorial style video shorts that offer about a zillion different opinions, art and culture can bring the reality and humanity of the headlines to light. - Ludwig Van
The government says Live Nation retains its grip on the music industry with strong-arm tactics like demanding that artists use its promotion services in order to perform in its amphitheaters. - The New York Times
Jimmy Fedigan has worked on 125 shows, working up from substitute spotlight guy to overseeing the entire technical production of the musical Chicago. In this video, he walks us through various aspects of his job, from the scene shop where sets get built to backstage shortly before curtain time. - The Wall Street Journal (MSN)
