“Former Pitchfork and Spin editor-in-chief Puja Patel is launching Totei, a publication dedicated to ‘craft and craftsmanship.’ The online magazine will publish content weekly, including profiles of artists and musicians, photo essays, reported features, and interviews. Crucially, Totei aims to spotlight rarely seen materials showing how art is created.” - Semafor
A digital mirage masquerading as local news, the South Florida Standard underscores just how easy it has become to corrupt one of the country’s core institutions: independent journalism. - Florida Tribune
The author of a nonfiction book about the effects of artificial intelligence on truth acknowledged on Monday that he had included numerous made-up or misattributed quotes concocted by A.I. - The New York Times
Bruel, 67, has had a string of top-selling albums and appeared in more than 40 films, is under investigation by the Paris prosecutor’s office for at least four complaints of sexual assault in France and by Belgian authorities for an additional alleged attack in Brussels. - The Guardian
Death of a Salesman, which received nine Tony nominations, hit $1.7 million, its highest gross yet, last week playing to 100 percent capacity at the Winter Garden Theatre. Ragtime has similarly been drawing increased interest since the Tony nominations, bringing in $1.2 million last week. - The Hollywood Reporter
The show began previews at the Majestic Theatre March 27, ahead of an April 22 opening date, but has failed to catch on with audiences and with critics, who delivered mixed to negative reviews. - The Hollywood Reporter
To co-music director and conductor Gary Clark, GPGSO’s rapid growth makes sense in a city known for niche, DIY music scenes. It hasn’t exactly been a shock to the orchestra’s other organizers either. - Philadelphia Inquirer (MSN)
“After 18 years as artistic director and two years in dual roles as chief executive and artistic director, Debbie Blunden-Diggs, daughter of DCDC founder Jeraldyne Blunden, has passed the artistic director baton to Qarrianne Blayr, … has served as associate artistic director for five years.” - Dayton Daily News
His supporters blame the Met’s issues on opera’s declining cultural currency and an operating structure that puts it at a unique disadvantage among arts organizations. “He has tried absolutely everything to keep his art going,” says Barbara Tober, a decadeslong patron. “He is held prisoner by the situation that confronts him every day.” - Vulture (MSN)
A prominent Israeli legal organization is threatening legal action against the Canadian Museum for Human Rights over an upcoming exhibit on the Palestinian Nakba, alleging the Winnipeg museum is promoting a politically one-sided narrative that could fuel antisemitism and violate federal law. - Winnipeg Sun
The next time you conduct a delicate bit of office diplomacy or share a romantic or financial secret with a friend over drinks, a sensor built into someone’s glasses, necklace, or lapel pin might be watching you and listening. - The Atlantic
“The planned Museum of Digital Art (MODA) … is part of Dubai’s monumental $27 billion transformation of its financial center into a tech hub, announced earlier this year, and will platform various art forms that rely on emerging technologies, including immersive and interactive experiences. No budget or completion date has yet been announced.” - Artnet
The Mayor’s Office of Arts and Culture more than doubled its operating budget and staff, and the city earmarked $26.2 million from the American Rescue Plan Act to bolster Boston’s creative sector. All that is set to change, as federal pandemic funds run out and the city cuts grant programs to balance the budget. - WBUR
With Ticketmaster signaling its intent to contest the outcome aggressively and drag out the litigation, any meaningful accountability may arrive only in the distant future, rather than offering anything close to timely relief. - The Hill
Many of the lawmakers advocated on Monday for a Ticketmaster breakup. Raskin, for example, stated that Live Nation’s monopoly is so strong that artists are “seriously afraid” of the company. - Billboard
