The movie is energized by the emotional implications of the gap between her unflagging devotion to music and, essentially, music’s abandonment of her—the loss of many of the best qualities of her voice. - The New Yorker
“Every technology affects the way that we think, behave and interact. AI is not going away. It will become a part of our humanity, and therefore a part of our art-making.” - The Guardian
"After leading the Cincinnati Symphony Orchestra for seven years, CSO President and CEO Jonathan Martin has announced that he will retire on Feb. 16. He will be replaced by Chief Operating Officer Robert McGrath as the acting president and CEO." - The Cincinnati Enquirer (Yahoo!)
“We’re a tool for creators, and if creators want to use AI to enhance their music, as long as we follow the legislation and copyright laws, we want them to be able to monetise their music and pay out.” - MusicTech
Video games do better with a serious commitment to music: "The self-taught British composer David Wise, with valuable contributions from Robin Beanland and Eveline Fischer, had managed to coax a richer variety of sounds than had ever emanated from a game console.” - Seattle Times (NYT)
“We need to show our industry and music-loving public that there are consequences for inappropriate behaviour,” Katherine Needleman says. - Baltimore Banner
The longtime Toronto Star classical music critic reflects: Littler remembers the words of a former editor who told him, your job is to take us to that event. It’s about recreating the experience for your readers. And, whatever that experience was, it’s not written in stone. - Ludwig Van
They do not feel like fun experiments or celebrations of beloved albums. They feel like the onward acceleration of a culture industry that is unsettlingly dedicated — not just in our concert halls but on our screens and everywhere else it can reach us — to monetizing our nostalgic attachment to media from the past. - The New York...
He declared opera in America “in grave danger,” entrapped by a “star system” enforced by a social elite. He advocated American opera and opera in English. He urged the substitution of smaller auditoriums, shedding the glamour of opera houses in New York, Chicago, and San Franciso that far exceeded in scale European norms. - The American Scholar
"The project responded to ongoing reports of record-breaking levels of first-time attendance. Since full houses are central to the artistic and financial health of opera companies, OPERA America set out to uncover ways to retain and convert these newcomers into a sustaining audience for the future." - Opera America
"ENO says it will be 'firmly established' in Greater Manchester by 2029. But it will start working in the city before that, with productions at the Lowry, Bridgewater Hall and Aviva Studios from 2025, and plans for (a youth opera company and) a mass singing project with grassroots football teams." - BBC
The Swiss conductor, who was chief conductor of the Paris Opera for 12 years (2009-2021) and the Vienna Symphony for six years (2014-2020) before moving to the Vienna State Opera (whence he departs in 2025), will succeed Cristian Măcelaru at the ONF in 2027. - Le Monde (in English)
After six years on the job, the 42-year-old conductor will step down at the end of this season. He is only the fourth music director in the orchestra's 53-year-history. (The second, Kent Nagano, remained for 31 years, long into his high-profile international career.) - San Francisco Chronicle
