"This (550-seater) is the fourth Sadler’s Wells stage, after the original site, with its 1,500-capacity main stage and 180-seat Lilian Baylis studio, and the more populist Peacock theatre in London’s West End. It’ll mean a significant boost in the amount of dance on stage in London." - The Guardian
Just in the past year, two of the metro's major companies closed, as did the area's keystone performance space for dance. The dance scene is precarious and the current situation seems grim, but some see signs of hope. - The Minnesota Star Tribune
"The data shows that from 2023 to 2024, overall artistic director appointments decreased. However, female artistic director appointments decreased by 36%, compared to a 7% decrease for male appointments." - Dance Data Project
Sara Mearns, who dances with startling presence and in-the-moment authority, has been open about her struggles with mental health, but her public posts about her hearing — and how long it has been an issue — were a surprise. - The New York Times
Dancer Kelly Bartnik: “It changes you as a performer. … It changes you as a creator. It changes the quality of energetic exchange between performer and audience member.” - Dance Magazine
"Charme" is a popular dance style which developed in the 1980s as the Brazilian way to party to American soul and R&B. When COVID shuttered indoor clubs, this spot in a working-class Rio suburb became the happening place for charme, and a new generation has discovered it. - The New York Times
"Whether or not you’re already familiar with these up-and-comers, our editors and contributors from across the dance world predict that we’ll be hearing a lot more from these artists on the verge of a breakout in 2025 and beyond." - Dance Magazine
Beginning in 1986, with funding from two foundations and the U.S. Department of State, American Dance Festival director Charles Reinhart sent American teachers to the Guangdong Dance Academy. Four years later, the country's first modern dance company was formed; among its alumni is choreographer Shen Wei. - The New York Times
By the end of last year, tax records show, it had more than a quarter of a billion dollars, stockpiling wealth at a pace that would be extraordinary for any company, let alone a nonprofit dance group from Orange County, N.Y. - The New York Times
“We’re making the same mistakes in our culture. We’re allowing the appropriation, the exportation. We’re trying to fix it for everybody else except for ourselves.” - The New York Times
“Breaking has evolved greatly since he spun on cardboard in Upper Manhattan and the Bronx. Today’s B-boys and B-girls are more diverse, athletic and powerful than ever.” - The New York Times
"After his Trey McIntyre Project gave its final performances 10 years ago, choreographer Trey McIntyre didn’t think he’d work in-depth with another dance company. But then the Los Angeles–based BODYTRAFFIC changed his mind." - Dance Magazine
Dozens of students from Nairobi's Kibera Ballet School, which provides free instruction to impoverished children and teens, donned Santa hats and sequined outfits to perform holiday choreography they had practiced for months. - AP
Darius Kuolys who was the first culture minister after a 1990 declaration of independence, said it was obvious that the Kremlin often exploited culture for political ends. But he added, “It never occurred to me as a minister to tell people what to watch or listen to.” - The New York Times
