Elena Tupyseva was hired by the Moscow Department of Culture in 2012 for the position of CEO and artistic director of the City Theatre Ballet Moscow. - CBC
"The incredible feeling of recognition on the highest event stage has caused a glow through (the World DanceSport Federation) since its unveiling — but to know that it won't be renewed, even before getting a chance to throw down any moves, leaves a bitter aftertaste." - The Big Idea (New Zealand)
The former prima ballerina at La Scala and international star will succeed Martin Schläpfer (who decided not to renew his three-year contract) at the start of the 2025-26 season. - Danza e Danza
"It’s 10 a.m. on a Wednesday morning and 18 dancers are leaping, jumping and twirling in the Dayton Ballet studio. … 'Reach, reach, good!' Brandon Ragland says as he guides them, sometimes all together, sometimes in smaller groups. 'Keep the chest up!'" - Dayton Daily News
"Edwaard Liang comes to Washington after spending the past decade as artistic director of BalletMet, an esteemed midsize company in Columbus, Ohio. He is credited with nearly doubling the organization’s budget and choreographing 21 works during his time there, which also saw an expansion of BalletMet’s school." - MSN (The Washington Post)
Susan Jaffe has some questions to answer, like how can ABT reflect society, and attract younger audiences - "and how do you make a historic institution feel relevant without becoming something it is not?" - MSN (Town and Country)
"Everywhere I go in Belfast people tell me there’s no lack of talent here, just opportunity, infrastructure and funding. There’s been no executive committee in the Northern Ireland government since February 2022. … Still, artists talk about the Arts Council of Northern Ireland like friends, rather than bogeymen." - The Guardian
At a time when audiences are dwindling, and dancers are known more for their TikToks than their technique, it may be unwise to anoint as the art form’s future a choreographer so thoroughly steeped in ballet history. - The New Republic
In July, Julie Kent joined Stanton Welch as co-director of the company, bringing with her the wealth of experience from her 30-year dance career at American Ballet Theatre and her seven years as artistic director of The Washington Ballet. - Pointe Magazine
The Staatsballett Berlin, an amalgamation of three pre-1989 companies, went through three artistic directorships in less than a decade while also dealing with recalcitrant dancers, strikes over pay, and a racism scandal. Good thing that new director Christian Spuck is known for his "preternatural" calm and courtesy. - The New York Times
Kara Skrubis recounts how she was diagnosed with bone cancer while in college. It was a long road to recovery, but when she got her prosthesis, she put a ballet shoe on it and went to dance class. Three years later, she danced a solo with her university program. - Insider
"It’s a big story, and dancers are an integral part of the storytelling force. ... They’re not just coming in for their number or routine." - The New York Times
Irina Kolpakova, who has worked with ABT for decades, "is a consummate coach, her skill evident in her rapid-fire suggestions delivered in an emphatic mix of Russian-English, her poses, her quick adjustment of a dancer’s chin or shoulders." - The New York Times
Okay, not ballet, strictly speaking. For the tenth anniversary of his company, Dark Circles Contemporary Dance, artistic director Joshua L. Peugh has re-investigated his Southwestern roots and given them an LGBT twist to make the new piece Ten-Gallon. (The other half of the program is his queered Nutcracker.) - Dance Magazine