So successful was the sitcom that they ended up running out of American scripts to adapt and they soon began writing their own. All told, Schastlivy Vmeste ran for 365 episodes... and the show turned its stars into household names in Russia. - Mel Magazine
In the U.S., 40% of internet users listen to podcasts. In Canada a third (32.8%) listen and in Mexico a quarter do (25.8%). But in the Asia-Pacific region the numbers are smaller. In South Korea and Japan 12% of internet users report listening to podcasts. - Inside Radio
The social media giant "has algorithmically surfaced false information about conspiracy theories and vaccines, and was instrumental in the ability of an extremist mob to attempt a violent coup." But "the Facebook we have in the United States is actually the platform at its best." - The Atlantic
No, but yikes. "When that initial plume dispersed a bit the first things I could see were dozens of people running in the opposite direction, masked or scrambling to find their masks, and throwing their kids over their shoulders to escape." - Hyperallergic
For a certain sector of the exhibition business, things look, if not blazingly bright, at least cautiously bullish. While not immune to the forces that have affected the greater industry, independent theaters and art houses have managed to weather the challenges with startling success. - MSN
"Transcripts are hardly uncommon in podcasting but they're often an afterthought, littered with omissions and inaccuracies thanks to automated transcription. … For their new show More Than This, Vox Media set out to create a podcast that could also be seen and felt. - Nieman Lab
These are the series that are both influential and significant, that have broken new ground, that have reflected life specifically in this century, or that have changed the culture of TV in some way. - BBC
"How are theater fans feeling about this new normal? Has the pandemic changed what they're seeing, and how they're seeing it? We spoke to theater enthusiasts to find out." - The New York Times
The streamer, in reporting its third quarter financials, noted that it will switch to reporting on hours viewed for its shows and movies rather than the number of households or accounts that choose to watch them. - Deadline
"Coming back has entailed a few adjustments: the ability to deftly juggle proofs of vaccination and photo IDs and tickets to get inside; preshow announcements that now urge people to keep their cellphones off and their masks on." - The New York Times
Theater impresarios quickly recognized them as their ideal audience: the true-blue fans who reliably subscribed to the whole opera season; bought programs, autographed photos; and drummed up the anticipation and conversation that kept theaters in business. - LitHub
People can derive pleasure from recreational horror, whether in a haunted attraction or in front of the screen. For some, it is about maximum stimulation; those people are the adrenaline junkies. But for others, it is about keeping fear at a tolerable level. Aeon
The new Disney Plus documentary on Dr Anthony Fauci, which explores the personal side of the controversial figure, has a certified 91 percent approval rating from critics and a mere 2 percent from audiences. - The Spectator
The program, budgeted for 2022, is similar to those established in France (€300) and Italy (€500). A key difference is that the money will be divided so that not all of it can be spent only on theater tickets or books or opera. - The Local (Spain)
ÜNI, as the site is called, wasn't created to stream the company's live performances: each work on the platform was choreographed especially for digital video, and a few of them includes VR versions that can be controlled by the viewer. - The Boston Globe
