Sure, people are mostly back to live theatre - but " a newly formed nonprofit organization is collaborating to bring nonprofit Broadway ... into homes, schools and community centers." With high-quality streaming, at that. - Los Angeles Times
"In many ways Beetlejuice, which closed Jan. 8, encapsulates life on the bifurcated Broadway of 2023 — a place where the hits are still boffo but the misses tank quicker than ever, and even successes are complicated by fast-changing trends in post-lockdown economics." - Variety
She's on TikTok, of course - or at least, her new fans are, and they're heading to Bath in droves. One academic even suggests that "Austen is the most memed writer after Shakespeare." - The Observer (UK)
There's the obvious - cap the prices, end hidden fees - and then some less-obvious, but useful, ideas, like upgrading ticket-buying software to eliminate those hellish queues. - BBC
A new Some Like It Hot musical tries to balance painful depictions "and the rich reality of drag as art, self-expression, and everything in between. But can a revision of an old story featuring harmful stereotypes ever truly be a vehicle for authentic representation?" - The Takeaway
The pandemic accelerated a generational shift: "Past program choices are not adequately energizing younger audiences. They want the experience to be new and different, on their feet, immersed in the experience and socially connected." - Seattle Times
Their reasoning: "Patronising claptrap. So, young people will only accept opera if it’s put on in a car park. The lower orders can make do with an aria in a pub. And the rich and middle-aged have their country-house operas. It is deeply depressing." - The Independent (UK)
"Over a dozen interviews with former Ticketmaster executives, managers, economists, lawmakers, antitrust experts, fans and industry insiders, many agreed that Ticketmaster is enormous and largely unaccountable to fans. But, they said, it is also a mostly effective business with few peers capable of operating at its scale." - Yahoo! (Los Angeles Times)
Adébáyò's first novel, Stay With Me, "told a closely focused story about the impact of childlessness and sickle-cell disease on the life of a young couple ... but A Spell of Good Things deals with political corruption, social injustice and domestic violence." - The Guardian (UK)
The problem illustrated a much larger issue: "According to multiple sources, the jury has repeatedly expressed concerns to both Sundance and filmmakers that movies playing at this year’s festival should come with open captions" - but many do not. - Variety
"There are plenty of reasons for this, from the playlist culture spawned by streaming platforms … to the solace it provided during the pandemic. … But perhaps highest on the list is the global wave of Gen Z and young millennial classical artists." - BBC
This summer's season will have six shows, down from 11 pre-pandemic and eight in 2022. AD Nataki Garrett: "Our numbers have come in between 46 and 50 percent of people returning, which is the same return rate as most theatres across the country." - American Theatre
"Edison Research's quarterly analysis of the top genres shows Comedy continues to have the most listeners. The bigger surprise could be that despite the fall election season, the News genre lost ground. It slid back to third place (behind) the all-encompassing Society & Culture." - Inside Radio
Observing the company's worrisome slump in ticket sales and Peter Gelb's announced plans to focus more on contemporary works and reduce the number of performances (especially of revivals), Parterre Box contributor Dawn Fatale suggests further ways to get the FOMO factor working in the Met's favor again. - Parterre Box
