“At first, these outlets seemed good for dance. … They could expose dance to larger mainstream audiences. They could help democratize an industry infamous for subjectivity and selectivity. … (Yet these benefits) became less potent over time. ... And social media’s negative effects can hit dancers with particular force.” - The New York Times
“Dance has always been more fragile as an audience draw; we are so keenly aware of that and are always trying to build bridges to help audience members find ‘their stories’ in our performances.” - Wisconsin State Journal (Internet Archive)
“The Ghiblification of OpenAI’s image generation launch was likely a calculated move to ensure that people viewed the new feature in a good light.” - Gabriel Burrow
For 2025-26, the company will again offer all seats at $11 each (or higher if the buyer chooses). There are twice as many performances as this season, and five works scheduled rather than this season’s three — but only one of those works is a conventional opera. - The Philadelphia Inquirer (MSN)
Basically, lie (unless you’re a critic, in which case say nothing until the review). One actor: “It takes incredible amounts of bravery to be vulnerable enough to offer yourself to an audience, whether screen or stage. I’m proud of anyone who dares.” - The New York Times
“Works on Skin sells artwork in numbered limited editions of 100, initially for €100 each but reaching up to €2,000 for the last remaining numbers. With their purchase, buyers acquire a signed fine-art print of the artwork.” - The Observer (UK)
As a matter of fact, it’s raised enough to get the heck out of Arts Council England a year earlier than planned during “an uncertain public environment for classical music in the UK.” - The Guardian (UK)
No real surprise: "Romance dominated in terms of genre popularity across the US, with 22 states seeing it as their top searched genre. … Romance was especially popular in the south.” - Book Riot
“Deloitte predicts that the industry will shift away from standalone subscription services towards aggregation, similar to traditional pay TV packages. SVOD platforms need aggregators as they reach saturation in major markets and seek creative ways to reach new audiences and reduce churn.” - The Hollywood Reporter
“It was genuinely groundbreaking in its relationship with the city. The bridge over to St Paul’s was conceived really early on and it caused a great opening up of the river. ... It has helped London develop its confidence.” - The Observer (UK)
Maybe reconsider that Open AI pitch, Hollywood creatives. "In Sora’s world, … pilots, CEOs, and college professors are men, while flight attendants, receptionists, and childcare workers are women. Disabled people are wheelchair users, interracial relationships are tricky to generate, and fat people don’t run.” - Wired
“None of the indicators show full recovery from pre-pandemic levels. And though the pre-Covid years may look booming in hindsight, many of the issues that have battered the field since 2020 were in fact long-standing and systemic, and are still being worked through.” - American Theatre
The new study from the think tank Remuseum, based at Crystal Bridges Museum in Arkansas, is titled “Access, Scale, and Market Share” and presents new findings in its analysis of American art museums and proposals about how they can maximize resources and practices to widen their reach to the public. - Artnet
“Jury Games (is) one of several immersive theater productions that are taking jury service … and repackaging it as entertainment. Similar experiences will be popping up in cities around the world this year, including The Jury Experience in … North America and Europe, and Murder Trial Tonight, touring Britain.” - The New York Times
