Listening to a podcast is usually a solo experience. “Going to a theater to see these podcast performers live can feel like the exact opposite: Strangers with the same niche interest crowding into one place in not just rapt, but maybe even a bit rabid, attention." - Los Angeles Times (MSN)
Benamor, by Pablo Luna, “featured cross-dressing characters and risqué humor that was largely tolerated during the Roaring Twenties in Madrid and premiered just months before a military coup that brought an end to the constitutional monarchy.” - The New York Times
Nataki Garrett Myers, former artistic director of Oregon Shakes: “Neutrality is an illusion. What the article actually offers is a case study in how comfort becomes policy — aesthetic, institutional, and ideological. That comfort has a look. It has a voice. And it has a conspicuous absence.” - Be A Ladder Leader
For instance, in Pluribus, “the music was designed to explore the tension between the pain of individuality and the comfort of surrender.” - Fast Company
“Newcomers to opera (many are self-described theater enthusiasts), … they share with their followers their delight and surprise at what they have found: the lack of a dress code; the English-language translations on the backs of seats; the Hollywood-worthy projections and videos; and, yes, the existence of cheap seats.” - The New York Times
According to the lawsuit, Playwrights Horizons promoted the discount with the language ‘For this BIPOC Night performance, we welcome folks who are Black, Indigenous or People of Color to use code BIPOCNIGHT to unlock ($39) discount seats.’ The plaintiff, Kevin Lynch, who is white …, (paid) $90.” - The New York Times
Bad, really bad. "It’s a mistake to compare this stuff to other films. It is, indeed, a mistake to compare it to any other artistic enterprise. What we’re dealing with is closer to tinsel or snow in a can. Christmas movies are mere decoration.” - Irish Times (Archive Today)
How to pick an (Oscar) winner: "The presumptive top five in the Best Picture race includes two auteur-driven blockbusters, one old-school weepie, one timely social drama, and one family saga by a venerated European director.” - Vulture
The first club meetup included “an exclusive Theater Club post-show talkback with artists who worked on the show, and a drink ticket that can be used at the Chopin bar so folks can hang out after the talkback and chat theatre with likeminded folks.” - American Theatre
One way is by, let’s say, not being intense with their audiences. “My first covenant is with the audience, and I care about what they think. … People don’t want to spend money on a show they don’t think they’re going to like.” - The New York Times
“One of my friends has cultivated a list of 30 movies about ‘Fucked-Up British People,’ while I made ‘crash out cinema,’ a collection of films to watch when you’re in the throes of a maybe-unrequited crush.” - The Guardian (UK)
But sadly, he’s not here to see it. “Why the opera was not performed when it was written, in 1995, offers a snapshot of the classical music scene in Italy at the time, which snubbed Morricone as a mere composer of film soundtracks.” - The New York Times
