“A Chorus Line celebrates artists’ commitment while demonstrating — both at the story level and in the way the script itself was assembled — how easy it is to bully or exploit them.” - The New York Times
The FOMO is real. “Complicating things further for The Odyssey is that it’s available in so many premium formats—six, altogether—that the film’s official website includes a guide to their various strengths and aspect ratios.” - Wired
“Covers today are expected not only to attract readers in bookstores, but to circulate fluidly through Instagram posts, TikToks, Substack photos, and carefully curated apartment interiors. Books are now asked to function simultaneously as texts and as lifestyle objects.” - LitHub
Abbey Theatre "is one of the State’s most important cultural institutions. It was founded by William Butler Yeats and Augusta Gregory in 1904; the 1966 structure has been described by the government as a ‘deficient’ building for audiences and performers.” - Irish Times
The parameters are different for each company — Opera Philadelphia, an early adopter, sets an $11 minimum — but a number of different troupes and presenters in Philly have been trying the scheme. Here are some of the lessons, expected and unexpected, that they’ve learned so far. - Broad Street Review (Philadelphia)
“The distinction between a preview and an official opening night, once a universally understood boundary, has become increasingly blurred. In an era dominated by instant social media reaction, some no longer seem to realise there is a difference at all.” - WhatsOnStage (UK)
“Contemporary readers remain as eccentric as ever. Some buy two copies of each book: one to read messily and another to display smartly on the shelf. ... And many, many of them annotate. Furiously. Dedicatedly. Fanatically.” - Irish Times
“In 2023, English was represented by only a handful of productions, and last summer the majority of Arabic-related offerings were dance shows, rendering the question of language somewhat moot. But the focus on Korean at this year’s festival ... has opened an inviting window.” - The New York Times
“On average, Disney has waited 27 years before remaking one of its animated classics as a live-action movie.” Just one problem: They’re out of animated classics to remake. - The New York Times
Personal testimony is paramount on BookTok; a book is deemed successful if it ‘breaks’ or ‘destroys’ a “reader. The most common book-review content on the app understands books as pleasure-spiking torment factories.” - The New Yorker
“I had always worn pink and been really girly. I stood out in every room I was in. When I watched Legally Blonde, I was like, ‘Oh my god, I can be taken seriously.’” - The Guardian (UK)
“Between confusing release schedules, binge releases, long gaps between seasons and the regular flood of new content making it difficult for any new release to stand out, Netflix’s scale is quickly becoming its own worst enemy.” - The Wrap (MSN)
“Wilson’s translations of The Odyssey and The Iliad are some of the best-known pieces of contemporary translation, and they’ve turned the University of Pennsylvania professor into both a star and a specter of controversy.” - Vulture
The strategy with saying Alex Jones exploded; “We’re trying to draw him in ... he’s not hurting anybody else for a few minutes or he’s not, you know, spreading more ridiculous lies about innocent people. So we want to waste his time.” - Slate
