“Based on recent ticket sales and Visitor Center website traffic, … the formula has proven to work in Philadelphia. … While Philly tourism and theater attendance have been down compared to 2019, Amy Murphy, Arden Theatre’s managing director, said TKTS is already paying dividends.” - The Philadelphia Inquirer (MSN)
“The president has gone beyond rhetoric, moving to challenge or seize control of history-related federal cultural institutions including the Smithsonian, the National Park Service and the National Endowment for the Humanities.” - The New York Times
“It’s not that these are great pieces that happen to be long; the length itself is the point. The language – ‘endurance’, ‘epic’, ‘marathon’ – is that of extreme sport. Test yourself, we’re implicitly urged. … In that moment, an act of artistic engagement … becomes solipsistic and a self-congratulatory cultural flex.” - The i Paper (UK)
The 18-to-25 demographic isn’t usually considered a target audience for a circuit where tickets are so expensive, but the last couple of seasons have seen productions of shows deliberately aimed at that age group. It seems to be working. - The Guardian
"His legacy, like his life, is one of contradictions: he was a radical socialist and hugely successful businessman, who made wallpaper for Queen Victoria; a passionate champion of craftsmanship and workers’ rights, whose designs have become a template for mass-produced tat.” - The Guardian (UK)
“At first, these outlets seemed good for dance. … They could expose dance to larger mainstream audiences. They could help democratize an industry infamous for subjectivity and selectivity. … (Yet these benefits) became less potent over time. ... And social media’s negative effects can hit dancers with particular force.” - The New York Times
“Dance has always been more fragile as an audience draw; we are so keenly aware of that and are always trying to build bridges to help audience members find ‘their stories’ in our performances.” - Wisconsin State Journal (Internet Archive)
“The Ghiblification of OpenAI’s image generation launch was likely a calculated move to ensure that people viewed the new feature in a good light.” - Gabriel Burrow
For 2025-26, the company will again offer all seats at $11 each (or higher if the buyer chooses). There are twice as many performances as this season, and five works scheduled rather than this season’s three — but only one of those works is a conventional opera. - The Philadelphia Inquirer (MSN)
Basically, lie (unless you’re a critic, in which case say nothing until the review). One actor: “It takes incredible amounts of bravery to be vulnerable enough to offer yourself to an audience, whether screen or stage. I’m proud of anyone who dares.” - The New York Times
“Works on Skin sells artwork in numbered limited editions of 100, initially for €100 each but reaching up to €2,000 for the last remaining numbers. With their purchase, buyers acquire a signed fine-art print of the artwork.” - The Observer (UK)
As a matter of fact, it’s raised enough to get the heck out of Arts Council England a year earlier than planned during “an uncertain public environment for classical music in the UK.” - The Guardian (UK)
