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Meet Fabian Debora–Chicano Muralist and 2024 National Heritage Fellow

Art Works  is celebrating Hispanic Heritage Month and the NEA National Heritage Fellowships with a conversation with Chicano muralist and 2024 National Heritage Fellow Fabian Debora. Debora discusses his remarkable journey from growing up in the gang culture of Boyle Heights, Los Angeles, to becoming an acclaimed artist and advocate.  He shares how art became his lifeline during difficult times and the profound influence of...

Thomas Hardy on rural creative placemaking

“The town was intentionally bent upon being attractive by exhibiting to an influx of visitors the local talent for dramatic recitation, and provincial towns trying to be lively are the dullest of dull things. “Provincial towns are like little children in this respect, that they interest most when they are enacting native peculiarities unconscious of beholders. Discovering themselves to be...

A Revelatory Visual Rendering of an American Musical Masterpiece

Three Places in New England by Charles Ives – a visual rendering by Peter Bogdanoff Of the masterpieces of American classical

The Downfall of Classical Music

If you’re in the mood for a rollicking conversation about the downfall of classical music in the US, check out this podcast

Broadway Melody: Jack Viertel’s Love Letter to Broadway, New York, and the Great, American Epic

I was so pleased to get back to Call Time after some time off (for both work and pleasure) and to get to come back to it with the amazing Jack Viertel. As some of you might know, Jack was one of my original guests on Call Time when it was in its infancy as […]

What, So Soon? The Brooklyn Museum’s Hasty Do-Over of Its 2016 American Art Reinstallation

When this brief press release about the Brooklyn Museum’s “transformative reinstallation of the American Art galleries” hit my inbox two

Lincoln Center’s new-ish Festival Orchestra is cheered by audiences – upstairs and down – but has a ways to go

The program was not a crowd pleaser. But the crowd seemed open to whatever they were given at this closing Aug. 10 concert of the Festival Orchestra of Lincoln Center’s summer season. From a distance, the program looked a lot like a particularly wide-reaching New York Philharmonic subscription concert, but with key difference. No cellphone interruptions. There was applause between...

Grueling Grünbaum Disputes: Manhattan DA Takes on Museums (once again)

I did a doubletake when I saw the recent article about the return of a Schiele drawing (below) to the

Imagine if the arts were funded with $27 donations

In a recent New York Times article, Barry Edelstein, Artistic Director of The Old Globe, a large nonprofit theater in San Diego, gave a quote that caught my eye. He said, “We’re not going to solve the structural financial problems facing the sector through Bernie Sanders-style $27 contributions. It’s going to take really significant infusions […]

Tanglewood: Idyllic to the eye, radical to the ear

So much stimulating, challenging music threatened to overflow and overload the Tanglewood Music Festival’s annual composer’s week that one had to stand back and realize how radically this bucolic setting in Lenox MA diverges from the typical summertime concert life of major orchestras. The closest thing to recreational listening over the 42 pieces played July 25-29 was the Boston...

Pomp(idou) & Circumstance in New Jersey: Economics & Politics Sink the Paris Museum’s Jersey City Bateau

As someone who lives about 10 miles north of the site that had been chosen for the Jersey City Pompidou

Philly Follies: Art Schools Leave Students in Lurch; Philbrick, Released from Jail, Seeks a Comeback

The sudden closure of the Philadelphia’s University of the Arts (catching students unawares and unprepared) is just the latest in

Eric Cornell, and a New Generation of Commercial Producers

Katie checks in with commercial theatre producer Eric Cornell, and they discuss transparency and multi-hyphenates in the theatre industry.

A New “Golden Age” Off-Broadway: Where Less Is More

About a month ago, Michael Paulson wrote an article for The Times about an unexpected “bright spot” in the American theatre landscape. “Broadway is struggling through a postpandemic funk, squeezed between higher production costs and lower audience numbers just as a bevy of new shows set sail into those fierce headwinds,” Paulson began. “At the same time,” […]

America Slow Dance

That’s the name of a variation on “America the Beautiful” that I wrote for Min Kwon’s America/Beautiful project.But wait … what IS that? - Greg Sandow

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