AJBlogs

AI tricks

[A human named David Szalay]. Paul Bloom posted this note on Substack: I’ve always thought that I would never want to read an AI-written novel, no matter how objectively well-written it is. But I’m starting to question this. I’m on a real David Szalay kick these days; last night, I finished “London

AJ Chronicles: Why Tech Infrastructure is the Most Important Arts Story of the Year

The infrastructure carrying culture to audiences — legal, technical, financial, corporate — was not built for the creative sector. It was built by and for technology companies, telecommunications firms, and entertainment conglomerates.

Sidney Jackson talks about the unique role of the Chicago Sinfonietta

Sidney Jackson, President & CEO of Chicago Sinfonietta, talks about their unique role and impact regionally and nationally.

Wagner’s “Tristan” at the Met — Then and Now

I am in Ann Arbor, participating in a Mahler project with Ken Kiesler and his fervent University of Michigan Symphony Orchestra – the group with which I memorably toured South Africa a year ago (and about which I blogged and broadcast). Addressing a class of young conductors this morning, I

“Dog on a Cold Stone Floor,” or When Nonprofit Arts Organizations Obsess About the Art More Than the People

Art is a universal good. No argument. Nonprofit arts organizations are not art, and therefore are not a universal good. No argument there, either.

Liberal Arts

(Kudos to the art director who chose that American flag done with handprints – it’s perfect). I enjoyed reading Becca Rothfield’s “Listless Liberalism” in The Point, in which she reviews Ezra Klein and Derek Thompson’s Abundance, and Cass Sunstein’s Liberalism, and also asks the question of why the aesthetics of a liberal society, barely addressed

AJ Chronicles: What Habermas Feared for our Public Sphere

This week we collected 118 stories. It's worth noting, I think, that attempts to address the current collapse of the non-profit culture sector are focused on changing market forces. But this is a larger, more systemic set of issues that has corroded all of civic life -- from culture to

Rachel Thompson shares the curricular ties between students and arts institutions

Rachel Thompson, Program Manager at the Curb Center for Art, Enterprise & Public Policy at Vanderbilt, talks about building curricular ties between students and the arts and art institutions.

Born in the DSA*: Bat$#^t Crazy Leadership Does Not Happen By Accident, and It Can Only Be Crushed If We Do It Together

The popular guy in charge of the DSA is a greedy, paranoid sociopath, a malevolent narcissist, and is probably experiencing dementia. It’s a tactic that works for him, even as it destroys the DSA.

Amelia Durán shares the key pillars cultural organizations should adopt

Amelia Durán, Executive Director of Garage Cultural, shares the key pillars for cultural organizations focused on community.

You’re Not Still Planning an Arts Season From YOUR Perspective, Are You?

Are you still looking at plays and symphonies and exhibits as your starting point? A reasonable approach in 1976. Big mistake in 2026.

Should there be a tax deduction for donating to the nonprofit arts?

I was at a seminar yesterday given by Professor Philip Hackney of the University of Pittsburgh School of Law, given (via web) at the Marxe School at Baruch College, on “Tax Policy Toward Arts Nonprofits: Democracy or Plutocracy?” It’s a good question! I won’t try to summarize what Professor Hackney

Colleges, students, and jobs: nobody knows anything

In my past life I spent some time in university administration, and one of my jobs at this public university was to take proposals for new degree programs that the university had approved of to the state board of higher education, for their necessary approval. In those proposals we had to include

Reading Eleonora Redaelli’s Invisible Cultural Policy in America

This recent book is open access, here. And my full review in the International Review of Public Policy is also open access, here. My review begins: There is an old joke: An American tourist is visiting Oxford for the first time, and on his first morning signs up for a guided walking tour. The

I didn’t want to be right: Kennedy Center closing for two years

Is the Kennedy Center really closing because of renovations? Or is it to save face from audience and artist protests?

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