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Special Commentary: Of All the Times I’ve Wanted to be Wrong…

Remember that war we talked about in February and March? Has it already started? (Image by HUNG QUACH from Pixabay). ...

We Know What You Did Last Summer

Among minor casualties of the COVID-19 pandemic—at least in my neighborhood— were troops of parents and young children going door to door for Halloween, wearing costumes with masks that were not N95s. In those years, leaving a bucket of candy out on the stoop with a “Have at it!” sign became an enduring option.  Back then, the diminution of trick-or-treaters...

The Glenn Lowry Years: The Mixed Record of MoMA’s Mega-Builder (and who should succeed him)

When Philippe de Montebello announced his intention to retire after three decades as the director of the Metropolitan Museum of

It’s all about the Vibes: Lessons from the election for arts marketers

What can we learn about arts marketing from how people consume information about elections? Lead with vibes.

Talking To or Talking At? Or Even Talking at All?

Nonprofit Arts Leaders: Don’t tell them about your mission, show them how you are fulfilling it. Don’t just present, discuss. ...

David Stout shares how to use AI to create extraordinary musical compositions

David Stout, Professor of Composition Studies and Coordinator of the Initiative for Advanced Research in Technology and the Arts at the University of North Texas, shares how to utilize AI to generate extraordinary artistic outcomes.

“Dear Daddy” — What Kind of Man Was Charles Ives?

What kind of man was Charles Ives? Based on the testimony of those who knew and met him, I would

Graham Parker talk about the role of the orchestra as an artist driven civic leader

Graham Parker, CEO of the Louisville Orchestra, shares the extraordinary history of their founding and their role as an artist driven civic leader.

Vibrant (sic)

In the 90s I lived in Regina, Saskatchewan. When I moved there I had never been before, but I had been looking for work, my PhD in-progress dissertation was a bit of a train wreck (I finished it eventually), and the university there was kind enough to offer me a position. Our lives go through stages, and for me...

Quick Study: Arts Participation Rates at the State Level

In this episode, we look at a new NEA research report, 50 States of Arts Participation, to learn how patterns of art-going and art-making vary by state. A transcript is available here.

Introducing The Jazz Omnibus

I’m proud of my two published books (Miles Ornette Cecil – Jazz Beyond Jazz and Future Jazz) and my unpublished ones, too; the two iterations of the encyclopedia of jazz and blues; I edited, and my collaborations with some musicians creating their own books — but right now I’m crazy enthusiastic about The Jazz Omnibus: 21st-Century Photos and Writings...

“Very Likely the Most Important Film Ever Made about American Music”

https://youtube.com/watch?v=LUMu1qisXoM&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent During the pandemic, unable to produce concerts, I found myself making six documentary films linked to my book Dvorak’s Prophecy. The

Federal Data on Reading for Pleasure: All Signs Show a Slump

A poet-friend of mine runs a blog that carries, as its tagline, “Would it kill you to read a #$%&% book?” To my ears, the slogan has come to sound less like a writer’s rant, or the crude appeal of a beleaguered parent, than a knee-jerk reaction to federal stats about reading in the U.S. Most recently, survey results...

How should we evaluate guaranteed income for artists?

Back in the day, I took a few years leave from academia to work in the public service, as a policy advisor to the Cabinet of the government of the province of Saskatchewan. We would receive from various line departments proposals for policy changes or new initiatives, and a large part of my job was to work with our...

The predictable result of arts organizations and cell phones

The Inquirer reports that cell phones are presenting a problem at the Philadelphia Orchestra: Another orchestra season, another soul-killing cell phone interruption. As banal as it may be, Saturday night’s mid-Bruckner cell phone incident at the Philadelphia Orchestra is a painful thing to ponder, a kind of musicus interruptus from which a performance never really recovers. Yannick Nézet-Séguin wasn’t asking for anything unreasonable when he once again suggested to the...

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