AJBlogs

Authorship used to be a status granted by an act of creation. Now it will be a status you will have to defend through paperwork. We have moved from the era of the romantic "lone genius" to the era of the administrative author who will need to "prove" the machine

An early review of my forthcoming novel “The Disciple: A Wagnerian Tale from the Gilded Age,” by Hans Rudolf Vaget, appears in the current issue of “Wagner Notes” — the journal of the Wagner Society of New York (pp. 11-12). The book is already available for purchase (with a discount)

I wasn’t initially planning to write anything about Wednesday night’s Carnegie Hall concert by the Chicago Symphony under Klaus Makela, their 30-year-old impending music director. I’ve written about Makela quite enough. I have no doubt that he is immensely gifted. I have seen him ignite an orchestra with a rare

Back to the basics, because the message is only going so far. It’s up to you to save the sector from its own worst instincts.

Brink Lindsey takes his title from one of my favourite essays, John Maynard Keynes’s “Economic Possibilities for Our Grandchildren” (which I wrote about here). Keynes, in 1930, wondered what lives might be like in our present. There are three big predictions in the essay, interrelated, of which I would say he got two right, which

The image of the current version of this country around the world is that of a gun-happy, murderous, fascist state in which every weapon is available to everyone who wants to shoot up a crowd. If that perception is correct, why don’t we just get rid of the guns?

“As the repertoire ages, as the world changes, we will have ever fewer Fischers and Honecks, and ever more Dueñasas, Lims, and Chos. The outcome seems to me unpredictable. It could be a refreshment and it could be a dilution.“ A dozen years ago, Ivan Fischer came to Carnegie Hall

Olga Neuwirth has composed an opera, “Monster’s Paradise”, with a libretto written by her and Elfriede Jelinek. You can see in the photo above, what it’s about. It is premiering at the Hamburg Opera, before going to Zurich and Vienna, and on their website there’s a two-minute video that gives

Is the Kennedy Center really closing because of renovations? Or is it to save face from audience and artist protests?

Diana Wyenn, Director, Choreographer & Creative Director of Interlochen’s Imagine US, shares her leadership strategy leading complex creative processes.

Carlos Simon, Composer-in-Residence of the Kennedy Center, shares the ethos behind his composing process that impacts communities.

Neil Barclay, President & CEO of the Charles H. Wright Museum of African American History, talks the evolving landscape for BIPOC organizations and avenues for sustainability.

Marvin Curtis, Immediate Past Board Chair of the South Bend Symphony shares the purpose and impact behind the documentary, The Invisible Player.

In the midst of a lot of other news in his first 8 days in office….funding for child care for all, reactions to tragedy, responding to threats from the federal government, and more, new New York City Mayor Zohran Mamdani made ‘arts for all’ a priority.  On Friday, he joined with the producers of the

Adrian Rodriguez, Director of Community Engagement, Chorus Director and Curriculum Manager of the Music Advancement Program at The Juilliard School, shares how to implement a commitment to young people as they develop in the arts.