The question isn't whether AI will change our definition of creative excellence. The question is how we will engage with that change: with curiously and critical insight, with our existing values intact but our existing definitions loosely held? Or defending the current map as if it were the entire territory.
Brink Lindsey takes his title from one of my favourite essays, John Maynard Keynes’s “Economic Possibilities for Our Grandchildren” (which I wrote about here). Keynes, in 1930, wondered what lives might be like in our present. There are three big predictions in the essay, interrelated, of which I would say he got two right, which
The image of the current version of this country around the world is that of a gun-happy, murderous, fascist state in which every weapon is available to everyone who wants to shoot up a crowd. If that perception is correct, why don’t we just get rid of the guns?
“As the repertoire ages, as the world changes, we will have ever fewer Fischers and Honecks, and ever more Dueñasas, Lims, and Chos. The outcome seems to me unpredictable. It could be a refreshment and it could be a dilution.“ A dozen years ago, Ivan Fischer came to Carnegie Hall
Olga Neuwirth has composed an opera, “Monster’s Paradise”, with a libretto written by her and Elfriede Jelinek. You can see in the photo above, what it’s about. It is premiering at the Hamburg Opera, before going to Zurich and Vienna, and on their website there’s a two-minute video that gives
Diana Wyenn, Director, Choreographer & Creative Director of Interlochen’s Imagine US, shares her leadership strategy leading complex creative processes.
Neil Barclay, President & CEO of the Charles H. Wright Museum of African American History, talks the evolving landscape for BIPOC organizations and avenues for sustainability.
In the midst of a lot of other news in his first 8 days in office….funding for child care for all, reactions to tragedy, responding to threats from the federal government, and more, new New York City Mayor Zohran Mamdani made ‘arts for all’ a priority. On Friday, he joined with the producers of the
Adrian Rodriguez, Director of Community Engagement, Chorus Director and Curriculum Manager of the Music Advancement Program at The Juilliard School, shares how to implement a commitment to young people as they develop in the arts.
Nostalgia may be having a moment, but to say that's all that audiences want is oversimplifying. A recent NY Times article flattens the current moment in regional theater and I analyze what it means for how we can understand audiences.
