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AI that turns Museums into Conversations: The Digital Twin

Museums still operate as if interpretation is a one-way stream, produced by experts and consumed by the public. Instead, imagine an exhibition that doesn't just speak, but listens and responds.

Cheyenne King-Bails talks about the extraordinary impact of the SphinxConnect conference

Cheyenne King-Bails, Director of Community Experience at The Sphinx Organization, shares the value of the SphinxConnect conference and its impact on the arts community.

Dear Mayor Mamdani: Here’s Your Art Everywhere

Dear Mayor Mamdani, We love your love of arts for all, and we swooned when we read that your favorite museum is the art we all see and share together in the NYC subway: the “…beautiful murals and pieces of art across our subway system. And the fulfillment of art as being something for the

Welcome to Twenty Twenty-Six

Heavy winter snows whitened the trees. They turned the branches into filigrees shivering in the wind.

Who Wrote “Porgy and Bess”?

It must mean something that the highest creative achievement in American classical music is permanently controversial. When Porgy and Bess premiered on Broadway in 1935, a typical critical reaction was: “What is it?” American-born classical musicians (unlike their European-born brethren) marginalized George Gershwin as an interloper, a gifted dilettante. Later,

Goodbye to 2025

Beneath that commanding sky helicopters beat the air like motorcycles flying by.

The Music of the Future?

The current issue of The American Scholar includes a long piece of mine suggesting a possible new direction for contemporary classical music – versus the “makeshift music” that deluges our concert halls. I make reference to John Luther Adams, Charles Ives, Jean Sibelius, and Ferruccio Busoni. To read the whole

Kevin Haden shares the importance of giving young people the opportunity to develop their creative vision

Kevin Haden, Senior Associate Dean of Strategic Engagement and Institutional Excellence at the Curtis Institute of Music, shares the importance of giving young people the space to define their own creative vision.

Trump vs. the Kennedy Center

Mere hours before its board renamed the Kennedy Center for Donald Trump, Persuasion ran my online piece on Trump, the Kennedy Center, JFK, and Leonard Bernstein. I will be following up with a 50-minute “More than Music” feature on NPR, to run in January. Here’s the Persuasion article: When people

John Carey’s “What Good are the Arts?”

Literary critic and academic John Carey died last week at the age of ninety-one. I always enjoyed reading his reviews. If you hadn’t already guessed how the Bloomsbury set and their literary contemporaries viewed common folk, his book The Intellectuals and the Masses gives you chapter and verse. I enjoyed Henry Oliver’s appreciation of

The Disney/OpenAI Deal: How the Creative Landscape is Being Rewritten for Us All

Like it or not, Disney's move is a big step closer to what an AI creative world might look like.

Born in the DSA*: Little Donny Dingdong Be Damned**, Let Everybody Vote

Let’s stop cocking around and just let people vote in peace. This will the last post for 2025. I’ll be back in the first week of January. For now, let’s talk about voting. In this meh land of ours, voting has always been restricted. One by one, restrictions based on sex, creed, color, religion, land ownership, and hair color have been...

Cut, Paste, Print: a Graphic History of Political Montage

The exhibition opened recently at La Contemporaine (an institution associated with Paris Nanterre University). It is free and runs until March 14, 2026. Have a look at some of the montages.

Allyssa Jones shares the importance of providing access to young people of diverse composers

Allyssa Jones, Founder of Rising Tide Music, talks about the importance of providing access for young people to diverse composers.

Dear “The Ground We Stand On,” — A Letter to BIPOC Artists

On June 8, 2020, a letter was sent and signed by 300 artists who were Black, Indigenous, and People of Color (BIPOC). It has since been signed by over 100,000 people. After 5 years, the report card shows a failing grade. On May 25, 2020, as COVID-19 was killing millions of people all over the world, one Black man in...

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