Lee Lozano, Untitled Drawing, n.d. A Method in Her Madness What is one to do with Lee Lozano (1930-1999)? A free-ranging survey of her art at P.S.1 in Queens (through April) prompts some thoughts. First of all, we get to see several bodies of work: large paintings and drawings of tools; drawings about sex, sometimes with tools as sex instruments; abstract paintings (but not her justifiably well-remembered Wave Series); and conceptual/performance pieces as spelled … [Read more...]
Archives for 2004
WHITNEY BIENNIAL 2004
THE ARTFORUM MOMENT
Twelve Years That Shook the Art World They were so young, so committed, and so smart -- according to themselves. But shouldn't we add self-deluded, pompous, and ruthless? The evidence is all there in the self-serving statements, contempt for others and general viciousness of the editors and writers of Artforumas recorded in Amy Newman's breathtaking Challenging Art: Artforum 1962-1974. It's now in paperback and a good beach-read even when it's too cold for the … [Read more...]
BILL MORRISON’S ‘DECASIA’
Still from Morrison: Decasia Film As Art Bill Morrison's film Decasia: The State of Decay is art. I don't mean to say that Hitchcock's Vertigo or any number of Dogma films are any less art. But Decasia is art the way Blood of a Poet is or Stan Brakhage's Mothlight or Bruce Conner's Movie or Andy Warhol's Empire are. Decasia was originally created for a multimedia … [Read more...]
NIKOLA TESLA’S WHITE DOVE
Nikola Tesla'sPowerTransmission Tower The Future of Opera In another life as an arts administrator -- once my "day job," as theater people say -- whenever myassistant felt she might have exceeded her brief, she'd preface her confession with the phrase "just so you know." For example: "Just so you know, I have paid Consolidated Edison rather than Verizon." To this day she does not know that I came to dread the phrase. But sometimes it … [Read more...]
MET FOLLIES AND OTHER COMPLAINTS
Pet Peeves Complaints will not be a constant theme, for their impact is diminished by frequency. Besides, I am, as friends and even enemies will testify, even-tempered and not quick to complain. But sometimes you just can't hold it in. Poodle poop in the Chelsea art district is an increasing blight. If you are going to live in that trendy neighborhood with a Comme des Garcons store as your only haberdashery, do as others must do: scoop the poop. I don't know if you live in Chelsea … [Read more...]
MARC QUINN’S STATUES
Marc Quinn, Helen Smith, 2000 When you first walk into the gallery, you will probably be attracted to the smooth, white marble and the semblance of sensuous flesh. How hard, white stone became associated with the softness of the body has to do with illusionism and cultural conditioning. That polished marble still signals art with a capital A is further evidence -- evidence you can feel -- that the mind as well as the eye plays tricks on the heart. That Greek statues were … [Read more...]
THE KABAKOVS’ EMPTY MUSEUM
The Art Couple When an established artist becomes an artist couple, what does this mean? Does the work change? Why is it always the wife who gets added on to the famous husband's career, and there's not one husband appended to a woman's? The Soviet/post-Soviet "conceptual" artist Ilya Kabakov and his wife Emilia are now publicly a husband-and-wife team. They join the illustrious ranks of the late Ed Kienholz and Nancy Reddin Kienholz; Claes Oldenburg and Coosje van Bruggen; Christo and … [Read more...]
NAYLAND BLAKE’S IDENTITY: BURLY, BLACK AND GAY
An Identikit for Unreeling the Invisible identikit n: (trademark) a likeness of a person's faceconstructed from descriptions given to police; uses a set of transparencies of various facial features that can be combined to build up a picture of the person sought. Identity politics, as exemplified … [Read more...]
PICABIA TO PEARLSTEIN: CHELSEA ART WALK
DeChirico, Gladiators (1930-31) Picabia, Minos (1930) Warhol, 18 … [Read more...]