Carl Andre doesn’t think of his floor pieces from the late ’60s as flat. They claim the space above them to the ceiling.
In 1987, Charles Ray found a more literal way to connect within the spacial void. Ink Line flows from the ceiling to a hole in the floor, refabricated for his current exhibit at Matthew Marks. (Ken Johnson review here.)
Alex Schweder connects through directions, which are, in the photo below, painted at the room’s top and bottom.
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